Born 1955 in Chicago, Illinois, USA
Lives and works in New York, NY, USA

Solo Exhibitions (Selection)

2014
“Christopher Wool”, Art Institute of Chicago, Chicago, Illinois

2013
“Christopher Wool”, Guggenheim Museum, New York, NY.

2012
“Christopher Wool”, Musée d’Art Moderne de la Ville de Paris, Paris, France

2011
“Christopher Wool”, Galerie Gisela Capitain, Cologne, Germany

2010
Gagosian Gallery, Rome
Corbett vs. Dempsey, Chicago

2009
Galerie Micheline Szwajcer, Antwerpen
Museum Ludwig, Cologne

2008
Luhring Augustine, New York
Museum de Arte Contemporanea de Serralves, Porto

2007
“Christopher Wool: Pattern Paintings 1987-2000”, Skarstedt Gallery, New York
Galerie Max Hetzler, Berlin (cat.)
Eleni Koroneou Gallery, Athens

2006
Simon Lee Gallery, London (cat.)
ETH (Swiss Federal Institute of Technology), Zurich
Instituto Valenciano de Arte Moderno, Valencia; travelling to Musée d’Art Moderne et Contemporain, Strasbourg (cat.)
Gagosian Gallery, Los Angeles (cat.)

2005
Gió Marconi, Milan
Gallery Christian Stein, Milan

2004
Galerie Micheline Szwajcer, Antwerpen
Camden Arts Centre, London (cat.)
Luhring Augustine, New York, (cat.)
Taka Ishii, Tokyo

2003
“Crosstown Crosstown”, Dundee Contemporary Arts, Dundee, Scotland
“Christopher Wool”, Galerie Gisela Capitain, Cologne

2002
“Crosstown Crosstown”, Le Consortium, Dijon, France
Galerie Max Hetzler, Berlin

2001
Galerie Micheline Szwajcer, Antwerp
“9th Street Run Down”, Luhring Augustine, New York

2000
“Black Book Drawings 1989”, Skarstedt Fine Art, New York, NY, USA
Eleni Koroneou Gallery, Athens, Greece
11 Duke Street, London, United Kingdom

1999
Centre d’Art Contemporain, Geneva, Switzerland

1998
Museum of Contemporary Art, Los Angeles, CA, USA (travelled to Carnegie Museum of Art, Pittsburgh, PA, USA; Kunsthalle, Basel, Switzerland)
Ophiuchus Collection, The Hydra Workshop, Athens, Greece
Galerie Max Hetzler, Berlin, Germany

1997
Portofolio Kunst AG, Vienna, Austria
Eleni Koroneou, Athens, Greece
Luhring Augustine, New York, NY, USA
Taka Ishii Gallery, Tokyo, Japan

1996
Galerie Gisela Capitain, Cologne, Germany

1995
Luhring Augustine, New York, NY, USA
Galerie Samia Saouma, Paris, France

1994
Bruno Brunnet Fine Arts, Berlin, Germany

1993
Galerie Max Hetzler, Cologne, Germany

1992
Eli Broad Family Foundation, Los Angeles, CA, USA
Galerie Peter Pakesch, Vienna, Austria
Galerie Gisela Capitain, Cologne, Germany
Luhring Augustine, New York, NY, USA

1991
Museum Boymans van Beuningen, Rotterdam, The Netherlands
Koelnischer Kunstverein, Cologne, Germany
Luhring Augustine, New York, NY, USA
Kunsthalle Bern, Bern, Switzerland

1990
Daniel Weinberg Gallery, Los Angeles, CA, USA
Galerie Christian Stein, Turin, Italy
“Works on Paper”, Luhring Augustine, New York, NY, USA

1989
“Monotypes”, Editions Julie Sylvester, New York, NY, USA
“New Work: Christopher Wool”, San Francisco Museum of Modern Art, San Francisco, CA, USA
Galerie Max Hetzler, Cologne, Germany

1988
Jean Bernier, Athens, Greece
Luhring Augustine & Hodes Gallery, New York, NY, USA
Galerie Gisela Capitain, Cologne, Germany

1987
Luhring Augustine & Hodes Gallery, New York, NY, USA

1986
Cable Gallery, New York, NY, USA
Robbin Lockett Gallery, Chicago, IL, USA

1984
Cable Gallery, New York, NY, USA

Group Exhibitions (Selection)

2014
Dries Van Noten – Inspirations, Les Arts Decoratifs, Paris, France
Love Story – The Anne and Wolfgang Titze Collection, Belvedere, Vienna, Austria
Andratx on Paper, CCA Andratx, Mallorca, Spain
Damage Control: Art and Destruction since 1950, Hirshhorn Museum, Washington, D.C.

2013
REMEMBER EVERYTHING, 40 Years Galerie Max Hetzler, Galerie Max Hetzler, Berlin, Germany
Le Futur commence ici, FRAC, Dunkerque, France
The Show is over, Gagosian Gallery, London, UK
Xerography, Firstsite, Colchester, UK
Murdered Out, Skarstedt Gallery, New York, NY
In-Between, Skarstedt Gallery, London, UK
6 artists, Eleni Koroneou Gallery, Athens, Greece
Transforming the known: Works from the Bert Kreuk Collection, Gemeente Museum, The Hague,
Netherlands

2012
Phantom Limb: Approaches to Painting Today, Museum of Contemporary Art, Chicago, IL
DOGMA, Metro Pictures, New York, NY
Contemporary Painting, 1960 to the Present, Selections from the SFMOMA Collection, San
Francisco Museum of Modern Art, San Francisco, CA
Mix/Remix, Luhring Augustine, New York, NY
The Painting Factory: Abstraction After Andy Warhol, The Museum of Contemporary Art, Los
Angeles, CA (exh. cat)
Print/Out: 20 Years in Print, Museum of Modern Art, New York, NY (exh. cat)
This Will Have Been: Art, Love & Politics in the 1980s, Museum of Contemporary Art Chicago, IL
A Window on the World From Durer to Mondrian and Beyond: Looking through the Window of Art
From the Renaissance to Today, Museo Cantonale d’Arte e Museo d’Arte, Lugano. This exhibition
travelled to Fondation de l’Hermitage, Lausanne, Switzerland.

2011
Musical Moves, Rice Media Center, Houston, TX (exh. cat)
ILLUMinations, curated by Bice Curiger, Venice Biennale, Italy
It’s Great To Be In New Jersey, curated by Toby Mott, Honor Fraser Gallery, Los Angeles, CA
The Minimal Gesture, Timothy Taylor Gallery, London, UK (exh. cat)
Accrochage, Carolina Nitsch Project Room, New York, NY
American Exuberance, Rubell Family Collection, Miami, FL
Dark Christmas, Leo Koenig Inc., New York, NY
After Images, Musee Juif de Belgique/Her Joods Museum van Belgie, Brussels, Belgium
Black Swan: The Exhibition, Regen Projects, Los Angeles, CA
If You Lived Here, You’d Be Home By Now, Hessel Museum of Art at Bard Center for Curatorial
Studies, Annandale-on-Hudson, New York, NY
What You(ngs) See is What You Get, Rosenblum Collection, Paris, France
Untitled (Painting), Luhring Augustine, New York, NY
Painting…EXPANDED, Espacio 1414 (Berezdivin Collection), Santurce, Puerto Rico
Le Printemps de Septembre – a Toulouse, Toulouse, France

2010
Skin Fruit: Selections from the Dakis Joannou Collection, New Museum, NY,
Alpha and Omega: Works from the Dakis Joannou Collection, DESTE Foundation, Ath

2011

”The 54th International Art Exhibition: ILLUMInations,” Venice Biennale, Venice

2010

”Skin Fruit: Selections from the Dakis Joannou Collection,” New Museum, New York

2009

”Warhol Wool Newman Painting Real ,” Kunsthaus Graz, Graz (catalogue)

2008
“Blue Balls,” Art Production Fund, New York, NY.
“Fighting Words: Voices of Dissent: Social, Political and Environmental Statements,” February 3 – April
14, 2008, Fisher Landau Center for Art, New York.
“For What You Are About to Receive,” Gagosian Gallery at the Red October Chocolate Factory, Moscow.
(catalogue)
“Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary
Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool,” November 2, 2008 – February
8, 2009, Hammer Museum, Los Angeles.
“Painting Now and Forever, Part II” Matthew Marks Gallery, New York
“PSYCHOPTS Richard Hell Christopher Wool”, John McWhinnie @ Glenn Horowitz Bookseller, New
York (catalogue)
“Meet Me Around the Corner- works from the Astrup Fearnley Collection”, Astrup Fearnley Museum of
Modern Art, Oslo
“Recent Acquisitions,” Skarstedt Gallery, New York
“Sonic Youth Etc: Sensational Fix,” LiFE, Saint-Nazaire, France, traveling to Museion, Bolzano.
“Who’s Afraid of Jasper Johns?.” Tony Shafrazi Gallery, New York

2007
“Camouflage”, Portland Art Museum, Portland
“Degree Zero”, Richard Telles Fine Art, Los Angeles
“Door Cycle”, Friedrich Petzel Galleryin collaboration with Edition Schellmann, New York
Gallery Christian Stein, Milan
“Dream & Trauma. Works from the Dakis Joannou Collection, Athens”, Kunsthalle Wien and Mumok, Vienna, Austria (cat.)
“For the People of Paris”, Sutton Lane, Paris
“The 80s: A Topology”, Museu Serralves: Museu de arte Contemporãnea, Porto (cat.)
“The Other Side #2”, Tony Shafrazi Gallery, New York
“Hunky Dory”, Gary Tatintsian Gallery, Moscow, Russia (cat.)
“Lines, Grids, Stains, Words”, The Museum of Modern Art, New York
“Painting as Fact – Fact as Fiction”, de Pury & Luxembourg, Zurich
“Pop Art: 1960’s – 2000’s: From Misumi Collection”, The Museum of Modern Art, Ibaraki; Hiroshima City, Japan
Museum of Contemporary Art; Hachioji Yume Art Museum (cat.)
“What is Painting? Contemporary Art from the Collection”, Museum of Modern Art, New York
“Collezione Maramotti”, The Max Mara Fashion House, Reggio Emilia, Italy
“Michèle Didier Project – Part II”, Michèle Didier Project, Brussels, Belgium

2006
“Art Metropole: The Top 100”, The National Gallery of Canada, Ottawa, Ontario (cat.)
“Christopher Wool: Artist in Residence”, The Chinati Foundation, Marfa
“Defamation of Character”, P.S.1 Contemporary Art Center, New York
“Interstellar Low Ways”, Hyde Park Art Center, Chicago
“The Uncertain States of America Reader,” Astrup Fearnley Museum of Modern Art / Serpentine Gallery (cat.)
“La collezione François Pinault: Una selezione Post-Pop”, Palazzo Grazzi,
Venice (cat.)
“Pop Art 1960’s – 2000’s From Lichtenstein, Warhol to the Current Generation”, Seiji Togo Memorial Sompo Japan Museum of Art, Tokyo (cat.)
“The Kate Show”, Foam Fotografiemuseum, Amsterdam
“New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video”, Grimaldi Forum, Monaco (cat.)
“Idees de la peinture: Hommage a Martin Barre”, Galerie Nathalie Obadia, Paris (cat.)
“Broken Surface”, Sabine Knust Matthias Kunz Editions, Munich (cat.)
“The Other Side #2”, Tony Shafrazi Gallery, New York
“Translation”, Palais de Tokyo, Paris, France (cat.)
“Not Quite Ten Years Without Martin Kippenberger: A Project by Chris Hammond”, MOT, London
“Over the Limit”, Portalakis Collection, Athens
“The Dimes of March”, Reena Spaulings Fine Art, New York
“Make Your Own Life: Artist In & Out of Cologne”, Institute of Contemporary Art, Philadelphia, traveling to The Power Plant, Toronto; Henry Art Gallery, University of Washington, Seattle; Museum of Contemporary Art, Miami (cat.)
“Wrestle: Marieluise Hessel Collection”, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson (cat.)
“Word”, Deborah Colton Gallery, Houston, TX
“Color Aside”, Luhring Augustine, New York, NY

2005
“Contemporary Voices: Works from the UBS Art Collection”, Museum of Modern Art, New York, NY
“Works on Paper”, Galerie Max Hetzler, Berlin (cat.)
“The Continuous Mark: 40 Years of the New York Studio School”, New York Studio School, New York, NY
“Big Bang, Creation and Destruction in the 20th Century”, Pompidou Center, Paris (cat.)
“A Knock at the Door… “, South Street Seaport Museum, New York, NY
“Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper”, Andrea Rosen Gallery, New York, NY
“Artists’ Books, revisited”, Art Metropole, Toronto, Canada (cat.)
“Translation”, Palais de Tokyo, Paris
“Private View: 1980-2000. Collection Pierre Huber”, Le Musee Cantonal des Beaux-Arts, Lausanne (cat.)
“Building and Breaking the Grid: 1962-2002”, Whitney Museum of American Art, New York
“Baldessari, Prince, Ruscha, Wool: Dialogue”, Perry Rubenstein Gallery, New York
“Drawing from the Modern, 1975-2005”, Museum of Modern Art, New York (cat.)
“The Painted Word: Text and Context in Contemporary Art (1981-1992)”, Stellan Holm Gallery, New York

2004
“Indigestible Correctness II”, Kenny Schachter – ROVE, New York, NY
“Flower Power”, Palais des Beaux-Arts et Musée de L’Hospice Comtesse, Lille (cat.)
“I am the Walrus”, Cheim & Read, New York, NY
“Disturbing the Peace” Danese, New York, NY
“Malerei: Herbert Brandl, Helmut Dorner, Adrian Schiess, Christopher Wool”, ZKM: Museum fur Neue Kunst, Karlsruhe, Germany (cat.)
“William Gedney – Christopher Wool: Into The Night”, P.S.1 Contemporary Art Center, New York, NY
“Ground – Field – Surface”, Robert Miller Gallery, New York, NY
“Power Corruption and Lies”, Roth Horowitz, New York, NY
“Monument To Now: The Dakis Joannou Collection”, DESTE Foundation for Contemporary Art, Athens, Greece (cat.)
Nicole Klagsbrun Gallery, New York, NY
“Quodlibet”, Galerie Daniel Buchholz, Cologne, Germany
“Taschen Collection”, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain (cat.)
“The Open Book”, Hasselblad Center, Museum of Art Goteborg, Sweden
“Trafic d’Influences: Art & Design (Collection Frac Nord – Pas de Calais) “, Tri Postal, Lille
“Paintings” Gallery K, Oslo, Norway
Taka Ishii Gallery, Tokyo, Japan

2003
“A Way With Words”, John Berggruen Gallery, San Francisco, CA, USA
“Stranger in the village: Contemporary Drawings and Photographs from the Museum of Modern Art”, Guild Hall, East Hampton, NY, USA
“Family Ties. A Contemporary Perspective”, Peabody Essex Museum, Salem, MA, USA
“Visual Poetics: Art and the Word”, Miami Art Museum, Miami, FL, USA
“The Great Drawing Show; 1550 – 2003 A.D.”, Michael Kohn Gallery, Los Angeles, CA, USA

2002
“The Broad Art Foundation”, Santa Monica, CA, USA
“A Thousand Hounds”, Paine Webber Art Gallery, New York, NY; Norton Museum of Art, West Palm Beach, FL, USA
“Copy”, Roth Horowitz, New York, NY, USA
“A New York Renaissance: Masterworks from the Collection of the Whitney Museum of American Art”, Palazzo Reale, Milan, Italy
“Five by Five: Contemporary Artists on Contemporary Art”, Whitney Museum of American Art at Philip Morris, New York, NY, USA
“Hello to Handmade Words”, K.S. Art, New York, NY, USA
“We Love Painting”, The Contemporary American Art from Misumi Collection, Tokyo, Japan
“Imagine You Are Standing Here in Front of Me”, Caldic Collection, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands
“Painting on the Move”, Kunstmuseum Basel, Museum für Gegenwartskunst Basel, and Kunsthalle Basel, Basel, Switzerland (cat.)
“Ahead of the 21st Century – The Pisces Collection”, Furstenberg Sammlungen, Donaueschingen, Germany (cat.)

2001
“Parkett: Collaborations and Editions Since 1984”, Museum of Modern Art, New York, NY, USA
“New Acquisitions from the Dakis Joannou Collection”, Deste Foundation, Center for Contemporary Arts, Athens, Greece
“Christopher Wool: New Paintings, Herbert Brandl, Neue Bilder”, Sabine Knust, Munich, Germany
“A Way with Words”, Whitney Museum of American Art at Philip Morris, New York, NY, USA
“Patterns: Between Object and Arabesque”, Kunsthallen Brandts Klaedefabrik, Odense, Denmark
“W”, Musée des Beaux Arts, Dole, France
“Trauma”, National Touring Exhibitons, Dundee Contemporary Arts, Dundee, United Kingdom

2000
“On Language”, Sean Kelly Gallery, New York, NY, USA
“Malerei”, Charim Klocker Wien, Austria
Barbara Gladstone Gallery, New York, NY, USA
“Le Jeu des 7 Familles”, MAMCO, Geneva, Switzerland
“La Prima Idea: Aktuelle Malerei auf Papier”, Graphische Sammlung der ETH, Zurich, Switzerland
“Mixing Memory and Desire”, New Museum of Art, Luzern, Switzerland
“The Swamp: On the Edge of Eden”, University of Florida, Samuel P. Harn Museum of Art, Gainesville, FL, USA
“To Infinity and Beyond”, Brooke Alexander Gallery, New York, NY, USA
Counter Editions at the Chelsea Hotel, New York, NY, USA
“Art at MoMA since 1980”, MoMa, New York, NY, USA
“A Way with Words”, Whitney Museum of American Art at Phillip Morris, New York, NY, USA

1999
“Free Coke”, Greene Naftali, New York, NY, USA
“Art at the End of the Century – Contemporary Art from the Milwaukee Art Museum”, Birmingham Museum of Art, Birmingham, AL, USA
“Multiplicity”, Angles Gallery, Santa Monica, CA, USA
“Silent Treatment: Projecting Narrative”, curated by Thea Westreich, Aspen Art Museum, Aspen, CO, USA
Collection FRAC Nord-Pas-de-Calais, Dunkerque, France
“Visualizing Digiteracy: Considering Current Technologies”, Memphis College of Art, Memphis, TN, USA
Galerie Ghislaine Hussenot, Paris, France
“Bloom: Contemporary Art Garden”, curated by Gianni Romano, Milan, Italy
“Reverse Impressions”, City Gallery, New York, NY, USA
“The Great Drawing Show 1550 to 1999”, Kohn Turner Gallery, Los Angeles, CA, USA
“The Passion and the Waves”, 6th International Istanbul Biennial, Istanbul, Turkey

1998
“Real Stories”, Marianne Boesky Gallery & Friedrich Petzel Gallery, New York, NY, USA
“Exterminating Angel”, curated by Joshua Decter, Galerie Ghislaine Hussenot, Paris, France
“Exploiting the Abstract”, Feigen Contemporary, New York, NY, USA
“Double Trouble: The Patchett Collection”, Museum of Contemporary Art, San Diego, CA, USA
“Elements of the Natural”, Museum of Modern Art, New York, NY, USA
“Weather Everything”, Galerie fur Zeitgenossische Kunst Leipzig, Leipzig, Germany
“Scratches on the Surface of Things – Acquisitions of Contemporary American Art”, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands
“Harriet Craig”, curated by David Rimanelli, Apex Art C.P., New York, NY, USA
“Die Parkett-Kunstlereditionen im Museum Ludwig”, Museum Ludwig, Cologne, Germany
“The Patchett Collection”, Museum of Contemporary Art, San Diego, CA, USA
“Six Americans”, Skarstedt Fine Art, New York, NY, USA
Luhring Augustine, New York, NY, USA

1997
“Birth of the Cool: American Painting From Georgia O’Keeffe to Christopher Wool”, Kunsthaus Zurich, Switzerland, travelling to Hamburg, Germany
“Painting Photography Drawing”, Anton Kern Gallery, New York, NY, USA
Group Show (Robert Gober, Mike Kelley, Jeff Koons, Moke, Stephen Prina, Cheri Samba, Cindy Sherman, Christopher Wool), Galerie Samia Saouma, Paris, France
“Serial Imagery” (Andy Warhol, Christopher Wool, Philip Taaffe), Kohn Turner Gallery, Los Angeles, CA, USA
“American Realities, Views from Abroad, European Perspectives on American Art III”, Whitney Museum of American Art, New York, NY, USA
“Family Values”, Hamburger Kunsthalle, Hamburg, Germany
“On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection”, Museum of Modern Art, New York, NY, USA

1996
“New Art on Paper II”, Philadelphia Museum of Art, Philadelphia, PA, USA
“Screen”, Friedrich Petzel Gallery, New York, NY, USA
“Kingdom of Flora”, Shoshana Wayne Gallery, Santa Monica, CA, USA
Fellows of the American Academy in Rome, The Equitable Center, New York, NY, USA
“The Sense of Order”, Museum of Modern Art, Ljubljana, Slovenia
“Gray Matter”, Mark Moore Gallery, Santa Monica, CA, USA
“Peinture – Peinture”, Galerie Samia Saouma, Paris, France
“Thinking Print: Books to Billboards, 1980-95”, Museum of Modern Art, New York, NY, USA
“Cenas Domesticas”, Modulo, Lisbon, Portugal
“Art at Home, Ideal Standard Life”, Spiral Gallery 1F, Tokyo, Japan
“Everything That’s Interesting Is New: The Dakis Joannou Collection”, Athens, Greece
School of Fine Arts “The Factory”, Athens, Greece; Museum of Modern Art, Copenhagen, Denmark; Guggenheim Museum SoHo, New York, NY, USA

1995
“Duck”, Edward Thorp Gallery, New York, NY, USA
“100 Works on Paper”, Galerie de la Tour, Amsterdam, The Netherlands
Galleria Alessandra Bonomo, Rome, Italy
“Pittura Immedia”, Neue Galerie am Landesmuseum Joanneum und Kunstlerhaus, Graz, Austria
“Articulations: Forms of Language in Contemporary American Art”, The Whitney Museum, New York, NY, USA
“James Nares & Christopher Wool”, Kohn Turner Gallery, Los Angeles, CA, USA
“25 Americans: Painting in the 90s”, Milwaukee Art Museum, Milwaukee, WI, USA
“XL”, Galerie Borgmann Capitain, Cologne, Germany
Luhring Augustine, New York, NY, USA
“Malerei”, Galerie Max Hetzler, Berlin, Germany
“Wallpaper Works”, Contemporary Arts Museum, Houston, TX, USA
“Made in U.S.A. – Original Works on Paper”, Bob van Orslouw Gallery, Zurich, Switzerland
“Images Against AIDS”, Art Metropole, Toronto, Canada
“Drawing on Chance: Selections from the Collection”, Museum of Modern Art, New York, NY, USA

1994
The Museum of Modern Art (Martin Kippenberger, director), Syros, Greece, and Galleri K, Oslo, Norway
“Lousy Fear”, Randolph Street Gallery, Chicago, IL, USA
“Ossuary”, Luhring Augustine, New York, NY, USA
“Contemporary Art From the Collection of the Migros Cooperatives”, Museo Cantonale d’Arte,
Lugano, Switzerland
“Gift”, The InterArt Center, New York, NY, USA
“Supershadows of Understatement: Christopher Wool and Ulli Strothjohann”, Eleni Koroneou Gallery, Athens, Greece
“Some Like It Cool”, Barbara Krakow Gallery, Boston, MA, USA
“Super Shadows of Understatement”, Eleni Koroneou Gallery, Athens, Greece
“Herbert Brandl, Albert Oehlen, Christopher Wool”, National Gallery, Prague, Czech Republic
“On Paper”, Schmidt Contemporary Art, Saint Louis, MO, USA
“Ground”, Museum Boymans Van Beuningen, Rotterdam, The Netherlands
“Violence/Business – Gewalt/Geschafte”, Neue Gesellschaft fur Bildende Kunst, Berlin, Germany

1993
“Works by Younger Artists from the Collection of Richard Brown Baker”, The Century Association, New York, NY, USA
“Zeitsprunge: Collection of Rudolf und Ute Scharpff”, Wilhelm-Hack Museum, Ludwigshafen, Germany
“The Brushstrike: Painting in the 90’s”, Ruth Bloom Gallery, Santa Monica, CA, USA
“Gober, Kelley, Kippenberger, Koons, Sherman, Wool”, Galerie Schurr, Stuttgart, Germany
“Reading Prints”, The Museum of Modern Art, New York, NY, USA
“20th Anniversary Exhibition Part II”, Daniel Weinberg Gallery, Santa Monica, CA, USA
“Black & White”, Schmidt Contemporary Art, St. Louis, MO, USA
Barbara Krakow Gallery, Boston, MA, USA
“Drawing the Line Against AIDS”, The Peggy Guggenheim Collection, Venice, Italy; The Guggenheim Museum SoHo, New York, NY, USA
“The Language of Art”, Kunsthalle Wien, Vienna, Austria; Frankfurter Kunstverein, Frankfurt, Germany
“New York Painters”, Sammlung Goetz, Munich, Germany

1992
“Allegories of Modernism: Contemporary Drawing”, Museum of Modern Art, New York, NY, USA
“Works on Paper: Forg, Gonzalez-Torres, Kilimnik, Kippenberger, Nares, Oehlen, Pensato, Prina, Wool”, Luhring Augustine, New York, NY, USA
“Herold, Oehlen, Wool: Works on Paper”, Jack Hanley Gallery, San Francisco, CA, USA
Luhring Augustine, New York, NY, USA
“Documenta IX”, Kassel, Germany
“Fifth Anniversary Show”, Karsten Schubert Ltd., London, United Kingdom
“Somewhere Between Image & Text”, Barbara Krakow Gallery, Boston, MA, USA
“Prints in Portfolios”, Susan Sheehan Gallery, New York, NY, USA
“Dark Decor”, organized by Independent Curators Inc.; DePree Art Center, Hope College, Holland, MI; San Jose Museum of Art, San Jose, CA; Florida Gulf Coast Art Center, Belle, FL; The Monmouth Museum, Lincroft, NJ; The Illingworth Kerr Gallery, Alberta College of Art, Calgary, Alberta, Canada
“The Word-Image in Contemporary Art”, The James Howe Gallery, Kean College of New Jersey, NJ, USA
“Gober, Kawara, Kelley, Kippenberger, Koons, Oehlen, Schnabel, Sherman, Struth, Taaffe, Wool”, Galerie Max Hetzler, Cologne, Germany
“Landscape Untitled: Halley, Oehlen, Wool”, Galerie Senda, Barcelona, Spain
“Drawings”, Stuart Regen Gallery, Los Angeles, CA, USA
Robbin Lockett, Chicago, IL, USA
“Slow Art: Painting in New York Now”, P.S.1 Museum, New York, NY, USA
“Dirty Data: Collection of Wilhelm Schurmann”, Ludwig Forum fur Internationale Kunst, Aachen, Germany
“Ars Pro Domo: Contemporary Art from Koln Private Collections”, Museum Ludwig, Cologne, Germany
“Drawn in the Nineties”, traveling exhibition organized by ICI; Katonah Museum of Art, Katonah, NY; Fine Arts Gallery, Indiana University, Bloomington, IN; Illingworth Kerr Art, USA
Gallery, Alberta College of Art, Calgary, Alberta, Canada; Huntsville Museum of Art, Huntsville, AL, USA
“Oh! Cet echo”, Centre Culturel Suisse, Paris, France
“Plakate”, Grazer Kunstverein, Graz, Austria
“Spielholle”, Akademie der Kunste und Wissenschaften, Frankfurt am Main, Germany; Grazer Kunstverein, Graz, Austria; Galerie Sylvana Lorenz, Paris, France
“Multiplicity: An Exhibition of Recent Editions”, Thea Westreich, New York, NY, USA

1991
“New American Art: Mary Beyt, Greg Colson, Christopher Wool”, Ho Gallery World Art, Hong Kong, China
“Metropolis”, Martin Gropius Bau, Berlin, Germany
“Gulliver’s Travels”, Galerie Sophia Ungers, Cologne, Germany
“Words & #’s”, Wright State University, Dayton, OH, USA
“Strange Abstraction”, The Tokyo Museum of Art, Tokyo, Japan
“Herbert Brandl, Albert Oehlen, Christopher Wool”, Galerie Peter Pakesch, Vienna, Austria
“Drawing Acquisitions, 1980-1991: Selections from the Permanent Collection”, Whitney Museum of American Art at Philip Morris, New York, NY, USA
“Druckgrafik”, Galerie Gisela Capitain, Cologne, Germany
“51st Carnegie International”, Carnegie Museum of Art, Pittsburgh, PA, USA
“American Artists of the Eighties”, Palazzo delle Albere, Trento, Italy
“Selections From the Elaine and Werner Dannheisser Collection: Painting and Sculpture From the 80’s and 90’s”, The Parrish Art Museum, East Hampton, NY, USA
“At the end of the day”, Randy Alexander Gallery, New York, NY, USA
“Museum of Natural History”, Galerie Barbara Farber, Amsterdam, The Netherlands

1990
“Michael Craig-Martin, Gary Hume, Christopher Wool”, Karsten Schubert Ltd., London, United Kingdom
“New Work: A New Generation”, San Francisco MoMA, San Francisco, CA, USA
“Stephen Prina, Sam Samore, Christopher Wool”, Galerie Ursula Schurr, Stuttgart, Germany
“Drawings”, Luhring Augustine / Hetzler, Santa Monica, CA, USA
“American Geometric Abstraction and Other Works from the Richard Brown Baker Collection”, Yale University Art Gallery, New Haven, CT, USA
“Language in Art”, Aldrich Museum of Contemporary Art, Ridgefield, CT, USA
“Donald Baechler, Gunther Forg, Georg Herold, Martin Kippenberger, Jeff Koons, Albert Oehlen, Julian Schnabel, Terry Winters, Christopher Wool”, Galerie Max Hetzler, Cologne, Germany
“In the Beginning …”, Cleveland Center for Contemporary Art, Cleveland, OH, USA

1989
“Abstraction in Question”, John and Mable Ringling Museum of Art, Sarasota; Center for the Fine Arts, Miami, FL, USA
“Horn of Plenty”, Stedelijk Museum, Amsterdam, The Netherlands
“Repetition”, Hirschl & Adler Modern, New York, NY, USA
“Prospect 89”, Frankfurt Kunstverein, Frankfurt, Germany
“Herold, Oehlen, Wool”, The Renaissance Society, University of Chicago, Chicago, IL, USA
“Whitney Biennial”, Whitney Museum of American Art, New York, NY, USA
“Drawings: Forg, Herold, Ruscha, Wool”, Karsten Schubert, London, United Kingdom
“Group Show”, Schmidt / Markow Gallery 1709, St. Louis, MO, USA
“Prints”, Hirschl & Adler Modern, New York, NY, USA
“On Kawara: Again and Against”, Portikus, Frankfurt am Main, Germany, traveled to The Renaissance Society at the University of Chicago, Chicago, IL; Institute of Contemporary Arts, Nagoya, Japan; Ivan Dougherty Gallery, Sydney, Australia
“Gober, Halley, Kessler, Wool; Four Artists From New York”, Kunstverein Muenchen, Munich, Germany
“Forg, Iglesias, Spalletti, Vercruysse, West, Wool”, Galerie Joost Declercq, Ghent, Belgium; Max Hetzler, Cologne, Germany; Luhring Augustine, New York, NY; Peter Pakesch, Vienna, Austria; Marga Paz, Madrid, Spain; Mario Pieroni, Rome, Italy
“A Decade of American Drawings 1980-1989”, Daniel Weinberg Gallery, Los Angeles, CA, USA

1988
“James Casebere, Stephen Prina, Christopher Wool”, Robbin Lockett Gallery, Chicago, IL, USA
“Robert Gober and Christopher Wool, An Installation”, 303 Gallery, New York, NY, USA
“Six Americans: Bleckner, Halley, Levin, Taaffe, Wool, Welling”, Galerie Lelong, New York, NY, USA
“A Drawing Show”, Cable Gallery, New York, NY, USA
“Een Keuze / A Show”, Amsterdam, The Netherlands
“Information as Ornament”, Feature Gallery, Chicago, IL; Rezac Gallery, Chicago, IL, USA
“The Light from the Other Side”, Monika Spruth Galerie, Cologne, Germany
“The Binational – American Art of the Late 80’s”, ICA & MFA, Boston, MA, USA; Stadtische Kunsthalle Dusseldorf, Germany; Kunstverein Bremen, Germany; Minneapolis Institute of Arts, Minneapolis, MN, USA
“Bickerton, Gober, Halley, Koons, Prince, Vaisman, Wool”, Daniel Weinberg Gallery, Los Angeles, CA, USA

1987
“Painting, Abstraction Rediscovered”, Rosa Esman Gallery, New York, NY, USA
Jamie Wolff Gallery, New York, NY, USA
“Ange Leccia, Christopher Wool”, Cable Gallery, New York, NY, USA
“Alexander, Bolande, Ebner, Kane, Wool”, Robbin Lockett Gallery, New York, NY, USA
“New Territories in Art Europe / America”, Michetti Foundation, Chieti, Italy
“Johnson, Tasset, Wool”, Kuhlenschmidt / Simon, Los Angeles, CA, USA
“Facture”, Laurie Rubin Gallery, New York, NY, USA
“Industrial Icons”, University Art Gallery, San Diego State University, San Diego, CA, USA
“Drawn Out”, Kemper Gallery, Kansas City Art Institute, Kansas City, MO, USA

1986
“Inaugural Exhibition”, Robbin Lockett Gallery, Chicago, IL, USA
“The Gallery Show”, Exit Art, New York, NY, USA
“The Hidden Surface”, Middendorf Gallery, Washington D.C., USA
“Signs of Painting”, Donald Young Gallery, Chicago, IL, USA
“Fortuyn / O’Brien, Lemieux, Mullican, Wool”, Luhring Augustine & Hodes Gallery, New York, NY, USA
“Fabricated, Not Found”, Loughelton Gallery, New York, NY, USA

1985
“AIDS Benefit”, Daniel Weinberg Gallery, Los Angeles, CA, USA
“Painting, Sculpture, Photography”, Cable Gallery, New York, NY, USA
“Factura”, Gallery Schlesinger – Boisante, New York, NY, USA
“Botts, Lee, Miller, Wool”, Barbara Toll Fine Arts, New York, NY, USA
“Stigmata”, Bond Street Gallery, New York, NY, USA
“Drawings 1975-1985”, Barbara Toll Fine Arts, New York, NY, USA
“Apfelschnitt, Bills, Chamberlain, Lucas, Nares, Wool”, Anne Plumb Gallery, New York, NY, USA

1984
“Group Show”, Paula Cooper Gallery, New York, NY, USA
“Chill Out New York”, Kenkeleba Gallery, New York, NY, USA
“Drawings”, Barbara Toll Fine Arts, New York, NY, USA
“Sex”, Cable Gallery, New York, NY, USA
“Saloon Salon”, Bill Rice Gallery, New York, NY, USA

1983
“Big American Figure Drawings”, Visual Arts Museum, New York, NY, USA
“Abbott, Fink, Lieber, Wool”, Delahunty Gallery, New York, NY, USA
“Selected Drawings”, Jersey City Museum, NJ, USA

1982
“Group Exhibition”, White Columns, New York, NY, USA

Artist’s Books

2002
EAST BROADWAY BREAKDOWN, self-published, New York

2001
CHRISTOPHER WOOL: 9TH STREET RUN DOWN, Steidl, Göttingen
CHRISTOPHER WOOL, Secession, Vienna
MAYBE, MAYBE NOT, Inktree Editions, Kusnacht
PASS THE BITCH CHICKEN, with Harmony Korine, Holzwarth Publications, Berlin

1999
FOCUS, self-published, New York

1996
INCIDENT ON 9TH STREET, Fama & Fortune Bulletin 18, P&S, Wien

1995
SHUT UP STUPID I’M WORKING – THE COMPLETE LETTERS AND POEMS (a.k.a. THE PETER PROBLEM), Edition of 8, xeroxed, self-published, New York

1993
ABSENT WITHOUT LEAVE, published by DAAD, Berlin

1991
CATS IN BAG BAGS IN RIVER, artist book published on the occasion of an exhibition at Museum Boymans Van Beuningen, Rotterdam
LOW AND SLOW, artist book of color laser prints, 60 pages, Edition of 12 plus 3 Artist’s Proofs,
self published, Rome

1989
BLACK BOOK, Edition of 350, published by Galerie Gisela Capitain and Thea Westreich Associates

1988
Untitled artist book on the occasion of an exhibition at Galerie Gisela Capitain, Cologne

1985
EMPIRE OF THE GOAT, Edition of 33, self published

1984
93 DRAWING OF BEER ON THE WALL, Edition of 5, self published

Artist’s Projects

ID, no. 196, April 2000, p. 195
Issue, no. 2, 2000, pp. 102-107
Issue, no. 1, 1999, pp. 90-93
Die Tageszeitung, no. 7, May 1993, pp. 1, 17-19, 21, 23
Parkett, no. 33, Fall 1992, pp. 3, 4, 31, 116, 117
Jahresring, no. 38, 1991, pp. 375-389
Noema, May/June 1990, pp. 41, 49 (cover)
Parkett, no. 22, December 1989, pp. 113-128 (insert)
The Paris Review, no. 31, Spring 1989 (cover)
Artscribe International, no. 74, March/April 1989, pp. 54-58
Journal of Contemporary Art, no. 1, Fall/Winter 1988, pp. 7-16
White Walls, no. 17, Autumn 1987, pp. 25-29 (cover)

Bibliography

2002
Brehm, Margit and, de Pury, Simon, “Ahead of the 21st Century – The Pisces Collection”, Ostfildern-Ruit, Hatje Cantz, Edited by Pury, Luxembourg
Brooke Alexander, van Caldenborgh Joop, Dercon Chris, de Goede Jannet, Groys Boris, Lutticken Sven, “Imagine You Are Standing in front of Me”, Caldic Collection, Museum Boijmans Van Beuningen, Rotterdam
Burgi, Mendes and, de Duve, Thierry, “Painting On the Move”, Kunstmuseum Basel; Museum für Gegenwartskunst; Kunsthalle Basel, Basel
Kynaston, Mc Shine and Umland, Anne, editors, “To Be Looked At: Painting and Sculpture from The Museum Art, Distributed Art Publishers, Inc., New York
“We Love Painting”, The Contemporary American Art from Misumi Collection
Adeler, Dan, “Christopher Wool at Luhring Augustine”, Art in America, no. 1, January, p. 107
Galanternick, Mery, “Brazil’s Power Buyer”, Artnews, October, p. 78
Hirsch, Arthur, “Drawing a Reaction: A World’s Power Is Revealed When It, Alone, Becomes Art”, The Baltimore Sun, 28 January
Sartwell, Emma, “Museum Shouldn’t Apologize For it’s Provocative Artwork”, The Baltimore Sun, 29 March

2001
Grosenick, Uta, editor, “Art Now”, Icons Series, Taschen, Cologne
“9th Street Rundown”, Edition 7L, Paris
“Trauma”, Hayward Gallery Publishing, London
“Zoo Magazine”, no. 8, March 2001, pp. 78-79
“The Mood Across the Arts Spectrum”, Chicago Tribune, 4 November
“Snapshots of Grieving Nation”, The Associated Press, 17 September
Johnson, Ken, “Christopher Wool”, New York Times, 18 May
Lehner, Adam, “Moving Pictures. Adam Lehner on the Art in the Aftermath”, ArtForum, November 2001, pp. 35-39
McNatt, Glenn, “In a Word, Painting Proves Controversial”, The Baltimore Sun, 22 October
Moreno, Gean, “Mythic Proportions”, Flash Art, May/June, p. 146
Scarcella, Michael, “Sensitivity Led to Removal of ‘Terrorist’ Art, BMA Says”, The Baltimore Sun, 18 September
Scott, Andrea K, “Review Christopher Wool”, Time Out New York, nos. 14-21, June, p. 55
Thomas Devine, Kelly, “Aftershocks”, Artnews, November, pp. 150-155
Wortech, Edward, “BMA Mistaken in Removing Artwork”, The Baltimore Sun, 1 October
Yablonski, Linda, “Luhring Augustine Gathers New Wools”, Art and Auction, May, p. 217
Zinnes, Harriet, NYArts, June, p. 85

2000
Kertess, Klaus, “00: Drawings”, Barbara Gladstone Gallery, New York
“Food for The Mind: die Sammlung Udo und Anette Brandhorst”, Staatsgalerie Moderner Kunst and Hatje Cantz Verlag, Munich
“Mixing Memory and Desire”, New Museum of Art Lucerne, Lucerne
Ryan, Susan Elisabeth, “Robert Indiana: Figures of Speech”, Yale University Press, New Haven and London
Meritt, Raymond & Barth, Miles, editors, “A Thousand Hounds”, Taschen, Cologne
“Marketplace”, Art & Auction, 15 April 2000, p. 49
Moron, Robert C, “Istanbul and the Biennial Paradigm”, NYArts, New York

1999
Wakefield, Neville, “Paintings Marked by Confrontation and Restraint”, ELLE Decor, February/March 1999, p. 58
“Christopher Wool”, Flash Art, January/February 1999, p. 111
Thomas, Mary, “Marvelous diversity on display in local art scene”, Pittsburgh Post-Gazette, Saturday,
Jan. 23, C-7
Rubin, Marilyn McDevitt, “Sunday Brunch with Friends and Sweets”, Pittsburgh Post-Gazette, Sunday,
January 3, pg. 14
Artforum, January, page 36
Mack, Gerhard, “Hommage an Dada und Pop Art”, Art Das Kunstmagazin, April, pp. 98-99
Riemschneider, Burkhard, and Grosenick, Uta (Ed.), “Art At The Turn Of The Millennium”, Taschen,
pages 550-553
Vogel, Carol, “Records Set for 11 Artists in Contemporary Sale”, The New York Times, Thursday, May 20, pg. B7
Hogrefe, Jeffrey, “Who Played the Fool?, Young Art – Thirsty Storm Christie’s”, The New York
Observer, Tuesday June 7, pg. 25
“Bloom: Contemporary Art Garden”, curated by Gianni Romano, Milan, Italy, catalogue
“The American Art Book”, Phaidon Press Limited, page 499
“1999 Focus”, Centre d’Art Contemporain, Geneva, exhibition catalogue
Paparoni, Demetrio, “Matissiana”, Tema Celeste, May/July, pages 56-71
Perrella, Christina, “Istanbul, sull’onda dell passioni”, Alias, September
“Christopher Wool by Larry Clark, and Larry Clark by Christopher Wool”, ISSUE 1 Magazine, pages 90-93
“The Passion and the Waves”, 6th International Istanbul Biennial, Istanbul, Turkey, exhibition catalogue
Johnson, Ken, “Review”, The New York Times, March 17, p. E37
“Marketplace”, Art & Auction, April 15, 2000, p. 49

1998
Silva, Arturo, “Bless this mess of interconnections”, The Japan Times, Sunday, January 11, p.15
Johnson, Ken, “Real Stories”, The New York Times, Friday, February 13
“Summer Preview”, Artforum, May 1998, pg. 51
Ferguson, Bruce W., “Christopher Wool”, The Contemporary, Summer 1998, pp. 4-6
Lewis, Jim, “Wool Power”, Bazaar, August 1998, pg. 98
Knight, Christopher, “Misstep in Mid-Career MOCA Show”, Los Angeles Times, July 23, 1998, pp. 54-56
“Christopher Wool”, Ophiuchus Collection, The Hydra Workshop, Hydra, Greece, exhibition catalogue
“Christopher Wool”, Museum of Contemporary Art, Los Angeles, exhibition catalogue, published by Scalo Sevastopoulou, Stella, “Weaving the Wool of the Art World”, August 18, 1998, pg. 11
Myers, Terry, “The Hawk and the Dove”, L.A. Weekly, Aug. 21-27, p. 59
Harvey, Doug, “Christopher Wool”, Art Issues, September / October, pg. 42
“Traveling Exhibitions”, Artforum, September
Hickey, Dave, “Christopher Wool”, Artforum, October, pp. 114-116
Janus, Elizabeth and Lambert, Marion (ed.), “Veronica’s Revenge; Contemporary
Perspectives on Photography, LAC Switzerland”, Scalo Zurich – Berlin – New York
“Double Trouble, The Patchett Collection”, Pilar Perez, ed., The Museum of Contemporary Art, San Diego, exhibition catalogue
Neuhoff, Tony, “Christopher Wool”, New Art Examiner, November
Thomas, Mary, “Christopher Wool gives texture, meaning to writing on the wall”, Pittsburgh Post-Gazette, Saturday, Nov. 28, page D-10
Thomas, Mary, “Wool exhibit protest unravels”, Pittsburgh Post-Gazette, Saturday, Nov. 28, p. D-10
Rubin, Marilyn McDevitt, “Didn’t take long to become his died-in-the-Wool fan”, Pittsburgh
Post-Gazette, December 13
Shearing, Graham, “Drop Dead”, Pittsburgh Tribune-Review, Style Section, Sunday, Nov. 29
“Exploiting the Abstract”, Flash Art, Summer, page 63
“Exploiting the Abstract,” Flash Art, Summer 1998, page 63
Wilson, Ellen S., “Christopher Wool: Painting about Painting”, Carnegie Magazine,
November/December, pp. 38-39
Tribune-Review, Sunday, December 20, pg. E3
Tribune-Review, Friday, December 31, ticket supplement, p.13
Artnews, Summer Issue, Page 148

1997
“Ideal Standard Life”, exhibition catalogue, Spiral Garden 1F, Tokyo
Liebman, Lisa, “And Cool Off Here”, Interview, June, p. 68
“Birth of the Cool: American Painting From Georgia O’Keeffe to Christopher Wool”, Kunsthaus
Zurich, exhibition catalogue
“American Realities, Views from Abroad, European Perspectives on American Art III”, Whitney Museum of American Art, exhibition catalogue
Smith, Roberta, “On the History of Cool, A Show is Hip to America”, The New York Times, August 17, p. 35
Testino, Mario, “Chic”, Visionaire #22, September
Smith, Roberta, Review, The New York Times, Friday, Nov. 21, pg. E43
“Christopher Wool”, The New Yorker, December 8, Page 26
Schwendener, Martha, “Christopher Wool”, Time Out New York, December 18, p. 46
“The Hirshhorn Collects: Recent Acquisitions”, exhibition catalogue, Hirshhorn Museum, pp. 107-108

1996
Temin, Christine, “Thank you, Paine Webber”, The Boston Globe, March 14
Wye, Deborah, “Thinking Print”, The Museum of Modern Art, New York, exhibition catalogue

1995
Relyea, Lane, “976-WOOL”, Frieze, Issue 20, January/February
“Pittura Immedia”, exhibition catalogue, Neue Galerie am Landesmuseum Joanneum und Kunstlerhaus Graz
“The Painewebber Art Collection”, published by Rizzoli
Decter, Joshua, “Reviews: Christopher Wool at Luhring Augustine”, Artforum, Sept., pg. 89
“25 Americans: Painting In The 90’s”, exhibition catalogue, Milwaukee Art Museum
“Collection Modern Art Museum Boymans Van Beuningen, Rotterdam”, catalogue of works
acquired between 1985-1993, pg. 93
Ardenne, Paul, “Christopher Wool at Galerie Samia Saouma”, Artpress, No. 207, November, pp. 66-7
Heartney, Eleanor, “Christopher Wool at Luhring Augustine”, Art In America, December, pg. 90
Guequierre, Nathan, “Slavishly Hip, Strangely Satisfying”, Shepherd Express, October 12
Vannucci, Delfina, “Wallpaper As Wall Hanging”, Public News, November 29, pp. 12-13
Smith, Stephanie, “Wallpaper Works”, exhibition catalogue, Contemporary Arts Museum, Houston

1994
“New York Painters”, Sammlung Goetz, Munich, exhibition catalogue
“Herbert Brandl, Albert Oehlen, Christopher Wool”, National Gallery Prague, exhibition catalogue
Princenthal, Nancy, “Artist’s Book Beat”, The Print Collector’s Newsletter, Vol. XXV, No. 4,
September/October, pp. 151-2
Gewalt / Geschafte, Neue Gesellschaft fur Bildende Kunst, Berlin, exhibition catalogue,
December 1994 – February 1995

1993
Bass, Ruth, “Christopher Wool, Luhring Augustine”, ARTNews, January, pp. 140, 142
“Zeitsprunge: Collection of Rudolf & Ute Scharpff”, Wilhelm-Hack-Museum, exhibition catalogue
Smith, Roberts, “A Remembrance of Whitney Biennials Past”, The New York Times, Sunday,
February 28, pp. 1, 31
Weitman, Wendy, “Reading Prints”, The Museum of Modern Art, exhibition brochure
“New of the Print World: People & Places”, The Print Collector’s Newsletter, Vol. XXIV, No. 2, May/June, pg. 58
Ribettes, Jean-Michel, “Collections: Untitled”, Galleries Magazine, No. 54, April/May, pp. 90-97
“Drawing The Line Against AIDS”, Art Against AIDS Venice Benefit Auction Catalogue, June
Artist’s Project, Die Tageszeitung (German national newspaper), May 7, pp. 1, 17-19, 21, 23
“The Rome Studio”, artist’s project & exhibition catalogue, published by Brown University, Barbara Gladstone, and Thea Westreich, pp. 52-7
Myles, Eileen, “Prints of Woods”, The Print Collector’s Newsletter, Vol. XXIV, No. 4,
September/October, pp. 132-5
“Die Sprache Der Kunst”, Kunsthalle Wien, Frankfurter Kunstverein, exhibition catalogue
Caldenborgh, Yvette van and Macha Roesink, “A Collection Made In The U.S.A.”, Caldic
Collection, Rotterdam, exhibition catalogue

1992
“Prints & Photographs Published”, Print Collector’s Newsletter, No. 6, January/February, pg. 215
“On Kawara: Again and Against”, Portikus, Frankfurt am Main, exhibition catalogue
New Art Examiner, January, cover
“Bulletin of The Whitney Museum of American Art 1990-91”, pg. 10
“Dark Decor”, traveling exhibition organized by ICI, exhibition catalogue
Smith, Roberta, “From New York Painters, Work That Takes Time”, The New York Times, Friday, May 1, pg. C31
“Dirty Data: Collection of Wilhelm Schurmann”, Ludwig Forum fur Internationale Kunst, Aachen,
exhibition catalogue
“Drawing In The Nineties”, traveling exhibition organized by ICI, exhibition catalogue, pg. 75
“Oh! Cet Echo”, Centre Culturel Suisse, exhibition catalogue
Kunz, Martin, “USA – Blickpunkt Eastcoast. Neue Leitsterne – Neue Wertungen”, Kunstforum
International, No. 119, pp. 170-1
Artist’s Project, Parkett, No. 33, Fall, pp. 3,4,31,116,117
Lewis, Jim, “Cave Canem”, Parkett, No. 33, Fall, pp. 78-85
Marcus, Griel, “Wool’s Word Paintings”, Parkett, No. 33, Fall, pp. 86-99
Perrone, Jeff, “In the Shadow of Painting”, Parkett, No. 33, Fall, pp. 100-107
Diederichsen, Diedrich, “Here Is Something You Can’t Understand”, Parkett, No. 33, Fall, pp.108-115
Saltz, Jerry, “Lufthansa Was Half The Fun”, Galeries, No. 50, August/September, pp. 77-9, 88
Morgan, Stuart, “Documenta IX: Three Perspectives Body Language”, Frieze, Issue 6,
September/October, pp. 28-34
Politi, Giancarlo, “Bonito Oliva, Documenta, and the Biennial”, Flash Art, Vol. XXV, No. 166, October, pp. 87-9
Hixson, Kathryn, “Dirty Data: Irrevererent Wunderkammer”, Flash Art, Vol. XXV, No. 166, October, pg. 95
Graw, Isabelle, “Christopher Wool at Gisela Capitain”, Flash Art, Vol. XXV, No. 166, October, pp. 106-7
Levin, Kim, “Voice Choices: Christopher Wool”, The Village Voice, November 3, pg. 79
Tully, Judd, “Impressionist, Modern and Contemporary Sales”, Art & Auction, November, pg. 125
Peters, Werner, “The Existential Runner: Uber Die Demokrate In Amerika”, Edition Klaus
Isele Eggingen, cover, pp. 81, 342
Fleck, Robert, “Spielholle: Asthetik und Gewalt”, Rogue Magazine, Nummer 16, December/January, pp. 17-32

1991
Van Der Ploeg, Kees, “Christopher Wool: The Complexity of Form and Meaning”, Flash Art,
March/April, pp. 94-96
Dubrow, Norman, “The Neo Tendencies of the Late 1980s”, Drawing, March/April, pg. 124
Messler, Norbert, “Christopher Wool”, Noema, April, pg. 78
Wagemans, Fred, “Christopher Wool … different voices in a room”, Metropolis M, Number 2, April, pg. 28-30
Larson, Kay, “The Subplot Thickens”, New York, May 27, pp. 67-8
Levin, Kim, “Choice: Christopher Wool”, The Village Voice, May 15-21, pp. 67-8
Johnson, Ken, “Vogue Arts”, Vogue, August, pp. 142-150, 222
Ermen, Reinhard, “Christopher Wool”, Kunstforum International, July/August, pp.357-8
O’Brien, Glenn, “Cats in Bag Bags in River”, artist book, insert
Ferguson, Bruce, “Patterns of Intent”, Artforum, September, pp. 95-98
Myers, Terry, “New York Review: Christopher Wool”, Arts, September, pg. 76
Artist’s Project, Jahresring 38, pp. 375-389
“51st Carnegie International”, Carnegie Museum of Art, exhibition catalogue
“Kunsthalle Bern 1991/92”, exhibition catalogue

1990
Cameron, Dan, “Unfixed States: Notes on Christopher Wool’s New Editions”, Print Collector’s Newsletter, March/April, pp. 13-15
“New Art”, Harry Abrams, Inc., New York, pp. 198-199
Caldwell, John, “Christopher Wool, New York”, Translation into German of exhibition
catalogue from San Francisco Museum of Modern Art, July 1989, Noema, May/June, pp. 35-38
Artist’s project, Noema, May/June, cover, pp. 41, 49
Koether, Jutta and Karen Marta, “A Conversation with Jutta Koether, Karen Marta and
Christopher Wool”, Noema, May/June, pp. 35-38
Jan, Alferd, “Audience Response to New Work: A New Generation”, Visions, Summer, pp. 24-26
Smith, Roberta, “Christopher Wool”, The New York Times, July, pg. C24
Mahoney, Robert, “Christopher Wool”, Contemporanea, October, pg. 101
Borum, Jenifer P., “Christopher Wool at Luhring Augustine”, Artforum, November, pp. 166-67
Raynor, Vivien, “Medium and Message Blend in ‘Language and Art’ Aldrich”, The New York
Times, Sunday, November 4, pg. C26
Faust, Wolfgang Max, “Wenn Worter Sich Zu Bildern Fugen”, Art, November, pp. 80-95

1989
“Abstraction in Question”, John and Mable Ringling Museum of Art, Sarasota, exhibition catalogue, pp. 29, 76, 88
“Horn of Plenty”, Stedelijk Museum, Amsterdam, exhibition catalogue, pp. 34-35, 40, 58, 68, 78, 88, 103
Evans, Steven, “A ‘Drawing’ Show”, Artscribe, January/February, pp. 81-82
Decter, Joshua, “Christopher Wool”, Arts Magazine, February, pp. 81-82
“Repetition”, Hirschl & Adler Modern, New York, exhibition catalogue, pp. 74-75
“Prospect 89”, Frankfurt Kunstverein, Frankfurt, exhibition catalogue, pp. 210-212, 302
“Herold, Oehlen, Wool”, The Renaissance Society, University of Chicago, exhibition catalogue
Messler, Norbert, “Christopher Wool”, Artscribe, March/April, pg. 87
Artist’s Project, Artscribe, No, 74, March/April, pp. 54-58
Liu, Catherine, “Christopher Wool, Spotlight”, Flash Art, March/April, pg. 106
Van Nieuwenhuyzen, Martijn, “Horn of Plenty”, Flash Art, March/April, pg.102
“Whitney Biennial”, Whitney Museum of American Art, exhibition catalogue, front
and back cover, pp. 164-167, 250
Artner, Alan G, “Renaissance show a challenging trilogy”, Chicago Tribune, Friday, April 7, pg. 48, Section 7
Smith, Roberta, “More Women and Unknowns in the Whitney Biennial”, The New York Times, Friday,
April 28, pg. C32
“Christopher Wool, New Work”, San Francisco Museum of Modern Art, exhibition catalogue, July
The Paris Review, Issue 110, Spring: Cover
Von Kunstadt, Theodor, “The 1989 Whitney Biennial”, Flash Art, Summer, pg. 139
“Gober, Halley, Kessler, Wool; Four Artists From New York”, Kunstverein Muenchen, exhibition catalogue, pg. 87
Cotter, Holland, “A Bland Biennial”, Art In America, September, pg. 87
Koether, Jutta, “Christopher Wool at Galerie Max Hetzler, Cologne”, Flash Art, November/December, pg. 47
The Print Collector’s Newsletter, Vol. XX, No. 5, November/December
Parkett, No. 22, December, Insert, pp. 112-128
“New Work: A New Generation”, exhibition catalogue, San Francisco Museum of Modern Art. Baker, Kenneth, “S.F. Museum Show Toys with Art'”, San Francisco Chronicle, February 22, pg. C3

1988
“A Project: Robert Gober, Christopher Wool”, 303 Gallery, New York, exhibition catalogue, text by Gary Indiana
“The Light from the Other Side”, Monika Spruth Galerie, Cologne, exhibition catalogue, pp. 11, 14-16
Robbins, David, “Information as Ornament”, Feature, Chicago, July
Saltz, Jerry, “This is the End”, Arts Magazine, September, pp.19-20
Ross, David and Jurgen Harten, “American Art of the Late 80’s: The Bi-national”, exhibition catalogue,
ICA & MFA, Boston
Evans, Steven, “Robert Gober & Christopher Wool”, Artscribe, November-December, pg. 80
“SmithKline & French Research & Development Art Collection”, catalogue, pp. 26, 37
“Journal Of Contemporary Art”, Vol. 1, Nov. 2, Fall/Winter, pp. 7-15

1987
Saltz, Jerry, “Beyond Boundaries, New York’s New Art”, Alfred van der Marck, New York, pg. 44
Indiana, Gary, “Chronicle in Black & White”, The Village Voice, March 31, pg. 89
Knight, Christopher, Los Angeles Herald, July 31
Gardner, Colin, “The Art Galleries”, Los Angeles Times, Friday, August 7, Part VI – 16
Smith, Roberta, “Where to see the Newest of the New American Art”, The New York Times, Friday, May 1
“White Walls”, Issue 17, Autumn, cover and pages 25-29

1986
Indiana, Gary, “Art: Christopher Wool”, The Village Voice, February 25
Lurie, David, “Arts Reviews: Christopher Wool”, Arts Magazine, April, pg. 133
Bulka, Michael, “Christopher Wool”, New Art Examiner, Summer, pg. 45
Artner, Alan G, “Christopher Wool”, Chicago Tribune, May 23: Section 7, pg. 45
Westerbeck, Colin, “Christopher Wool, Robbin Lockett Gallery”, Artforum, September, pg. 39

1985
Indiana, Gary, “The Age of Silver”, The Village Voice, December 17, pg. 107

1984
Smith, Roberta, “Around Town”, The Village Voice, September 4

1983
“Selected Drawings”, Jersey City Museum, Jersey City, exhibition catalogue
Glueck, Grace, “Reviews: Big American Figure Drawings”, The New York Times, March 18
Cohen, Ronnie, “Group Show: Delahunty”, Art News, September