Angela Bulloch — biography

Born 1966 in Rainy River, Canada
Lives and works in London and Berlin

Selected Solo Exhibitions

“Almanach 16”, Le Consortium, Dijon, France

“UGO RONDINONE I ♥ JOHN GIORNO”, Palais de Tokyo, Paris, France
“TELE-Genic”, Kunstmuseum Bonn, Germany
“Sensory Systems”, The Grundy, Blackpool, TELE-Genic, Kunstmuseum Bonn, Germany
“Faux Amis”, Simon Lee Gallery, London, UK
“Hello Walls”, Gladstone Gallery, New York, NY, USA
“Works By”, Galerie Eva Presenhuber, Zürich, Switzerland
“Walk the Line”, Kunstmuseum Wolfsburg, Wolfsburg, Germany Ladies First!, Schauwerk Sindelfingen, Sindelfingen, Germany
“Ladies First!”, Schauwerk Sindelfingen, Sindelfingen, Germany
“The Decorator and the Thief (…)”, Northern Gallery for Contemporary Art, Sunderland, UK
RAM: Rethinking Art and Machine, Art Gallery of Nova Scotia, Halifax, CA, USA

“Seeing Through Light: Selections from the Guggenheim Abu Dhabi Collection”, Manarat Al Saadiyat, Saadiyat Cultural District, Abu Dhabi
“Petals on the Wind”, Galerie Micheline Szwajcer, Brussels, Belgium
“A private Collection”, 8th Berlin Biennale, Berlin, Germany
“Great Minds: A Presentation of the Collection”, Kunstluseum Bonn, Bonn, Germany
“New Generation”, FRAC Nord-Pas de Calais, Dunkirk, France
“Tresure of Lima: A Burried Exhibition”, Thyssen-Bornemisza Art Contemporary Academy, Cocos Island, Costa Rica
“Angela Bulloch/Adrian Sauer”, Galeria Helga de Alvear, Madrid, Spain
“Diagrams: Essential Meaning (Angela Bulloch – Langlands & Bell – Simon Patterson)”, The Holden Gallery, Manchester, UK

“Collection on Display”, Migros Museum für Gegenwartskunst, Zurich, Switzerland
“93”, Galician Contemporary Art Centre (CGAC), Santiago, Spain
“The Future Starts Here”, FRAC Nord-Pas de Calais, Dunkirk, France
“Art in Berlin from 1945 to Today”, Berlinische Galerie Museum Für Moderne Kunst, Berlin, Germany
“BRITISH BRITISH POLISH POLISH”: Art from Europe’s Edges in the Long ‘90s and Today, CCA, USA
Ujazdowski Castle, Warsaw, Poland (exh. cat)
“Sculptrices”, Villa Datris, L’Isle-sur-la-Sorgue, France
“The Whole Earth: California and the Disappearance of the Outside”, Haus der Kulturen der Welt,
Berlin, Germany (exh. cat)
“Great Men Die Twice”, Mário Sequeira Gallery, Bragam, Portugal
“Datascape”, Borusan Contemporary, Istanbul, Turkey. This exhibition then travelled to; LABoral Art
and Industrial Creation Centre, Gijon, Spain (2014)
“Turbulences II”, Villa Empain-Boghassian Foundation, Brussels, Belgium
“Art after 1945”, Lenbachhaus Kunstbau, Munich, Germany
“Double-and-Add: Angela Bulloch, Anthony McCall, Haroon Mirza”, RISD Museum, Rhode Island, RI, USA
“Collection Sandretto Re Rebaudengo: Have you seen me before?” Whitechapel Gallery, London, UK
“Touching Colour”, Newcastle University: Hatton Gallery, Newcastle upon Tyne, UK

“Enlightened: Electric Light as the Fairy of Art”, Artipelag Konsthall, Gustavsberg, Sweden
“Dogma”, curated by Gianni Jetzer, Metro Pictures, New York, NY, USA
“Turbulences”, L’espace culturel Louis Vuitton, Paris, France

“Adventure in Wonderland”, MDM Museum Porto Cervo, Porto Cervo, Italy
“Play Ground”, New Walk Museum and Art Gallery, Leicester, UK
“Magical Consciousness – Producing Images by their denial”, Co-Curated by Runa Islam, Arnolfini, Bristol, UK
“Deep Comedy”, Curated by Dan Graham, Le Consortium, Dijon, France
“Weltraum. Die Kunst und ein Traum”, KUNSTHALLE Wien, Austria
“Produced by Migros”, Sammlung migros museum für gegenwartskunst, Kunsthalle Fridericianum, Kassel, Germany

“Molecular Etwas” by Angela Bulloch, Artist: Jean-Michel Wicker
With works from: Manfred Pernice, Roberto Matta, Christina Mackie, Dominique Gonzalez-Foerster, Bruce Gilbert, Vidya Gastaldon, Cerith Wyn Evans, Germaine Cellier, KW Berlin, Germany
“Fresh Hell / Carte Blanche à Adam McEwen”, Palais de Tokyo, Paris, France
Simon Lee Gallery at Galerie Kreo, paris, France
Kasteel Keukenhof, Vanbijdeburen, Belgium
« The Rhythm of Istanbul », Akbank Center, Instanbul, Turkey
« Cream », Museum of Contemporary Art Helsinki, Helsinki, Finland
« Nice and Easy », Galerie Haas & Fuchs, Berlin, Germany
“The new Décor, ” Hayward Gallery, London, UK; The Garage Center for Contemporary Culture, Moscow, Russia
« Art Parcours”, Art Basel 41, Münster Cathedral, Basel, Switserland
“ART” (curated by Michael Craig-Martin), Galerie Haas & Fuchs, Berlin, Germany
“A Roll Of The Dice”, Cristina Guerra, Lisbon”Drawing Time”, Galeries Poirels, Frac Lorraine, Metz, France
“Drawing Time”, Galeries Poirels, Frac Lorraine, Metz, France
“High ideals and crazy dreams”, Galerie Vera Munro, Hamburg, Germany
“Open light in private spaces”, Biennale for international Light Art, Unna, Germany
“Party!”, New Art Gallery Walsall, Walsall, UK

“We Are Sun-kissed and Snow-blind”, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris, France “Verausgabungssymposium », COCO (Contemporary Concerns), Vienna, Austria
« L’attraction de l’escape », Musée d’Art modern de Saint-Etienne, Saint-Etienne, France
“Universal Code”, The Power Plant, Toronto, Ontario, Canada”Yellow and Green”, MMK Frankfurt, Frankfurt, Germany
“The Porn Identity”, Kunsthalle Wien, Wien, Austria
« Moby Dick », CCA Wattis Institute for Contemporary Art, San Francisco, CA, USA (exh. cat)
« Socialkritiken: 1993-2005 », Kalmar Konstmuseum, Stadsparken, Sweden

“The Impossible Prison”, Nottingham Contemporary, Nottingham, UK
« Theanyspacewhatever », Guggenheim Museum , Theanyspacewhatever, New York, NY, USA
“Clinch/Cross/Cut, NEW JERSEYY”, Team 404 & John Armleder, Basel, Switzerland
Barbican Centre, Martian Museum of Terrestrial Art, London, UK
Museum Tinguely, KUNSTMASCHINEN MASCHINENKUNST, Basel, Switzerland
“TYPED” , Sadie Coles HQ, London, UK
“Color Chart: Reinventing Color”, 1950 to Today, Museum of Modern Art, New York, NY, USA
San Diego Museum of Art, San Diego, USA
Festival Lex Voix Magnetiques, Lille, France
“Pièces à vivre”, FRAC Poitou-Charentes, Angoulême, France
“Blasted Allegories. Works from the Ringier Collection”, Kunstmuseum Luzern, Luzern, Switzerland
“Anyspacewhatsoever”, Solomon R. Guggenheim Museum, New York, NY, USA
“different locations”, Platform Seoul 2008, Seoul, South Korea
“Turner Prize: A Retrospective”, Mori Art Museum, Tokyo, Japon
“Kunstmaschinen. Maschinenkunst”, Museum Tinguely, Basel, Switzerland
Martian Museum of Terrestrial Art, Barbican Art Gallery, London, UK
“Color Chart”, Museum of Modern Art, New York, NY, USA

“Jubilee”, Eva Presenhuber’s house, Vnà, Unterengadin, Switzerland
‘Kunstmaschinen. Maschinenkunst’, Schirn Kunsthalle, Frankfurt/M, Germany
‘Turner Prize: A Retrospective’, Tate Britain, London, UK
‘Bodypolitcx’, Witte de With, Rotterdam, The Netherlands
‘Cuestion Xeracional’, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain
‘Ensemble’, Institute of Contemporary Art, Univ. of Pennsylvania, Philadelphia, USA
‘Cosmic Dreams’, Kunsthalle Andratx, Spain
‘Klang im Bild’, Stiftung Opelvillen, Rüsselsheim, Germany

‘In the darkest hours there may be light: Works from Damien Hirst’s murderme collection’, Serpentine Gallery, London, UK
Galleri MGM, Oslo, Norway
“Tate Triennial”, Tate Britain, London, UK
“Satellite Of Love”, Witte de With, Rotterdam, The Netherland
“Backdrop”, Bloomberg Space, London, UK
“Lichtkunst aus Kunstlicht”, Museum für Neue Kunst, Karlsruhe, Germany
“Wrong”, Klosterfelde Linienstraße, Berlin, Germany

36 x 27 x 10, White Cube – Palast der Republik, Berlin, Germany
”Ambiance”, K21, Düsseldorf, Germany
“Possession”, Gerry Bibby/Paul-Lincke-Ufer 33, Berlin, Germany
“Agua, sin ti no soy”, Valencia Biennale, Spain
“Extreme Abstraction”, Albright Knox Art Gallery, Buffalo, NY, USA
“EN/OF 001-030”, Museum Kurhaus, Kleve, Germany
“Nach Rokytník: Die Sammlung der EVN”, MUMOK, Wien, Austria
“Bidibidobidiboo”, Fondazione Sandretto Re Rebaudengo, Torino, Italy
“The Suspended Moment”, CRAC Alsace, Altkirch, France
“Someone Somewhere Is Furiously Traveling Towards You”, La Casa Encendida, Madrid
“Collection 2”, Fondation pour l’Art Contemporain Claudine et Jean-Marc Salomon, Alex, France
“La Traicion De La Escultura”, Mario Sequeira Gallery, Braga,Portugal

“Vilette Numérique”, Parc et Grand Hall la Vilette, curated by Benjamin Weill, Paris, France
“Performative Architektur/Performative Installation # 5”, GFZK-2 Leipzig, Leipzig, Switzerland
“Einleuchten”, Museum der Moderne, Salzburg, Austria
“100 Artists see God”, ICI touring exhibition
“Raisons et Sentiments. Collection FNAC”, CRAC Alsace, Altkirch, France
“Specific Objects”, Galerie Mehdi Chouakri, Berlin, Germany
“Live and let die! “, Sciffbau, Zürich, Switzerland

“Einbildung. Das Wahrnehmen in der Kunst (Imagination. Perception in Art)”, Kunsthaus Graz am “Landesmuseum Joanneum, Graz, Switzerland
“Coolustre”, Collection Lambert, Avignon, France
“Poème/image”, Kunshaus Schloss Wendlinghausen, Dörentrup, Germany
“Brightness”, Museum of Modern Art, Dubrovnik, Croatia
“Conceptualisms”, Akademie der Künste, Berlin, Germany
“Cromatic Sensation”, Gallery Hyundai, Seoul, South Korea
“Disco Floor_Bootleg: 4’”, Medienturm Graz, Graz, Switzerland
“It’s in our hands”, Migromuseum für Gegenwartskunst, Zürich, Switzerland
“Form Specific”, Moderna Galerija, Ljubljana, Slovenia
“Utopia Station”, La Biennale di Venezia, Venice, Italy

“Frequenzen (Hz). Audiovisuelle Räume”, Schirn Kunsthalle, Frankfurt am Main, Germany
“Hell”, Neugerriemschneider, Berlin, Germany
“Inter/re/views”, Kunstpunkt Berlin, Berlin, Germany
“Ars Lucis et Umbrae. Licht und Schatten als selbständige Medien in der Kunst”, Museum im Kinsky, 
Vienna, Austria
“Häuser für Leipzig. KünstlerInnen als ArchitektInnen”, Galerie für zeitgenössische Kunst, Leipzig, Germany
“Claude Monet… bis zum digitalen Impressionismus”, Fondation Beyeler, Riehen/Basel, Switzerland
“SWEET NOTHING. (Liege) Stätten des sommerlichen Nichtstuns”, Kunsthaus Baselland, Muttenz, Switzerland
“Remix”, Tate Liverpool, Liverpool, UK
“Once Again”, John Hansard Gallery, Southampton, UK
“Touch: Relational Art from the 1990‘s to now”, San Francisco Art Institute, San Francisco, CA, USA
“To Whom It May Concern”, CCAC Wattis Institute for Contemporary Arts, San Francisco, CA, USA
“Favorites”, Galerie & Edition Artelier, Graz, Switzerland
“Shanghai Biennial”, Shanghai, China
“No Ghost Just a Shell”, (with Imke Wagener), Institute of Visual Culture, Cambridge, UK

“L’Esprit de famille”, MAMCO, Geneva, Switzerland
“art>music”, Museum of Contemporary Art, Sydney, Australia
“Wertwechsel. Zum Wert des Kunstwerks”, Museum für angewandte Kunst, Cologne, Germany
“Connivence”, Biennale de Lyon, Lyon, France
“Arbeit Essen Angst”, Kokerei Zollverein, Essen, Germany
“Der Dritte Sektor”, Kunstverein Wolfsburg, Galerie für zeitgenössische Kunst, Leipzig, Germany
“Wechselstrom. Sammlung Hauser & Wirth / Teil 2, Lokremise, St. Gallen, Switzerland (cat)
“Timewave Zero / The Politics of Ecstasy”, Grazer Kunstverein, Graz, Germany
1301 PE, Brian Butler, Los Angeles, CA, USA

“The World is not enough”, with Sylvie Fleury, Galerie Mehdi Chouakri, Berlin, Germany
“Against Design”, ICA, University of Pennsylvania, Philadelphia, PA, USA
“Sonic Boom – The Art of Sound”, Hayward Gallery, London, UK
“Presumed Innocent”, CAPC, Bordeaux, France
“Dire Aids. Arte nell’epoca dell’Aids”, Palazzo della Promotrice delle Belle Arti, Turin, Italy
“M(odel) 4∞”, BüroFriedrich, Berlin, Germany
“media art 2000 – escape”, media_city Seoul 2000, Seoul Metropolitan Museum, Seoul, South Korea
“EIN/räumen. Arbeiten im Museum”, Hamburger Kunsthalle, Hamburg, Germany
“Außendienst. Kunstprojekte in öffentlichen Räumen Hamburgs”, Kulturbehörde und Kunstverein Hamburg, Germany
“Version_2000”, Centre pour l’Image Contemporaine Saint-Gervais, Geneva, Switzerland

“Common People”, Fondazione, Re Rebaudengo per l’Arte, Guarene d’Alba, Italy
“Video Store II”, by bdv, XN99 Espace des Arts, Chalon-sur-Saone, France
l’Espace Lausannois d’Art Contemporain, Lausanne, Switzerland
“Sweetie: Female Identity in British Video”, with Sylvie Fleury, The British School at Rome, Rome, Italy
“Bankside Browser”, St. Christopher’s House, organised by the Tate Gallery of Modern Art, London, UK
“Etcetera”, Spacex Gallery, Exeter, UK
“To Design For”, Le Spot, Le Havre, France
“Power”, Galerie für Zeitgenössische Kunst, Leipzig, Germany
“Borderline PILOT – the audience from a distance”, Museum van Bommel van Dam, Venlo, The Netherlands
“Essential Things”, curated by Guy Mannes Abbot, Robert Prime Gallery, London, UK
“At Home with Art”, curated by Colin Painter (touring exhibition), Tate Gallery, London, UK
“Here to stay. Arts Council Collection purchases from the 1990s”, The Potteries Museum & Art Gallery, Stoke-on-Trent, Staffordshire, UK
“Tendenzen der 80er und 90er Jahre”, Museum für Neue Kunst zkm, Karlsruhe, Germany
“Strengthening Wind from Changing Directions – International Avant Garde since 1960: The Paul Maenz Collection”, Neues Museum Weimar, Weimar, Germany
“Space”, Schipper & Krome, Berlin, Germany

“Emotion – Young British and American Art from the Goetz Collection”, Deichtorhalle, Hamburg, Germany
“Typische Handbewegung”, Künstlerwerkstatt, Munich, Germany
“John Armleder, Angela Bulloch, Pierre Joseph, Jonathan Monk”, Le Spot, Studio d’Art Contemporain, 
Le Havre, France
“N.IGS./WI.UU.OX/W.OKS.MH/Y.IM”, FRAC Poitou-Charentes, France
“Z.U.P. Zone a urbaniser en priorité”, Fonds Régional d’Art Contemporain, Marseille, France
“Weather Evrything”, curated by Eric Troncy, Galerie für Zeitgenössische Kunst, Leipzig, Germany
“UK Maximum Diversity. Zeitgenössische Kunst aus England”, Atelierhaus der Akademie der Bildenden Künste, Wien; Galerie Krinzinger in der B. Fabrik, Bregenz, Austria
“Patchwork in Progress 3. La Nuit, l’Oubli”, Fondation Mamco et le Musée d’Art Moderne et Contemporain, 
Geneva, Switzerland
“Kunst und Parlament. Kunst für das Reichstagsgebäude und das Paul-Löbe-Haus und Marie-Elisabeth-Lüders-Haus”, Deutscher Bundestag, Berlin, Germany
“Kunstausstellung Holderbank”, Holderbank AG, Switzerland
“Lifestyle. Internationale Kunst in den Grenzbereichen von Mode, Design, Stylng, Interieur und Werbung”, Kunsthaus Bregenz, Bregenz, Austria
“Art Club Berlin”, Pavillon Mies van der Rohe, Barcelona, Spain
“MAI 98. Positionen zeitgenössischer Kunst seit den 60er Jahren”, Kunsthalle Köln am Neumarkt, 
Cologne, Germany
“Crossings”, Kunsthalle Wien, Vienna, Austria
“Fast Forward (Trade Marks)”, Kunstverein in Hamburg, Hamburg, Germany
“Fast Forward (Body Check)”, Kunstverein in Hamburg, Hamburg, Germany
“Entropy at Home”, Suermondt Ludwig Museum, Aachen, Germany
“Inglenook”, Feigen Contemporary, New York, NY, USA
“Root”, Chisenhale Gallery, London, UK
“London Calling”, The British School at Rome, Rome, Italy
“Art from the UK”, Sammlung Goetz, München, Germany (cat)
“Vive la Vie! Le Parvis”, Centre d’Art Contemporain, Pau, France

“Kunst… Arbeit”, Sammlung Südwest LB, Südwest LB forum, Stuttgart, Germany
“Life/Live”, Centro Cultural de Belém, Belém, Portugal
“Such is Life”, with Sylvie Fleury, video programme curated by Jonathan Watkins, Serpentine Gallery, Bookshop, London, UK
“Rooms with a View: Environments for Video”, Guggenheim Museum SoHo, New York, NY, USA (cat)
“Material Culture. The Object in British Art of the 1980s and ‘90s”, Hayward Gallery, London, UK (cat)
“Moment Ginza”, une proposition de Dominique Gonzalez-Foerster, Le Magasin, Grenoble, France; Färgfabriken, Stockholm, Sweden (cat)
“Performance Anxiety”, Museum of Contemporary Art, Chicago, IL, USA (cat)
“Was Nun?”, Schipper & Krome, Berlin, Germany
“ca-ca poo-poo”, Kölnischer Kunstverein, Cologne, Germany
“Tanti Video”, with Sylvie Fleury, Arcate Art Fabrica, Turin, Italy
“Kunst in der Leipziger Messe”, Glashalle, Messegelände Leipzig, Germany
“Flexible”, Museum für Gegenwartskunst, Zürich, Switzerland
“Connexions Implicites”, l’École Nationale Supérieure des Beaux-Arts, Paris, France (cat)
Group Show at Robert Prime, London, UK
“Persona X”, Salzburger Kunstverein, Salzburg, Austria
“Pop Video”, Kölnischer Kunstverein und Viva Zwei, Cologne, Germany
“Un toit pour tout le monde”, Werke aus der Sammlung FRAC Languedoc-Roussillon, Künstlerhaus Bethanien, Berlin, Germany
“Private Face – Urban Space”, Gas Works, Athens; Rethymnon Centre for Contemporary Art, Crete, Greece (cat)
Opening exhibition, LEA Gallery, London, UK
“History – The Mag Collection”, Ferens Art Gallery, Kingston upon Hull, UK (cat)
Brain Multiples @ Art Metropole, Toronto, Canada
“Dramatically Different”, curated by Eric Troncy and Yves Aupetitallot, Le Magasin, Grenoble, France
“Medium of Exchange”, CCH, Hamburg, Germany
“The Turner Prize 1997”, Tate Gallery, London, UK

“Traffic”, curated by Nicolas Bourriaud, CAPC Musée d’Art, Bordeaux, France
“Kiss This”, Focal Point Gallery, London, UK
“Model Home”, curated by Alanna Heiss, Clocktower Gallery, New York, NY, USA
“Gedraag je! Behave! Benimm Dich! Tiens-toi bien!”, Stedelijk Museum, Bureau Amsterdam, Amsterdam, 
The Netherlands
“Multiple Pleasure”, Tanya Bonakdar Gallery, New York, NY, USA
“Collezionismo a Torino”, Castello di Rivoli, Museo d`Arte Contemporanea, Torino, Italy (cat)
“Kunst in der neuen Messe Leipzig”, curated by C. Schneider, Leipziger Messe, Leipzig, Germany (cat)
“Niele Toroni / Angela Bulloch”, Museum der Bildenden Künste, Leipzig, Germany
“Der Umbau Raum”, Künstlerhaus Stuttgart, Stuttgart, Germany
“Dinner”, organised by Giorgio Sadotti, Cubitt Gallery, London, UK
“The Cauldron”, The Henry Moore Studio, Halifax, UK (cat)
“Nach Weimar”, Kunstsammlungen zu Weimar, Weimar, Germany (cat)
“Variations, op. 96”, Hotel Saint Simon, Angoulême, France
“Escape Attempts”, curated by GLOBE and Jack Jaeger; Christiania, Copenhagen, Denmark
“Are you talking to me?”, curated by Peter Holst Henckel, Gallery Specta, Copenhagen, Denmark
“Orte des Möglichen. Weibliche Positionen in der Zeitgenössischen Kunst”, Hypobank International S.A., Luxembourg; Achenbach Kunsthandel, Düsseldorf, Germany (cat.)
“Files – Art as Position in the Age of Global Technologies”, Bunker, Berlin, Germany
“Itinerant Texts”, commissioned by Bookworks, Camden Arts Centre, London, UK
“Other Men’s Flowers”, Galerie Aurel Scheibler, Cologne, Germany
Supastore de Luxe, UP & Co, New York, NY, USA
“Life – Live”, Musée d’Art Moderne de la Ville de Paris, Paris, France (cat)
Centro de Exposiçoes do Centro Cultural de Belém, Belém, Portugal
“Full House. Junge Britische Kunst”, Kunstmuseum Wolfsburg, Germany
“All in One”, Schipper & Krome, Cologne, Germany

“Corpus Delicti. London i 90’erne”, curated by Torben Christensen, Kunstforeningen, 
Copenhagen, Denmark (cat.)
“Das Ende der Avantgarde, Kunst als Dienstleitung”, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany (cat.)
“Toys”, curated by Nicolas Bourriaud & Eric Troncy, Galerie Jousse Seguin, Paris, France
“Wohnzimmer”, Schipper & Krome, Cologne, Germany
“Klangskulpturen, Augenmusik”, Ludwig Museum, Koblenz, Germany (cat)
“Collection, fin XXe”, FRAC Poitou-Charentes, Angouleme, France (cat)
“Le labyrinthe moral”, curated by Liam Gillick and Philippe Parreno, Le Consortium, Dijon, France
“Am Rande der Malerei (second part)”, Kunsthalle Bern, Bern, Switzerland (cat)
“Space Odessey”, curated by Helena Papadopoulos, Eleni Koroneou Gallery, Athens, Greece (cat)
“How is everything?”, curated by Erwin Wurm and Martin Walde, Wiener Secession, Vienna, Austria
“En passant… Urban Scenes in Contemporary Art”, curated by Andreas Spiegel,
Akademie der Bildende Künste, Vienna, Austria (cat.)
“Stoppage”, curated by Liam Gillick, CCC, Tours and Villa Arson, Nice, France
“Faction Video”, curated by Liam Gillick, Det Kongelige Danske Kunstakademi, Copenhagen, Denmark
“444 & 222 Too”, steam ironed by Georg Herold, South London Gallery, London, UK
“Sage” with Sam Taylor Wood, Gillian Wearing, Elizabeth Wright, Galerie Michel Rein, Tours, France
“X: KunstKanal. World Tea Party”, Mediapark, Cologne, Germany
“Never Mind the Nineties”, Kunst-Werke, Berlin, Germany

“WM Karaoke”, with Liam Gillick, curated by Georg Herold, Portikus, Frankfurt, Germany
“Surface de Réparation”, curated by Eric Troncy, Espace FRAC, Dijon, France
“Surface de Réparation II”, curated by Eric Troncy, Espace FRAC, Dijon, France (cat)
Le Consortium, with Sylvie Fleury, Dijon, France
“blurp/bleep”, Westwerk e.v., Hamburg, Germany
“Wall to Wall”, curated by Maureen Paley, Leeds City Art Gallery, Leeds, UK (cat)
“temporary translation(s)”, Sammlung Schürmann, Deichtorhallen, Hamburg, Germany (cat)
Sammlung Schürmann, Ludwig Museum, Aachen, Germany (cat)
“Use Your Allusion – Recent Video Art”, Museum of Contemporary Art, Chicago, IL, USA
“Mixbild”, Schipper & Krome, Cologne, Germany
“The Antidote”, Centre 181 Gallery, London, UK
“Cloni”, A&M Bookstore, curated by Tommaso Corvi Mora, Milano, Italy
“Brian Butler – 1301 (L.A.), presents: Angela Bulloch, Meg Cranston, Sarah Seager, Thaddeus Strode”, Art & Public, Geneva, Switzerland
“Informationsdienst”, Grazer Kunstverein, Graz, Austria
“Grand Prix de Monaco”, curated by Axel Huber, Nice and Monaco, France
“Gradus ad Parnassum”, Arbeiten zeitgenössischer Künstlerinnen”, Kunsthaus Welker, Heidelberg, Germany
“New reality mix”, performance and video weekend, Stockholm, Sweden
“The Institute of Cultural Anxiety: Works from the Collection”, curated by Jeremy Millar, ICA, London, UK (cat.)

“Viennese Story”, curated by Jèrome Sans, Wiener Secession, Vienna, Austria (cat)
“Documentario 2”, Spazio Opos, Milan, Italy
“Tutto Tondo”, Monika Sprüth Galerie, Cologne, Germany
Galerie Walcheturm, Zürich, Switzerland
Aperto ‘93, Biennale di Venezia, Venice, Italy (cat)
Esther Shipper at the Christopher Grimes Gallery, Santa Monica, CA, USA
“Summer 93”, Air de Paris, Nice, France
“Nulle part et partout, carte blanche à Ami Barak”, Espace Paul Boyé, Sète, France
“My little Toilet”, curated by Jonathan Monk, Glasgow, UK
“London Photo Race”, Friesenwall 120, Cologne, Germany
“Christmas Shop”, Air de Paris, Paris, France
“Unplugged: The Demo Video Tape”, curated by Nicolas Bourriaud, Holiday Inn, Cologne, Germany
“Dokumentationsraum”, Esther Schipper, Cologne, Germany
“Dancing Girls”, with Kate Daw, Store 5, Melbourne, Australia
“An old song and a new drink”, with Liam Gillick, Café Beaubourg, Paris, France

“Il faut construire l’hacienda”, curated by Nicolas Bourriaud, Eric Troncy and Alain Julien-Laferrière, CCC, Tours, France (cat)
“Etats Specifiques – 11 Artistes Anglais”, Musée des Beaux-Arts André Malraux, Le Havre, France (cat)
“Lying on top of the building the clouds seemed no nearer than they had when I was lying on the street”, Monika Sprüth Galerie, Cologne, Germany; La Case d’Arte, Milan, Italy
“Still”, Andrea Rosen Gallery, New York, NY, USA
“Dirty Data – Sammlung Schürmann”, Ludwig Forum für Internationale Kunst, Aachen, Germany (cat.)
“Angela Bulloch, Adam Chodzko…”, instructions received by Liam Gillick, Gio Marconi, Milan, Italy (cat)
“Lily van der Stokker, Angela Bulloch, Stephane Magnin – Wall Drawings”, Air de Paris, Nice, France
“Molteplici Culture”, curated by Liam Gillick & Paul Mittleman, Rome, Italy (cat)
“Informationsdienst” (travelling exhibition), organized by Ute Meta Bauer, Tina Geissler, Sandra Hasenteufel; First presented in Ausstellungsraum Künstlerhaus Suttgart, Germany
“Manifesto”, curated by Benjamin Weil, Daniel Buchholz, Cologne, Germany; Castello di Rivara, Turin, Italy; Wacoal Arts Center, Tokyo, Japan; Urbi et Orbi, Paris, France
“Group Show”, Esther Schipper, Cologne, Germany
“ON”, Interim Art, London, UK (cat)

“Reve, Fantasie”, curated by D. Gonzalez-Foerster, Elein Fleiss, Bernard Joisten, Galerie de Mois, Paris, France
“Angela Bulloch, Sarah Seager and Craig Wood”, Interim Art, London, UK
Victoria Miro Gallery, London, UK
“No Man’s Time”, Villa Arson, Nice, France (cat)
“Broken English”, Serpentine Gallery, London, UK (cat)
“Proiezioni”, Castello de Rivara, Turin, Italy
“Plastic Fantastic Lover (object a)”, curated by Catherine Liu, BlumHelman Warehouse, New York, NY, USA (cat)
“Devices”, curated by Bruce Ferguson, Josh Baer Gallery, New York, NY, USA
“Marking Time”, The Drawing Center, New York, NY, USA

“Common Market”, curated by Barbara Steffens, Richard Kulenschmidt Gallery, Los Angeles, CA, USA
“The Köln Show”, Cologne, Germany (cat)
“In Loving Correspondence”, Massimo Audiello Gallery, New York, NY, USA
“Seven Obsessions”, Whitechapel Art Gallery, London, UK

“Home Truths”, Six British Artists, curated by Kate MacFarlane, Castello di Rivara,Torino, Italy
“Bulloch, Hume, Landy”, Esther Schipper, Cologne, Germany

“Freeze Part 1”, PLA Building, Docklands, London, UK
“Freeze Part 3”, PLA Building, Docklands, London, UK (cat)

Public Commissions

2015 Heavy Metal Stack of Six, Carlos Place, London, UK (Current)
2015 Radiance Project, Guys & St Thomas’ Cancer Centre, London, UK (Forthcoming)
2011 RGB Window, St Trinititas, Leipzig, Germany
2011 Project FRAC Nord – Pas de Calais / AP2, France
2010 Night Sky – Ruhr Licht Biennale, (temporary), St Reinoldi, Dortmund, Germany
2010 Night Sky – Art Parcours, (temporary) Art Basel, Basel Cathedral, Basel Switzerland
2008 Zhang Jiang Public Art Project, Shanghai, China
2007 Anyang Public Art Project, Anyang, Korea
2002 Pacific Rim, Nord LB, Hannover, Germany
2001 Swiss Re, Zürich, Switzerland
2000 RGB Benches, City of Laignes (Burgundy), France
1999 Aspidistras in Alphaville (Decimal System), Winterthur Insurance, Winterthur, Switzerland
1998 Seats of Power and Spheres of Influence, Deutscher Bundestag, Paul-Löbe-Haus, Berlin, Germany
1998 Pedestrian Pixel System: 55, O.K. Centrum für Gegenwartskunst, Linz, Austria
1996 Belisha Beacon Indicator System, Messehallen, Leipzig, Germany


H. Amirsadeghi (ed.), Sanctuary: Britain’s Artists and their Studios, Thames & Hudson Publishing Ltd., London, pp. 306-309.
Angela Bulloch: Source Book 10, Witte de With, Center for Contemporary Art, Rotterdam.

Exh. Cat. Information, Manifesto, Rules and other leaks, Berlinische Galerie, 2011

Exh. Cat. Vanbijdeburen – Belgie, Kasteel Keukenhof, p. 69, pict. 64, 2010
Exh. Cat., Martin, Michael Craig, ART – curated by Michael Craig Martin, Galerie Haas & Fuchs, p. 11-12 (pict.),

2009 Moby Dick, CCA Wattis Institute for Contemporary Art, San Francisco, 2009

Kittelmann, Udo (Ed.), Angela Bulloch, Mud Bath, The Green Box, 2008 The Space that Time forgot, Kunstbau im Lenbachhaus München. Verlag der Buchhandlung Walther König, Köln, Germany

‘Prime Numbers, Angela Bulloch’ Secession, Vienna, Modern Art Oxford, de Pont, Tilburg
“Angela Bulloch”, The Powerplant Members Quartly Newsletter Summer 2006, ill.
David Russel, “Definitely Maybe”, Frieze issue 98 april 2006, p. 124-129, ill.
Cat.exh. Tate Triennial, New British Art, ed. by Beatrix Ruf and Clarrie Wallis, Tate
Publishing, 2006, pp. 26-29

Cat.exh. Des Deux Cotés Du Rhin, Snoeck, Cologne, 2005, pict. p. 93.
Cat.exh. Brightness, Modern Museum of Art, Dubrovnik, 2003, p. 24.
Cat.exh. Angela Bulloch, Secession, Vi06enna
Art at 30 St Mary Axe London, Swiss Reinsurance Company, Zürich, pict. pp. 98 – 101.
Preis Der Nationagalerie Für Junge Kunst, Hamburger Bahnhof, Berlin, pict. pp. 59 – 62, 64 76.
Cat.exh. EVN 95-05, MUMOK, Vienna, 2005, pict. pp. 53-55.

Playlist, Palais de Tokyo, Paris
Ein-leuchten, Museum der Moderne, Salzburg, pp. 68-73.
Funny Cuts, Cartoons und Comics in der zeitgenössischen Kunst,
Staatsgalerie Stuttgart, pp. 56-59.
100 Artists See God, Independent Curators International, New York, pict. p. 61.

Exhibition Catalogue. No Ghost just a Shell, Van Abbemuseum, Eindhoven 2003, pp. 246-253

Exhibition Catalogue. Material_o1, The Institute of Visual Culture (ed.), Cambridge
EVN Sammlung. Ankäufe 2000-2002, EVN AG, Wien 2002, p. 1
Exhibition Catalogue. Once Again, John Hansard Gallery, Southampton 2002

Exhibition Catalogue. Wechselstrom. Sammlung Hauser und Wirth in der Lokremise, Teil 2, hrsg. von Michaela Unterdörfer, Köln
Exhibition Catalogue. art>music. An exhibition looking at crossovers between visual art and music, Museum of Contemporary Art, Sydney
Exhibition Catalogue. Pixel Book, Kunsthaus Glarus, Glarus 2001

Exhibition Catalogue. Sonic Boom, Hayward Gallery, London
Exhibition Catalogue. Against Design, ICA, University of Pennsylvania, Philadelphia
Exhibition Catalogue. Dire AIDS. Arte nell’epoca dell’AIDS, Milan
Kalmár, Stefan (ed.), Rule Book. Angela Bulloch, London

Exhibition Catalogue. At Home with Art, Colin Painter (Hg.), London
Exhibition Catalogue. Power, Jan Winkelmann (Hg.), Galerie für zeitgenössische Kunst, Leipzig
Art at the Turn of the Millennium, Burkhard Riemschneider, Uta Grosenik (Hg.), Köln, Taschen

Die Sammlung Paul Maenz, Neues Museum Weimar, Cantz Verlag
Emotion, Zdenek Felix (Hg.), Deichtorhallen, Hamburg
Mai 98 – Positionen zeitgenössischer Kunst seit den 60er Jahren, hrsg. von Brigitte Oetker und Christiane Schneider, Köln, Verlag Oktagon
Satellite – Angela Bulloch, hrsg. Stefan Kalmár and Angela Bulloch, Museum für Gegenwartskunst, Zürich, le Consortium, Dijon
Traffic, Nicolas Bourriaud, CAPC Musée d’art contemporain, Bordeaux
nach weimar, Klaus Biesenbach and Nicolas Schafhausen, Kunstsammlung zu Weimar, ed. Cantz
ProjekteProjects, Kunst in der neuen Messe Leipzig, ed, Christiane Schneider and Brigitte Oetker, Leipzig
Live/life, la scène artistique au Royaume Uni en 1996 de nouvelles aventures, ARC, Musée d’art Moderne de la Ville de Paris
Collezionismo, Le opere di sei collezionisti d’Arte Contemporenea, Castello di Rivoli, Museo d’arte Contemporenea, Turino

[realisation] kunst in der leipziger messe, hrsg. Brigitte Oetker und Christiane Schneider, Oktagon, Köln
Un Toit pour tout le monde, FRAC Languedoc-Rousillon, Montpellier
EVN Sammlung, Ottenstein
Flexible, Museum für Gegenwartskunst, Zürich
Art from the UK (Teil II), Sammlung Goetz, München

Am Rande der Malerei, Kunsthalle Bern
Das Ende der Avantgarde, Kunst Als Dienstleistung, Sammlung Schürmann, Kunsthalle der Hypo-Kulturstiftung, München
Corpus Delicti, London i 90’erne, Torben Christensen and Andrew Renton, Kunstforeningen, Copenhagen
Klang Skupturen Augenmusik Ludwig Museum im Deutschherrenhaus, Städtische Museen, Koblenz
Collection, fin XXe, 1983-1995, douze ans d’acquisition d’art contemporain en Poitou-Charentes, Olivier Chupin, ed. FRAC Poitou-Charentes
Temporary translation(s), Sammlung Schürmann, Kunst der Gegenwart und Fotografie, Deichtorhallen Hamburg, Hamburg

Wall to Wall, essay by Liam Gillick, The Southbank Centre, London
Angela Bulloch, texts by Alain Julien-Laferriere, Ami barak, Francesco Bonami, Michael Archer, Eric Troncy, Stefan Schmidt-Wulfen, Nicolas Bourriaud, Angela Vettese, ed CCC-Tours, FRAC-Languedoc-Roussillon, Kunstverein in Hamburg

L’endroit Ideal (Ideal Place), ed. Eric Troncy, L’Ile du Roy, Centre d’art et Jardin, Val de Reuil
Art & Business, ed. Marjorie Jacobsen, Thames & Hudson, London
Viennese Story, ed. Jérôme Sans, Vienna Secession, Vienna
Documentario 2, ed. Marco Cigolani, Milan

Il faut construire l’hacienda, Eric Troncy & Nicolas Bourriaud, CCC, Tours
Dirty Data – Sammlung Schürmann, Ludwig Forum für internationale Kunst, Prof. Wilhelm Schürmann, Aachen
États specifiques, essays by Michael Archer & Francoise Cohen, Musée des Beaux-Arts Andre Malraux, Le Havre
Il Mistero dei 100 Dollari Scomparsi, (instructions received by Liam Gillick), Gio’ Marconi, Milan
Molteplici Cultura, ed. Carolyn Christov-Barkargiev,Edizione Carte Segrete, Rome
240 Minuten, Video compilation by Lothar Hempel and Georg Graw, Esther Schipper, Cologne

No Man’s Time, CNAC, Villa Arson, Nice
Broken English, essay by Andrew Graham-Dixon, Serpentine Gallery, London
Plastic Fantastic Lover, essay by Catherine Liu, Blum Helman, New York

Bulloch, Hume, Landy, essay by Andrew Renton, Esther Schipper, Cologne
Nachschub, ed. SPEX magazine, Köln Show, Cologne
Angela Bulloch, essay by Eric Troncy, APAC, Nevers

Home Truths, essay by Kate Bush, Castello di Rivara, Turin