Born in 1942, Urbana, Illinois, USA
Lives and works in New York
Awards
American Academy of Arts and Letters, New York, NY, 2010
French Vermeil Medal awarded by the City of Paris, 2001
Coutts Contemporary Art Foundation Award, 1992
Skowhegan Medal for Mixed Media, Skowhegan School of Painting and Sculpture, New York, 1992
Solo Exhibitions (selection)
2015
‘Sculpture or Pavilion?’ Galerie Micheline Szwajcer, Brussels
‘Dan Graham’ Marian Goodman Gallery, Paris
‘Observatory/Playground: Dan Graham’ MAMO – Centre d’Art de la Cité Radieuse, Marseille, France
‘Dan Graham’ Galleria Massimo Minini, Brescia, Italy
‘Dan Graham’ with an intervention by Günther Vogt,” ETH Zürich, Hönggerberg, HIL, Switzerland
2014
‘Models and Beyond’, De Pont Museum for contemporary art, Tilburg, The Netherlands
‘Design For Showing Rock Videos’, Greene Naftali, New York
‘Dan Graham – Tunnel of Love’, Galleri Nicolai Wallner, Copenhagen
‘Dan Graham: Pavilions’, Lisson Gallery, London
‘Dan Graham, Heimo Zobernig’, Christine Mayer, Munich
2013
‘Dan Graham: Two Cubes, One Rotated 45°’, Turner Contemporary, Margate, Kent, UK
‘Dan Graham – Past Future Split Attention’, Manchester International Festival,
Manchester, UK
2012
“Rock nʼ Roll show. Unrealised Projects for Children and Boutique Architecture” Hauser and Wirth, Zurich,
Switzerland
“Dan Graham – Pavilions”, Lisson Gallery London, UK
“Dan Graham”, Johnen Galerie, Berlin
2011
“Dan Graham – Models and Videos”, Eastside Projects, Birmingham
“Exposition dʼovertureʼ, Le Consortium, Dijon
“Through the Looking Brain. A Swiss Collection of Conceptual Photography”. Kunstmuseum St. Gallen, St.
Gall
“Dan Grahamʼ, Protocinema, IAO, Istanbul, Turkey
“Anamorphoses et Jeux de Miroir”, Espace dʼArt Contemporain et Musee des Beaux-Arts, La Rochelle, France
“Dan Graham”, IAO, Istanbul, Turkey
2009
“Beyond,” Museum of Contemporary Art, Los Angeles, California; Whitney Museum of American Art, New
York; Walker Art Center, Minneapolis, Minnesota
Portikus, Frankfurt/Main, Germany
Marian Goodman Gallery, New York, NY
Galerie Marian Goodman, Paris, France
2007
“Dan Graham’s New Jersey,” Arthur Ross Architecture Gallery, Columbia University, New York, New York
Marian Goodman Gallery, Paris
2006
Castello di Rivoli, Museo D’ Arte Contemporanea, Torino, Itlay
“Don’t Trust Anyone Over Thirty”, Dan Graham in collaboration with Tony Oursler and Rodney Graham, Walker
Art Center, Minneapolis; UCLA Hammer Museum, Los Angeles, California
Jörg Johnen Galerie, Berlin, Germany
2005
Galerie Micheline Szwajcer, Antwerp, Belgium
“Don’t Trust Anyone Over Thirty,” Entertainment by Dan Graham, Tony Oursler, Rodney Graham and other
Collaborators, Festival of Vienna, Vienna; Staatsoper Berlin (Berlin State Opera)
2004
Performance, New Space, Lisson Gallery, London, United Kingdom
“Don’t Trust Anyone Over Thirty,” Entertainment by Dan Graham, Tony Oursler, Rodney Graham and other
Collaborators , Art Basel, Miami Beach. “Ext. 17,” The Swiss Institute, New York, New York
2003-2004
“Dan Graham by Dan Graham,” Chiba City Museum of Art, Chiba, Japan.
Kitakyushu Municipal Museum of Art, Japan
Vancouver Gallery of Contemporary Art, Vancouver
Galerie Meyer Kainer, Vienna
2002
“Five Films (1969 – 1973)”, Marian Goodman Gallery, New York, NY, USA
“Works 1965 – 2000”, Kiasma Museum of Contemporary Art, Helsinki, Finland; Kunsthalle Düsseldorf,
Düsseldorf, Germany
Galerie Christine Mayer, Munich, Germany
Marian Goodman Gallery, Paris, France
Galerie Rüdiger Schöttle, Munich, Germany
Galeria Massimo Minini, Brescia, Italy
2001
“Works 1965 – 2000”, Museu de Arte Contemporanea de Serralves, Porto; tours to Musée d’Art Moderne de la
Ville de Paris, Paris, France; Kröller Müller Museum, Otterlo, The Netherlands
Hauser & Wirth Gallery, Zurich, Switzerland
“Reflective Glass Moon Windows”, Shima, Shigemori Residence, Kyoto, Japan
2000
“Children’s Day Care Center, CD-Rom, Cartoon, and Computer Screen Library Project”, Marian Goodman
Gallery, New York, NY, USA
1999
“Architekturmodelle”, Kunstwerke Berlin, Berlin, Germany
1998
Fundació Antoni Tapies, Barcelona, Spain
“Architectural Proposals Photographs”, Galerie Rüdiger Schöttle, Munich, Germany
Galerie Jiri Svestka, Prague, Czech Republic
Lothbury Gallery, London, United Kingdom
“Unrealized Projects”, Galerie Meyer Kainer, Vienna, Austria
“Recent Works”, School of the Museum of Fine Arts, Boston, MA, USA
1997
Centro Galego de Arte Contemporànea, Santiago de Compostela, Spain
“The Suburban City”, Neue Galerie am Landesmuseum Joanneum, Graz, Austria
“Models to Projects, 1989-1997”, Marian Goodman Gallery, Paris, France
Galerie Rüdiger Schöttle, Munich, Germany
Johnen & Schöttle, Cologne, Germany
“Architecture 1”, Camden Arts Centre, London, United Kingdom
“Architecture 2”, The Architectural Association, School of Architecture, London, United Kingdom
“New Works/New Age”, Galerie Hauser & Wirth, Zurich, Switzerland
1996
Massimo Minini, Brescia, Italy
“The Suburban City”, Museum für Gegenwartskunst, Basel, Switzerland
Marian Goodman Gallery, New York, NY, USA
“Detumescence”, Wooster Gardens, New York, NY, USA
“Videos on Sculpture/Pavilions”, Gallery Shimada, Tokyo, Japan
Galerie Micheline Szwajcer, Antwerp, Belgium
Massimo Minini, Brescia, Italy
1995
“Dan Graham, Video/Architecture/Performance”, EA-Generali Foundation, Vienna, Austria
Kunstwerke, Berlin, Germany
Marian Goodman Gallery, New York, USA
1994
Villa Stuck, Munich, Germany
“Selected Photographs, 1965-1991”, MAI 36 Galerie, Zurich, Switzerland
“New American Film and Video Series”, Whitney Museum of American Art, New York, NY, USA
1994-93
“Public/Private”, Goldie Paley Gallery, Moore College of Art and Design, Philadelphia, PA, ListVisual Arts
Center, MA, USA
Institute of Technology, Cambridge, MA; Art Gallery of Ontario, Toronto, Canada; LACE (Los Angeles
Contemporary Exhibitions), Los Angeles, CA, USA
“The Children’s Pavilion” (a collaborative project with Jeff Wall), Museum Boijmans-van Beuningen,
Rotterdam, The Netherlands
1994-92
“Walker Evans/Dan Graham”, Witte de With Center for Art, Rotterdam, The Netherlands; Musée Cantini,
Marseille, France; Westfälisches Landesmuseum, Münster, Germany; Whitney Museum of American Art,
New York, NY, USA
1993
“House and Garden”, Margo Leavin Gallery, Los Angeles, CA, USA
“Art in Relation to Architecture/Architecture in Relation to Art”, Stedelijk Van Abbesmuseum, Eindhoven,
The Netherlands
1993-92
“Travaux, 1964-1992”, Le Nouveau Musée-Institut d’Art Contemporain, Villeurbanne, France
“House and Garden”, Marian Goodman Gallery, New York, NY, USA
1992
“Modelle, Grafisches Kabinett und Ver Sacrum Zimmer ‘Triangula Pavilion”, Wiener Secession, Vienna, Austria
“Photographs”, Galerie Bleich-Rossi, Graz, Austria
1992-91
“Pavilion Sculptures & Photographs”, Lisson Gallery, London, United Kingdom
1991
Galerie Rüdiger Shöttle, Munich, Germany
Margo Leavin Gallery, Los Angeles, CA, USA
“Pavillons/Sculptures”, Fondation pour l’Architecture, Brussels, Belgium; Galerie Roger Pailhas, Marseille,
France
Architektur Galerie Fenster, Frankfurt, Germany
Castello di Rivara, Turin, Italy
Galleria Pieroni, Rome, Italy
Galerie Micheline Szwajcer, Antwerp, Belgium
“Photographs 1966-1987”, Le Case d’Arte, Milan, Italy
1990
“Photographs 1965-1985”, Marian Goodman Gallery, New York, NY, USA
“Zeichnungen 1965-69. Fotografien 1966-78”, Galerie Bleich-Rossi, Graz, Austria
1990-89
“The Children’s Pavilion” (a collaborative project with Jeff Wall), Marian Goodman Gallery, New York; Santa
Barbara Contemporary Arts Forum, Santa Barbara, CA; Galerie Roger Pailhas, Marseille, France; Fonds
Régional d’Art Contemporain Rhones-Alpes, Lyon, France; Galerie Chantal Boulanger, Montreal, Quebec,
Canada
1988
Kunsthalle zu Kiel, Kiel, Germany
“Pavilions”, Kunstverein, Munich, Germany
1987
ARC/Musée d’Art Moderne de la Ville de Paris, Paris, France
Le Consortium, Dijon, France
Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Fruitmarket Gallery, Edinburgh, Scotland, UK
Marian Goodman Gallery, New York, NY, USA
“Photographs 67-87”, Galerie Hufkens-Noirhomme, Brussels, Belgium
1986
Cable Gallery, New York, NY, USA
Storefront for Art and Architecture, New York, NY, USA
Lisson Gallery, London, United Kingdom
Galerie Liliane et Michel Durand-Dessert, Paris, France
Galleria Lia Rumma, Naples, Italy
“Interior Design for Space Showing Videotapes”, Het Kijkhuis, The Hague, The Netherlands
“Sculpture, Pavilions & Photographs”, Galerie Rüdiger Schöttle, Munich, Germany
“Three Pavilion/Sculptures”, Galerie Johnen and Schöttle, Cologne, Germany
1985
Art Gallery of Western Australia, Perth, Australia
1984
Galleria del Cavallino, Venice, Italy
Marianne Desan Gallery, Chicago, IL, USA
Todd’s, New York, NY, USA
1983
“Pavilions”, Kunsthalle, Bern, Switzerland
Amelia A. Wallace Gallery, Old Westbury Campus, College of New York State, Old Westbury, New York, NY,
USA
Walter Phillips Gallery, Banff Centre for Art, Banff, Alberta, Canada
David Bellman Gallery, Toronto, Canada
1982
Galerie Liliane et Michel Durand-Dessert, Paris, France
Gewad 23, Ghent, Belgium
Johnson State College, Johnson, VT, Canada
Hotel Wolfers, Brussels, Belgium
Anna Leonowens Gallery, Nova Scotia College of Art and Design, Halifax, NS, Canada
Plan B, Tokyo, Japan
Lisson Gallery, London, United Kingdom
1981
Renaissance Society of the University of Chicago, Chicago, IL, USA
“Pavilion/Sculpture”, Center for the Arts, Muhlenberg College, Allentown, PA, USA
“Video at 30th St. Station”, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, USA
Lisson Gallery, London, United Kingdom
Galerie Liliane et Michel Durand-Dessert, Paris, France
P.S.1/Institute for Art and Urban Resources, Long Island City, New York, NY, USA
“Two Viewing Rooms”, Museum of Modern Art, New York, NY, USA
1980
“Gallery Projections, Architectural Proposals, Photographs”, Galerie Rüdiger Schöttle, Munich, Germany
Central Library, City of Los Angeles, Los Angeles, CA (sponsored by F.A.R.), USA
Museum of Contemporary Art, Lisbon, Portugal
Museum of Modern Art, New York, NY, USA
1979
Galerie Rüdiger Schöttle, Munich, Germany
“Architectural Models and Photographs”, Galerie Paola Betti, Milan, Italy
Franklin Furnace, New York, NY, USA
“Dan Graham, Videotapes and Diagrams”, Center for Art Tapes, Halifax, NS, Canada
Galerie Locus Solus, Genoa, Italy
1978
Corps de Garde, Groningen, The Netherlands
Museum of Modern Art, Oxford, United Kingdom
1977
“Video-Architecture Projects, Photographs”, Galerie Rene Block, Berlin, Germany
Stedelijk Van Abbemuseum, Eindhoven, The Netherlands
“Video Piece for Two Glass Buildings”, Leeds Polytechnic Gallery, Leeds, United Kingdom
Studio Terelli, Ferrara, Italy
“Two Rooms Reverse Video Delay”, Museum van Hedendaagse Kunst, Ghent, Belgium
1976
Sperone Westwater Fischer Gallery, New York, NY, USA
Salle Simon I. Patino, Geneva, Switzerland
Saman Gallery, Genoa, Italy
Galerie Vega, Liège, Belgium
New Gallery, Institute of Contemporary Art, London, United Kingdom
Anne-Marie Verna, Zurich, Switzerland
Galleria Banco, Brescia, Italy
1975
“Video Project”, Griffiths Art Centre, St. Lawrence University, Canton, New York, NY, USA
Lucio Amelio, Modern Art Agency, Naples, Italy
John Gibson Gallery, New York, NY, USA
Palais des Beaux-Arts, Brussels, Belgium
International Cultural Centrum, ICC, Antwerp, Belgium
Otis Art Institute Gallery, Los Angeles, CA, USA
1974
Galleria Marilena Bonomo, Bari, Italy
Lisson Gallery, London, United Kingdom
Galerie 17, Paris, France
Royal College of Art, London, United Kingdom
“Performance and Films”, Epson School of Art, Surrey, United Kingdom
Galerie MTL, Brussels, Belgium
1973
Galerie MTL, Brussels, Belgium
Gallery A 402, California Institute of the Arts, Valencia, CA, USA
Gallery Rudolf Zwirner, Cologne, Germany
Galleria Schema, Florence, Italy
1972
Project Inc., Cambridge, MA, USA
Lisson Gallery, London, United Kingdom
“Performance: New Piece”, Fourth Floor Gallery, Halifax, NS, Canada
Protech-Rivkin Gallery, Washington, Washington DC, USA
Galleria Toselli, Milan, Italy
1971
Anna Leonowens Gallery, Nova Scotia College of Art and Design, Halifax, NS, Canada
1969
John Daniels Gallery, New York, NY, USA
Group Exhibitions (selection)
2014
‘Petals on the Wind’, Galerie Micheline Szwajcer, Brussels, Belgium
‘Une Lettre Arrive Tou-Jours á Destination’, La Panacée, Centre de Culture
Contemporaine, Montpellier, France
‘Allegory of the Cave Painting’. The Other Way Around, Braem Pavilion, Middelheim
Museum, Antwerp
‘Genius Loci: Spirit of place’, Venetian Institute of Sciences, Venice
‘Art/Histories’, curated by Sabine Breitwieser, Museum de Moderne, Salzburg,
Austria
‘Postscript: Writing After Conceptual Art’, The Power Plant, Toronto
‘Retroactive: Performance Art from 1964-1987’, Delaware Art Museum,
Wilmington, DE
‘A stroll through a fun palace’, curated by Hans-Ulrich Obrist, Swiss Pavilion, 14th
‘International Architecture Exhibition’, Venice Bienale, Venice
‘I’m Isa Genzken’, The Only Female Fool, Kunsthalle Wien, Vienna
‘Museum der Moderne Salzburg Presents Generali Foundation Collection’, Museum
der Moderne Salzburg, Salzburg
‘Video Container: Museum as Method’, MOCA North Miami, Miami
‘Food Show 2’, 3A Gallery, New York
‘Bad Conscience’, Metro Pictures, New York
2013
‘The Content of Form’, Generali Foundation, Vienna
‘Postscript: Writing After Conceptual Art’, The Power Plant, Toronto
2012
ʻGraham/Mangoldʼ, Galeri Nicolai Wallner, Copenhagen, Denmark
ʻArchitektonika ʼHamburger Bahnhof, Berlin,Germany
ʻAlice in Wonderlandʼ, Museo dʼArte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy
ʻMove: Art and Dance since the 1960ʼsʼ, National Museum of Contemporary Art, Seoul
ʻLa Fabrique des Possiblesʼ, – FRAC – Alpes-Cote dʼAzur, Marseille
2011
ʻOut of Sync: The Paradoxes of Timeʼ, Mudam Luxembourg, Luxembourg ʻ5th Biennal of Moving Imageʼ,
Contour, Mechelen, Belgium
ʻBeziehungsarbeit – Kunst und Institutionʼ, Künstlerhaus Wien, Vienna, AT
ʻI Hate Karl Marx, Merry Christmasʼ, Berezdivin Collection Expacio 1414, Santurce, Puerto Rico
ʻThrough the looking Brain – A Swiss Collection of Conceptual Photographyʼ, Kunstmuseum Bonn, Bonn
2010
Collection / Porto : Museu Serralves, Domaine de Kerguéhennec – Centre dʼArt Contemporain, Bignan, France
DOUBLE BIND / Arrêtez dʼessayer de me comprendre !, Villa Arson, Nice, France
Changing Channels, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
Che cosa sono le nuvole? Artworks from the Enea Righi Collection, Museion – Museum for modern and
contemporary art, Bolzano, Italy
KölnSkulptur 5, Skulpturenpark Köln, Cologne, Germany
Less is More: “Pictures, Objects, Concepts from the collection and archive of Herman & Nicole Daled, 1966–
1978,” Haus der Kunst, Munich, Germany
2009
KölnSkulptur 4, Skulpturenpark Köln, Cologne, Germany
Interieur/Exterieur. Wohnen in der Kunst, Kunstmuseum Wolfsburg, Wolfsburg, Germany
Vivre lʼart – Collection Venet, Espace de lʼart concret, Mouans Sartoux, France
MAN SON 1969. Vom Schrecken der Situation, Hamburger Kunsthalle, Hamburg, Germany
Sonic Youth etc.: Sensational Fix, Kunsthalle Düsseldorf, Düsseldorf, Germany; Museum of Malmö, Malmö,
Sweden REGIFT, Swiss Institute, New York
Of Other Spaces, Canzani Center Gallery/Bureau for Open Culture, Columbus College of Art & Design,
Columbus, Ohio
Universal Archive: The Condition of the Document and the Modern Photographic Utopia, Museu Colecçao
Berardo, Lisbon, Portugal
A mancha humana / the human stain, Centro Galego de Arte Contemporánea (CGAC), Santiago de
Compostela, Spain
Looking at Music: Side 2, Museum of Modern Art, New York, NY
2008
“The Puppet Show,” ICA, University of Pennsylvania, Philadelphia; Santa Monica Museum of Art, Santa
Monica, California
“Color Chart: Reinventing Color,” 1950 to Today, Museum of Modern Art, New York, New York
“Modernism: On and Off the Grid,” Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New
York
2007
Edit! Photography and Film in the Ellipse Collection, Ellipse Foundation, Cascais, Portugal
2006
“Strictment confidentiel. Á partir de la collection de Marc et Josée Gensollen,” Centre Internation d‟Art et du
Paysage de I‟Île Vassivière, France
The Second Guangzhou Triennial: Beyond an Extraordinary Space Experimentation for Modernization,
Guangdond Museum of Art, Guangzhou, China
“Don‟t Trust Anyone Over Thirty,” in collaboration with Tony Oursler and Rodney Graham, Walker Art Center,
Minneapolis, Minnesota; UCLA Hammer Mseum, Los Angeles, California
“Intouchable”, Villa Arson, Nice
“moving home(s)”, Sfeir-Semler Gallery, Beirut
“Day for Night”, Whitney Biennial, New York
Sao Paolo Biennial, Sao Paolo, Brazil
“Public Space/Two Audiences”, Museu d’ art Contemporani de Barcelona, Spain; Kunsthaus Graz, Graz,
Austria
“Draft Deceit”, Office for Contemporary Art Norway, Oslo, Norway
“Hacia el Espacio/ Towards Space”, Communidad de Madrid, Madrid, Spain
‘Minimalism and After IV: Daimler Chrysler Collection’, Berlin, Germany
“Gartden,” Centro Sperimentale per le Arti Contemporanee Convento di Cappuccini, Caraglio, Italy
“The Early Show: Video from 1969-1979,” The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New
York
“Emilio Prini: Manifesto Bianco,” Diapason, New York; RAM, Rome, Italy
2005
“Missies, Ik weet wat goed voor u is”, de Brakke Grond, Amsterdam, The Netherlands
“Open Systems: New Art in the 1960’s and 1970’s”, Tate Modern, London, United Kingdom
“Slide Show”, Baltimore Museum of Art, Maryland, USA
“Strictement Confidentiel: A Partir de la Collection de Marc et Josée Gensollen,” Centre International d’art et
du paysage de l’Ile de Vassivière, Vassivière, France
“Entdecken und Besitzen: Einblicke in Österreichische Privatsammlungen,” MUMOK, Museum Moderner Kunst
Stiftung Ludwig Wien, Vienna, Austria
“Down the Garden Path: The Artist’s Garden After Modernism,” Queens Museum of Art, New York
“Les Grands Spectacles,” Museum der Moderne, Salzburg, Austria
“The Second Guangzhou Triennial: Beyond an Extraordinary Space of Experimentation for Modernization,”
Guangdong Museum of Art, Guangzhou, China
2004
“Ombre du temps”, Jeu de Paume, Paris, France
“Collected Views from East or West”, Generali Foundation, Vienna, Austria
“Metamorph: 9th International Exhibition of Architecture, la Biennale di Venezia”, Venice, Italy
“Behind the Facts (Interfunktionen 1968 – 1975), Fundacio Joan Miro, Barcelona, Spain; Fundaçao de
Serralves, Porto, Portugal
“Beyond Geometry: Experiments in Form, 1940s -70s”, Los Angeles County Museum of Art, Los Angeles
“A Minimal Future,” MoCa, Los Angeles
2003
“Dreams and Conflicts: The Viewer’s Dictatorship”, Venice Biennial, Venice, Italy
“Space Time Intervention, Video from 1968 – 1979”, Parsons School of Design, Department of Architecture,
New York, NY, USA
“The Fourth Sex: The Extreme People of Adolescence”, Fondazione Pitti Imagine Discovery, Florence, Italy
“Spiritus”, Magasin 3, Stockholm, Sweden
“The Children’s Pavilion”, with Jeff Wall (H&F Collection), CRAC Alsace, Altkirch, France
“The Big Picture: Recent Acquisition from the Collection of Alison and Alan Schwartz”, Vancouver Art Gallery,
Vancouver, Canada
2002
Galerie Micheline Szwajcer, Antwerpen, Belgium
“Passasjer/Passenger. The Viewer as Particpant”, Astrup Fearnley Museet For ModernerKunst, Oslo, Norway
‘Dan Graham Sculptures: Pavilions,” Canary Wharf, London
“Mapping,” Essor Gallery, London
“A Measure of Reality,” Kettle’s Yard, Cambridge, England
“I promise it’s political,” Ludwig Museum, Cologne, Germany
“Video Acts: Single Channel Work from the Collection of Pamela and Richard Kramlich and the New Art Trust,”
P.S.1 Contemporary Art Center, New York
“Fundamentalisms of the New Order,” Charlottenborg, Copenhagen, Denmark
“Luis Barragan,” House of Luis Barragan, Mexico City, Mexico
“Public Affairs,” Kunsthaus Zurich, Switzerland
“The Seventies: An Artistic Decade Beyond Itself,” CapcMusee d’Art Contemporain, Bordeaux, France
“Récente Acquisitions,” FRAC, Champagne-Ardenne, Reims, France
2001
“Demonstration Room: Ideal House”, Apex Art, New York, NY, USA
“Shima/Islands”, Association for the Preservation of Mirei Shigemori Residence, Kyoto, Japan
“Import/Export:The Miami Arts Project 2001”, Miami, FL, USA
“CTRL Space,” ZKM, Karlsruhe, Germany
“Vancouver Collects”, Vancouver Art Gallery, Vancouver
“Looking With/Out – East Wing Collection No. 5”, Courtauld Institute, London
2000
“Contra La Arquitectúra”, Espai d’Art Contemporani, Castello, Spain
“Voici, 100 ans d’art contemporain”, Palais des Beaux-Arts, Brussels, Belgium
“Au-dela du spectacle”, Centre Pompidou, Paris, France
“Oktoberfest 2000”, VTO Gallery, London, United Kingdom
“Fiets and Stal”, Stroom HCBK, The Hague, The Netherlands
“Hex Enduction Hour by The Fall”, Team Gallery, New York, NY, USA
“L’oeuvre Collective”, les Abattoirs, Toulouse, France
“Quotidiana, The Continuity of the Everyday in 20th Century Art”, Castello di Rivoli Museo d’Arte
Contemporanea, Turin, Italy
“In The Midst Of Things”, Bournville, Birmingham, United Kingdom
“Dream Machines”, Royal Festival Hall, Hayward Gallery, London, United Kingdom
“Postmedia, Conceptual Photography in the Guggenheim Museum Collection”, The Solomon R. Guggenheim
Museum, New York, NY, USA
“Hausschau”, Deichtorhallen, Hamburg, Germany
“Insites, Interior Spaces in Contemporary Art”, Whitney Museum American Art at Champion, Stanford, CT
“La Ville/Le Jardin/Le Mémoire”, Académie de France à Rome, Villa Medicis, Rome, Italy
“Moving in: Museum Works”, Hamburger Kunsthalle, Hamburg, Germany
“Media City Seoul 2000”, Contemporary Art and Technology Biennial, Seoul, South Korea
1999
“Nobodies Home”, Momenta Art, Brooklyn, NY, USA
“Seeing Time: Selections from the Pamela and Richard Krammlich Collection”, San Francisco Museum of
Modern Art, San Francisco, CA, USA
“Circa 1968”, Museuserralves, Porto, Portugal
“American Century: Art and Culture (1950-2000)”, Whitney Museum of American Art, New York, NY, USA
“The Self is Something Else: Art at the End of the 20th Century”, Kunstsammlung Nordrhein-Westfalen,
Düsseldorf, Germany
“Tomorrow For Ever, Photographie als Ruine”, Kunst Halle Krems, Basel, Switzerland
“ART in Living Room”, arkipelagTV, Stockholm, Sweden
“Isla des Esculturas”, Xacobeo ’99, Galicia, Spain
“Rewind to the Future”, Bonner Kunstverein August-Macke-Platz, Bonn, Germany
“New Art. New Ideas. New Walls”, Contemporary Museum, Baltimore, MD, USA
1998
“Breaking Ground,” Marian Goodman Gallery, New York, NY, USA
“Mega-Salon: Portrait Show”, Jorgensen Gallery, New York, NY, USA
“Transparantje”, Stichting Groot Glas, Oude Kerk, Amsterdam, The Netherlands
“Weather Everything”, Galerie für zeitgenössische Kunst, Leipzig, Germany
“I Love New York”, Museum Ludwig Köln, Cologne, Germany
Galerie Micheline Szwajcer, Antwerp, Belgium
1997
“Skulptur Projekte Münster”, Westfälisches Landesmuseum, Münster, Germany
Documenta X, Kassel, Germany
“Broken Home”, Greene Naftali Gallery, New York, NY, USA
“In Visible Light: Photography and Classification in Art, Science and the Everyday”, Museum of Modern Art,
Oxford, United Kingdom
Whitney Biennial, Whitney Museum of American Art, New York, NY, USA
“The Crystal Stopper”, Lehman Maupin Gallery, New York, NY, USA
“Citta’ Natura”, Mostra Internazionale di Arte Contemporanea, Rome, Italy
“Encore…Bruxelles”, Unité De Production and De Création Contemporaine, Brussels, Belgium
“Rooms with a View: Environments for Video”, Guggenheim Museum SoHo, New York, NY, USA
“Kunst in der Leipziger Messe”, Leipziger Messe GmbH, Leipzig, Germany
“Paper Trail”, Pierogi 2000, Brooklyn, New York, NY, USA
“P.S. 1”, P.S.1/Institute for Art and Urban Resources, Long Island City, New York, NY, USA
1996
“Artists Photographs”, John Gibson Gallery, New York, NY, USA
“Everything That’s Interesting is New: The Dakis Joannou Collection”, an exhibition organized by the Deste
Foundation, Athens, in conjunction with the Museum of Modern Art, Copenhagen, Denmark
“Light Construction”, Museum of Modern Art, New York, NY, USA
“Project for Survival”, National Museum of Modern Art, Kyoto, Japan; National Museum of Modern Art,
Tokyo, Japan
“Home Show II”, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, USA
“City Space”, Copenhagen, Denmark
1996-95
“1965-75: Reconsidering the Object of Art”, Museum of Contemporary Art, Los Angeles, CA, USA
1995
“Intervenciones en el espacio/Interventions in Space”, Museo de Bellas Artes, Caracas, Venezuela
“Artistes/Architects”, Le Nouveau Musée-Institut d’Art Contemporain, Villeurbanne, France
“Mapping”, American Fine Arts, New York, NY, USA
“ARS 95”, Museum of Contemporary Art, Helsinki, Finland
“Public Information: Desire, Disaster, Document”, Museum of Modern Art, San Francisco, CA, USA
“Dan Graham and Moriko Mori”, American Fine Arts, New York, NY, USA
“25 Years”, Margo Leavin Gallery, Los Angeles, CA, USA
Lyon Biennial, Lyon, France
“L’Effet Cinema Quand l’Image Raconte”, Musée d’Art Contemporain, Montreal, Quebec, Canada
Maison de Lyon, Lyon, France
1994
“House Rules”, Wexner Center for the Arts, Ohio State University, Columbus, OH, USA
“Radical Scavenger(s), The Conceptual Vernacular in Recent American Art”, Museum of Contemporary Art,
Chicago, IL, USA
“Little House on the Prairie”, Marc Jancou Gallery, London, United Kingdom
“In the Field”, Margo Leavin Gallery, Los Angeles, CA, USA
Galerie Rüdiger Schöttle, Munich, Germany
“Films on Art”, National Gallery of Art, Washington, Washington DC, USA
“Pictures of the Real World (In Real Time)”, Paula Cooper Gallery, New York; L’Usine, Dijon, France
“Public Domain”, Centre d’Art Santa Monica, Barcelona, Spain
“East of Eden”, Museum Schloss Mosigkau, Dessau, Germany
“Corpus Loquendi-Body for Speaking”, Dalhousie University, Halifax, NS, Canada
“Multiple Dimensions”, O Museu Temporario, Lisbon, Portugal
“Inaugural Exhibition”, Musée d’Art Moderne et Contemporain, Geneva, Switzerland
“Don’t Look Now”, Thread Waxing Space, New York, NY, USA
“Crash”, Thread Waxing Space, New York, NY, USA
1993
“Passageworks”, Rooseum, Mälmo, Sweden
“American Art of the Twentieth Century”, Martin-Gropius-Bau, Berlin, Germany; Royal Academy of Arts,
London, United Kingdom
5th Semaine Internationale de Video, Saint-Gervais, Geneva, Swizerland
“International Garden Exhibition”, Stuttgart, Germany
“Out of Sight Out of Mind”, Lisson Gallery, London, United Kingdom
“Some artists I’ve been thinking about who fall under the title of: Wouldn’t it be more pluralistic to embrace
turmoil and/or violence?” Andrea Rosen Gallery, New York, NY, USA
1992
“Transform”, Kunstmuseum und Kunsthalle, Basel, Switzerland
Marian Goodman Gallery, New York, NY, USA
Documenta 9, Kassel, Germany
“Like Nothing Else in Tennessee”, Serpentine Gallery, London, United Kingdom
“Cameres Indiscretes”, Generalitat de Catalunya, Department de Cultura, Barcelona, Spain
Amnesty International Benefit Show, Paris, France
“Ars Electronica”, Linz, Austria
“Queues, Rendez-vous, Riots: Questioning the Public”, Walter Phillips Gallery, Banff, Alberta, Canada
“Rendez-vous manquès”, Galerie Gabrielle Maubrie, Paris, France
“Manette et Jacques Repriels. Vega 20 ans”, Anciens établissements sacrés, Liège, Belgium
1992-91
“Passage de l’Image”, Museum of Modern Art, San Francisco, CA; Fundacio Caixa de Pensions, Barcelona,
Spain; Power Plant, Toronto, Canada; Wexner Center for the Arts, Ohio State University, Columbus, OH, USA
1991
“In anderen Räumen”, Museum Haus Lange and Haus Esters, Krefeld, Germany
“1969”, Daniel Newburg Gallery, New York, NY, USA
Carnegie International, Carnegie Museum of Art, Pittsburgh, PA, USA
“A Dialogue about Recent American and European Photography”, Museum of Contemporary Art,
Los Angeles, CA, USA
“Diaporama des expositiones de la galerie”, Galerie Roger Pailhas, Paris, France
“Little Things Mean a Lot (Slice it Down to Size)”, Warmoesstraat 12, Amsterdam, The Netherlands
“Konzept au Papier”, XPO Galerie Ida Kaufmann Anton Rotger, Hamburg, Germany
“Juste en Dessous 6”, Villa Arson, Nice, France
“A Group Show”, Marian Goodman Gallery, New York, NY, USA
“Art Conceptuel des Années 70 à Aujourd’hui”, Galerie Rüdiger Schöttle, Munich, Germany
“Nouvel Espace”, Galerie Durand-Dessert, Paris, France
“Enclosures and Encounters: Architectural Aspects of Recent Sculpture”, Storm King Art Center,
Mountainville, New York, NY, USA
“La Revanche de l’Image”, Pierre Huber Gallery,Geneva, Switzerland
“Acquisitions”, Galerie Roger Pailhas, Marseille, France
“Video Events”, Tom Cugliani Gallery, New York, NY, USA
“Inscapes”, Foundation De Appel, Amsterdam, The Netherlands
1990
“A New Necessity”, First Tyne International Exhibition of Contemporary Art, Newcastle, United Kingdom
“Interventions. An Exhibition from the Collection of Delfryd Clelf”, Art Gallery of Ontario, Toronto, Canada
“Une Collection pour la Corse”, Fonds Régional d’Art Contemporain Corse, La Citadelle, Corte, France
“Conceptual Art. Conceptual Forms”, Gallery 1900-2000 and Gallery de Poche, Paris, France
“Affinities and Intuitions: The Gerald S. Elliot Collection of Contemporary Art”, The Art Institute of Chicago,
Chicago, IL, USA
“Some Seventies Work”, Marian Goodman Gallery, New York, NY, USA
“Pas à côté. Pas n’importe oú 4”, Villa Arson, Nice, France
1990-89
“Image World: Art and Media culture”, Whitney Museum of American Art, New York, NY, USA
“L’Art Conceptuel in Perspective”, Musée Nationale d’Art Moderne, Paris; Caja de Pensiones, Madrid, Spain;
Musée d’Art Contemporain, Montreal, Quebec, Canada; Deichtorhallen, Hamburg, Germany
“Wittgenstein, Het Spel van het Naamloze / The Play of the Unsayable”, Wiener Secession, Vienna, Austria;
Palais des Beaux-Arts, Brussels, Belgium
“The Presence of Absence: New Installations”, The University of Illinois at Chicago, Chicago, IL; University of
Arizona Museum of Art, Tucson, Arizona; Laumeier Sculpture Park and Garden, St. Louis, Missouri; Albany
Institute of History and Art, Albany, New York; Oakville Galleries in Gailroch Gardens, Oakville, Manitoba;
University of Kentucky
Art Museum, Lexington Kentucky; Longview Museum and Arts Center, Longview, Texas; Prichard Art Gallery,
University of Idaho, Moscow, Idaho; Museum of Art, The Pennsylvania State University Park Campus,
University Park, Pennsylvania; The University of Iowa Museum of Art, Iowa City, Iowa; University Art
Museum, University of New Mexico, Albuquerque, New Mexico
“Selected Artists for the First 20 Years”, Max Protetch Gallery, New York, NY, USA
1989
“Some Detached Houses”, Contemporary Art Gallery, Vancouver, British Columbia, Canada
“Künstlerische Fotografie der 70er and 80er Jahre”, Galerie Schurr, Stuttgart, Germany
“Exactement pas à côté 3”, Villa Arson, Nice, France
“A Photo Show”, Marian Goodman Gallery, New York, NY, USA
“23. Internationaler Kunstmarket”, ART Cologne, Cologne, Germany
“Perspektivismus”, Bleich-Rossi Gallery, Graz, Austria
“Outdoor Projects”, Ulla Klot, Hamburg, Germany
“Effets de Miroir”, Gare de Paris-Austerlitz, Paris, France
“Theatergarden Bestiarium”, P.S.1/Institute for Art and Urban Resources, Long Island City, NY; Confort-
Moderne, Poitiers, France; Casino del Teatro Lope de Vega, Seville, Spain
“Les Graces de la Nature”, Fonds Régional d’Art Contemporain des Pays de la Loire, Clisson, France
“Balkon mit Fächer”, Akademie der Künste, Berlin, Germany
“Hier Wird Getanzt”, XPO Galerie Ida Kaufmann, Anton Rotger, Hamburg, Germany
Kunstraum Buchberg 1989, Schloss Buchberg am Kamp, Vienna, Austria
“Not Photography”, Meyers/Bloom, Santa Monica, CA, USA
“Photographies 1969-89”, Galerie Chantal Boulanger, Montreal, Quebec, Canada
Skulpturen für Krefeld II, Museum Haus Esters, Krefeld, Germany
“Suburban Home Life, Tracking the American Dream”, Whitney Museum American Art at Federal Reserve
Plaza, New York, NY, USA
“The Silent Baroque”, Galerie Thaddaeus Ropac, Salzburg, Austria
“Travaux de Dan Graham et Marie-Paule Macdonald”, Galerie Chantal Boulanger, Montreal, Quebec, Canada
“Spazio Humano”, Galeria Comico, Lisbon, Portugal
1988
“A Group Show”, Marian Goodman Gallery, New York, NY, USA
“Material Ethics”, Milford Gallery, New York, NY, USA
“Cultural Geometry”, Deste Foundation for Contemporary Art, Athens, Greece
“New Urban Landscape”, 2 World Financial Center, New York, NY, USA
“Balkon Midt Facher”, Academei der Bildenden Künste, Berlin, Germany
“Selected Photographs from the Donnelley Collection”, Barbara Gladstone Gallery, New York, NY, USA
“The Viewer as Voyeur”, Whitney Museum American Art, New York “Future of Storefront”, Storefront for Art
and Architecture, New York, NY, USA
“Accrochage I, Dennis Adams, Dan Graham, Louise Lawler”, Galerie Meert Rihoux, Brussels, Belgium
“Schema”, Baskerville and Watson, New York, NY, USA
“Aspects of Conceptualism in American Work”, Avenue B Gallery, New York, NY, USA
“1967: At the Crossroads”, Institute for Contemporary Art, University of Pennsylvania, Philadelphia, PA, USA
“Pyramiden”, Galerie Jule Kewenig, Berlin, Germany
“Bilanz Balance”, Krefelder Kunstmuseum, Krefeld, Germany
“Cascade/Vertical Landscapes”, Tom Cugliani Gallery, New York, NY, USA
“Neo-Classicism”, Loughelton Gallery, New York, NY, USA
“Immaculate Beginnings”, Althea Viafora Gallery, New York, NY, USA
“International Landscape”, Galerie Christoph Dürr, Munich, Germany
“Artists and Decoration”, Daniel Newburg Gallery, New York, NY, USA
1987
“Non In Codice”, Galleria Pieroni, Rome, Italy
“77-78”, Musée National d’Art Moderne-Centre Georges Pompidou, Paris, France
Skulptur Projekte Münster, Westfälisches Landesmuseum, Münster, Germany
Whitney Biennial, Whitney Museum American Art, New York, NY, USA
“L’Epoque, la mode, la morale, la passion”, Musée National d’Art Moderne-Centre Georges Pompidou, Paris,
France
“Group Exhibition”, Marian Goodman Gallery, New York, NY, USA
1986
“Chambre d’Amis”, Museum van Hedendaagse Kunst, Ghent, Belgium
“Nouvelles Acquisitions”, Musée National d’Art Moderne-Centre Georges Pompidou, Paris, France
“Off-Off Festival”, Museum van Hedendaagse Kunst, Ghent, Belgium
“Cinema Objects”, New York Cultural Center, New York, NY, USA
“Videowochen im Wenkenpark”, Basel, Switzerland
Sonnsbeek ’86. International Sculpture Exhibition, Arnhem, The Netherlands
A.P., Comune di Marciana, Elba, Italy
“Dan Graham and Sol Lewitt”, Lisson Gallery, London, United Kingdom
Galerie Rüdiger Schöttle, Munich, Germany
De Appel, Amsterdam, The Netherlands
“Arts Electroniques, Videomorphies Dan Graham”, La Criée, Halle d’Art Contemporain, Rennes, France
“Video by Artists”, Art Metropole, Toronto, Canada
“Video”, Hallwalls, Buffalo, New York, NY, USA
Galerie Rüdiger Schöttle, Munich, Germany
“Le Temps Regards sur la Quatrième Dimension”, Le Nouveau Musée-Institut d’Art Contemporain,
Villeurbanne, France
“Ludger Gerdes, Dan Graham”, Kaiser Wilhelm Museum, Krefeld, Germany
1985
“Doch, Doch.”, Klapstuk ’85, Arenberg Institute, Louvain, Belgium
“Les Immateriaux”, Musée National d’Art Moderne-Centre Georges Pompidou, Paris, France
“New Video Aquisitions”, Museum of Modern Art, New York, NY, USA
“Nouvelle Biennale de Paris”, Villette, Paris, France
“The Art of Memory: The Loss of History”, New Museum of Contemporary Art, New York, NY, USA
“Le Temps”, Le Nouveau Musée-Institut d’Art Contemporain, Villeurbanne, France
“TV Sculpture”, Emily Lowe Gallery, Hofstra University, Hempstead, NY, USA
“Louix XIV Tanzt, Purgatorium, Inferno Rette Sich Wer Kann”, Galerie Der Künster, Munich, Germany
1984
“Repertoire (oeuvres de la Collection Anton Herbert)”, Stedelijk Van Abbemuseum, Eindhoven, The
Netherlands
“Vanishing Points”, Moderna Museet, Stockholm, Sweden
“Skulptur im 20. Jahruhundert”, Merian Park, Basel, Switzerland
“L’Art et le Temps”, Palais des Beaux-Arts, Brussels, Belgium
“Le Livre”, Galerie Pierre et Marie, Paris, France
1983
“1, 2, 3, etc…”, Musée des Beaux-Arts et d’Archèologie Autun, Musée Rollin d’Autun, Autun, France
“Scenes and Conventions in Architecture by Artists”, Institute of Contemporary Art, London, United Kingdom
“A Pierre et Marie, Une Exposition en Travaux”, Galerie Pierre et Marie, Paris, France
“Artists Use Photographs”, Marianne Deson Gallery, Chicago, IL, USA
“Sessanta Opere”, Massimo Minini, Brescia, Italy
“An Artistic Conversation, 1931-83: Poland/USA”, Douglas Hyde Gallery, Dublin
1982
Documenta 7, Kassel, Germany
74th American Exhibition, Art Institute of Chicago, Chicago, IL, USA
Sydney Biennial, Sydney, Australia
“Thoughts and Actions”, Japan Foundation at La Foret Museum, Tokyo, Japan
“Ten American Artists”, John Gibson Gallery, New York, NY, USA
“Extended Photography”, Wiener Secession, Vienna, Austria
“Cinema & Video”, Galerie Rüdiger Schöttle, Munich, Germany
“Live to Air, Artists’ Sound Works”, Audio Arts, London, United Kingdom
“Speigel-Bilder”, Kunstverein, Hanover, Germany; Haus am Waldsee, Berlin, Germany
“60-80 Attitudes/Concepts/Images”, Stedelijk Museum, Amsterdam, The Netherlands
“Rock Religion: Architecture by Artists”, Institute of Contemporary Art, London, United Kingdom
Sydney Biennial (sound section), Sydney, Australia
Liliane & Michel Durand-Dessert, Paris, France
1981
“Artist as Architect/Architect as Artist”, Ohio State University Gallery, Columbus, OH, USA
“Construction in Process”, Stpwarzuszemie Tworcow Kultury, Lodz, Poland
“Video Classics”, Bronx Museum of Arts, New York, NY, USA
“Westkunst”, Museen der Stadt Köln, Cologne, Germany
1980
“Radio by Artists”, A Space, Toronto, Canada
“Video”, P.S.1/Institute for Art and Urban Resources, Long Island City, New York, NY, USA
“New Work”, Hal Bromm Gallery, New York, NY, USA
1979
“Oeuvres Contemporaines des Collections Nationales”, Accrochage III, Musée National d’Art Moderne-Centre
Georges Pompidou, Paris, France
“12 Films, Beeldende Kunstenaars”, Stichting de Appel, Amsterdam, The Netherlands
“An Exhibition of Smaller Works by the Faculty of the Studio Division of the Nova Scotia College of Art and
Design”, NS College of Art and Design, Halifax, NS, Canada
“Perceiving Time and Space Through Art”, Hartnett Gallery, University of Rochester, Rochester, New York,
NY, USA
“Map met 12 Werken”, Museum van Hedendaagse Kunst, Ghent, Belgium
“Concept, Narrative, Document”, Museum of Contemporary Art, Chicago, IL, USA
“5 Artists Using Video”, Gallery of the University of Western Ontario, London, Ontario, Canada
73rd American Exhibition, The Art Institute of Chicago, Chicago, IL, USA
Peter Nadin, New York, NY, USA
“Livres”, Museum van den Hedendaagse Kunst, Ghent, Belgium; Galerie Vega, Liège, Belgium
1978
“Numerals 1924-1977”, Leo Castelli Gallery, New York, NY, USA
“In Video”, Art Gallery of Ontario, Toronto, Canada
“Drawings and Other Works on Paper”, Sperone Westwater Fischer, New York, NY, USA
“Videotapes and Diagrams”, Centre for Art Tapes, Halifax, NS, Canada
“Video Pieces for Shop Windows and Arcades”, Groningen, The Netherlands
1977
“Opening Exhibition of the Permanent Collection”, Musée National d’Art Moderne- Centre Georges
Pompidou, Paris, France
Documenta 6, Kassel, Germany
“Time”, Philadelphia College of Art, Philadelphia, PA, USA
“In Video”, Dalhousie University, Halifax, NS, Canada
“Kunst und Architektur”, Galerie Magers, Bonn, Germany
“American Art in Belgium”, Palais des Beaux-Arts, Brussels, Belgium
1976
“Ambiente Arte”, Venice Biennial, Venice, Italy
“Dan Graham, Lawrence Weiner”, Kunsthalle Basel, Basel, Switzerland
1975
“Video Art”, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA; Contemporary Arts
Center, Cincinnati, OH; Museum of Contemporary Art, Chicago, IL; Wadsworth Atheneum, Hartford, CT
“A Space: A Thousand Words”, Royal College of Art, London, United Kingdom
“Language and Structure in North America”, K.A.A. Gallery, Toronto, Canada
“Painting, Drawing and Sculpture of the ‘60s and ‘70s from the Herbert and Dorothy Vogel Collection”,
Institute of Contemporary Art, Philadelphia, PA, USA
1974
“New Acquisitions”, Tate Gallery, London, United Kingdom
“Art Video/Confrontation”, ARC/Musée d’Art Moderne de la Ville de Paris, Paris, France
Kunst bleibt Kunst: Projekt ’74, Kunstverein, Cologne, Germany
“Returned to Sender”, Galleria Schema, Florence, Italy
1972
Documenta 5, Kassel, Germany
“Body”, Loeb Student Center, New York University, New York, NY, USA
Fourth Floor Gallery, Halifax, NS, Canada
1971
“John Gibson at Galerie Daniel Templon”, Galerie Daniel Templon, Paris, France
7th Paris Biennial, ARC/Musée d’Art Moderne de la Ville de Paris, Bois de Vincennes, Paris, France
Prospect ’71, Städtische Kunsthalle, Düsseldorf, Germany
“Art de Sistemas”, Museo de Arte Moderna de la Ciudad, Buenos Aires, Argentina
“The Boardwalk Show”, Convention Hall, Atlantic City, New Jersey, UK
“Earth, Air, Fire, Water: Elements of Art”, Boston Museum of Fine Art, Boston, MA, USA
Sonsbeek ’71. International Sculpture Exhibition, Arnhem, The Netherlands
1969
“Information”, Museum of Modern Art, New York, NY, USA
“955,000”, Vancouver Art Gallery, Vancouver, British Columbia, Canada
“Art in the Mind”, Allen Art Museum, Oberlin College, Oberlin, OH, USA
“Artists and Photography”, Multiples Gallery, New York, NY, USA
“American Drawings”, Galerie Yvon Lambert, Paris, France
“Recorded Activities”, Moore College, Philadelphia, PA, USA
1968
“Konzeption-Conception”, Stadtisches Museum, Leverkusen, Germany
“No. 7”, Paula Cooper Gallery, New York, NY, USA
“557-087”, Seattle Museum, Seattle, USA
“Time Photography”, Visual Arts Gallery, School of Visual Arts, New York, NY, USA
“Language III”, Dwan Gallery, New York, NY, USA
1967
“Artist-Writers”, Fordham University, New York, NY, USA
“Focus on Light”, New Jersey State Museum, Trenton, New Jersey
“Language to be Looked at-Words to be Seen”, Dwan Gallery, New York, NY, USA
“Art in Series”, Contemporary Wing of Finch College Art Museum, New York, NY, USA
“Fifteen Artists Present Their Favorite Book”, Lannis Museum of Normal Art, New York, NY, USA
“Cre-action”, Goucher College, Baltimore, MD, USA
“Language II”, Dwan Gallery, New York, NY, USA
1966
“Projected Art”, Contemporary Wing of Finch College Art, New York “Working Drawings and other Visible
Things on Paper not Necessarily Meant to be Viewed as Art”, Visual Arts Gallery, School of Visual Arts, New
York, NY, USA
Commissions and Public Projects
2010
New commissioned Pavilion, part of Nuit Blanche, Toronto, Canada
2009
“Two Vʼs,” Belgacom Collection, Brussels, Belgium
2007
“One Straight Line Crossed by One Curved Line,” Novartis Campus, Basel, Switzerland
2004
“Half-Square Half Crazy,” Como, Italy
2003
“Double Exposure,” Serralves Foundation, Porto, Portugal
“Yin/Yang Pavilion,” MIT Dormitory, (building by Steven Holl), Cambridge, Massachusetts
“Waterloo Sunset,” Hayward Gallery, London, England 14
2002
“Bisected Triangle, Interior Curve,” Public Art Fund, Madison Square Park, New York, New York
2001
“Stoffels Maze,” Stoffels Skulpturenpark, Cologne, Germany
“S-Curve,” Sammlung Hauser & Wirth, St. Gallen, Switzerland
2000
“Curved Two-Way Mirror Triangle, One Side Perforated Steel,” Museum of Contemporary Art, Tokyo, Japan
“Two-Way Mirror, Curved Hedge, Open Parallelogram,” Kirishima Open Air Museum, Kagoshima, Japan
“2 Half-Cylinders Off-Aligned,” ING Bank, Brussels, Belgium
“Two Different Anamorphic Surfaces” (a collaboration of the Wanas Foundation and the Kulturboro 2000
Foundation), Wanas Park, Knislinge, Sweden
“Rivoli Gate Pavilion,” Castello di Rivloi, Brescia, Italy
2000
“Curved Two-Way Mirror Triangle, One Side Perforated Steel”, Museum of Contemporary Art, Tokyo, Japan
“Two-Way Mirror, Curved Hedge, Open Parallelogram”, Kirishima Open Air Museum, Kagoshima
“Children’s Pavilion”, City of Blois, Blois, France
“Two Different Anamorphic Surfaces”, The Wanas Foundation, Knislinge, Sweden
“Rivoli Gate Pavilion,”, Castello di Rivloi, Brescia, Italy
1999
“Pavilion for International Garden Year”, Mageburg, Germany
“Walkway for Hypo-Bank”, Bayerische Hypotheken und Wechselbank AG, Munich, Germany
“Elliptical Pavilion”, Neubau der Berliner Kraft und Licht, BEWAG, Berlin, Germany
“Star of David Pavilion”, Tel Aviv Museum, Tel Aviv, Israel
“Truncated Garden Pyramid”, Museum moderner Kunst Stiftung Ludwig, Vienna, Austria
“Two-Way Mirror Curved and Straight Open Shoji Screen Triangle, Museum Ludvig, Cologne, Germany
1998
“Café Bravo”, Kunstwerke Berlin, Germany
“Two-Way Mirror Curved Hedge Zig-Zag Labyrinth”, Middlebury College Center for the Arts, Middlebury, VT,
Canada
1997
“Triangular Solid With Circular Insert”, Chiba City Museum of Art, Hikari, Areba, Japan
“Empty Shoji Screen Pergola/Two-Way Mirror Container”, Naoshima Cultural Village, Naoshima Island,
Seto Inland Sea, Japan
1996
“Two-Way Mirror Punched Steel Hedge Labyrinth”, Minneapolis Sculpture Garden, Walker Art Center,
Minneapolis, MN, USA
“Parabolic Triangular Pavilion I”, Städtische Galerie Nordhorn, Nordhorn, Germany
“Two-Way Mirror Triangle With One Curved Side”, Lofoten Islands, Norway
“Cylinder for Benesse”, Naoshima, Japan
“Two-Way Mirror and Punched Aluminium Solid Triangle”, Skydebanehaven, Copenhagen, Denmark
“Cylinder Bisected by Plane (Star of David Pavilion,)” Schloss Buchberg, Austria
1995-96
“Double Cylinder (The Kiss)”, San Francisco Museum of Modern Art, San Francisco, CA, USA
1994
“Nouveau Labyrinth pour Nantes”, Place du Commandment Jean l’Herminier, Nantes, France
1993
“Gate of Hope,’ International Garden Year Exhibition, Stuttgart, Germany
1991
“Two-Way Mirror Cylinder Inside Cube and Video Salon: Rooftop Urban Park”, Dia Center for the Arts,
New York, NY, USA
1990
“Gate of Hope”, Internationale Garten-Ausstellung, Stuttgart, Germany
“Open Two-Way Mirror Pyramid for Günther Steinle”, Ulm, Germany (private collection)
“Triangle Solid with Circular Inserts, Variation I”, Nexus Contemporary Art Center, Atlanta, GA, USA
“Heart Pavilion”, Bryn Mawr, Pennsylvania, USA (private collection)
“Bob Mangold Pavilion”, Marseille, France (private collection)
“Two-Way Mirror TriangularPavilion With Shoji Screen”, Yamaguchi Prefectorial Museum, Yamaguchi, Japan
“Triangular Bridge Over Water”, Laumeier Sculpture Park, St. Louis, MI, USA
1989
“Two Triangles/Two Levels”, Hamburg, Germany
Two-Way Mirror Bridge and Triangular Pavilion in Relation to Existing “Mill House”, Domaine de Kerguehennec,
Brittany, France (proposal)
“Triangular Solid with Circular Inserts”, Nexus Contemporary Art Center, Atlanta, GA, USA
“Triangle for Circular Inserts, Variation II”, Musée d’Art Contemporain, Lyon, France
“Newstand” (collaboration with Tod Williams, Bille Tsein and Associates, Architects), New York, NY, USA
(proposal)
“Two-Way Mirror Hedge Labyrinth”, La Jolla, CA, USA (private collection)
“Star of David Pavilion”, Fahrhausstrasse, Aussenalster, Hamburg, Germany
1988
“Triangular Two-Way Mirror Walkway for Fort Asperen”, Fort Asperen, Utrecht, The Netherlands
“Pyramid over Goldfish Basin”, Villa Arson, Centre National d’Art Contemporain, Nice, France
1987
“Altered Two-Way Mirror Revolving Door and Chamber with Sliding Door (for Loie Fuller,) Consortium,
Dijon, France
“Two-Way Mirror Pergola Bridge I”, Fonds Régional d’Art Contemporain Pays de la Loire, Glisson, France
“Two Cubes, One 45° Rotated”, Fonds Régional d’Art Contemporain Norde, Lille, France
“Three Linked Cubes”, Galerie Isy Brachot, Brussels and Nicole Klagsburn Gallery, New York, NY, USA
1986
“Pavilion / Sculpture II”, Moderna Museet, Stockholm, Sweden
1981
“Two Adjacent Pavilions”, Rijksmuseum Kröller-Müller, Otterlo, The Netherlands
1978-81
“Pavilion / Sculpture for Argonne”, Argonne National Laboratory, Argonne, Illinois, USA
Filmography
“Helix / Spiral”, 1973, 16mm, color 3 minutes (2 films to be projected simultaneously)
“Body Press”, 1970-72, 16mm, color, 20 minutes (2 films to be projected simultaneously)
“Roll”, 1970, super-8mm, color, 1 minute (2 films to be projected simultaneously)
“Two Correlated Rotations”, 1969, 16mm, black and white, 3 minutes (2 films to be projected simultaneously)
“Binocular Zoom”, 1970-69, 16mm, color, 40 seconds
“Sunset to Sunrise”, 1969, 16mm, color, 8 minutes
Videography
“Six Sculptures/Pavilions for Pleasure” (collaboration with Apolonia Sustersic), 2000, color, sound, 21 minutes
and 21 seconds
“Two Pavilions in Itay,” 2000-99, color, sound, 45 minutes “Outdoor Pavilion,” 1999, color, 26 minutes
“Video / Architecture/Performance” (written by Dan Graham, directed and edited by Michael Shamberg), 1995,
color and black and white, sound, 11 minutes and 45 seconds
“Lax/Relax” (video of performance at Lisson Gallery, London, England), 1995, color, sound, 24 minutes
“Two-Way Mirror Cylinder Inside Cube and a Video Salon”, 1992, color, sound, 19 minutes and 34 seconds
“Rock My Religion”, 1984-82, color and black and white, stereo sound, 55 minutes and 27 seconds (with
original music by Glenn Branca and Sonic Youth)
“Performance and Stage-Set Utilizing Two-Way Mirror and Video Time Delay” (collaboration with Glenn
Branca),
1983, black and white, stereo sound, 45 minutes and 45 seconds
“Minor Threat”, 1983, color, sound, 38 minutes and 18 seconds (interview with Craig Bromberg and Ian
MacKaye)
“Local Television News Program Analysis for Public Access Cable Television” (collaboration with Dara
Birnbaum),
1978, color, sound, four 30 minute programs
“Westkunst (Modern Period): Dan Graham Segment” (written by Dan Graham, directed by Ernst Mitzka), 1980,
color, sound, 7 minutes and 10 seconds
“Performer / Audience / Mirror”, 1975, black and white, sound, 22 minutes and 52 seconds
“Past Future Split Attention”, 1972, black and white, sound, 17 minutes and 3 seconds
Theater and Performance Works (selection)
“Performer/Audience/Mirror,” 1977, De Appel, Amsterdam, The Netherlands
“Identification Projection”, presented at Leeds Polytechnic, Leeds, United Kingdom, January, 1977; De Appel,
Amsterdam, The Netherlands, June 1997
“Performer/Audience Mirror”, presented at De Appel, Amsterdam, The Netherlands, June, 1977; P.S.1 /
Institute
for Art and Urban Resources, Long Island City, New York, NY, December, 1977; Riverside Studios, London,
United Kingdom, March, 1979
“Performance/Audience Sequence”, presented at San Francisco Art Institute, San Francisco, CA, December,
1975; Artistʼs Space, New York, NY, January, 1976; New Gallery, Institute for Contemporary Art, London,
United Kingdom, August, 1976
“Intention Intentionality Sequence”, presented at Lisson Gallery, London, United Kingdom, March, 1972;
Protetch-Rivkin Gallery, Washington, D.C., May 1972; Projects, Inc., Cambridge, MA, December, 1972
“Two Consciousness Projection”, presented at 98 Greene Street loft, New York, NY and Lisson Gallery,
London, United Kingdom, 1972
“Like,” 1971 (This work was never realized before an audience. It was performed by Dan Graham, Ian Murray,
and others at the Nova Scotia College of Art and Design, Halifax, Nova Scotia, and documented with
photographs.)
“TV Camera / Monitor Performance”, presented at Nova Scotia College of Art and Design, Halifax, NS,
November, 1970. Loeb Student Center, New York University, New York, NY, 1970; Lisson Gallery, London,
United Kingdom, 1972
“Lax/Relax,” 1969, Paula Cooper Gallery, New York, New York
“Like” (Sound piece: tape recorders, tape loop, and approximately 30 participants), 1969, Nova Scotia College
of Art and Design, Halifax, Nova Scotia