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David Claerbout — biography

Born in 1969, Kortrijk, Belgium
Lives and works in Antwerp and Berlin

Solo Exhibitions

2022

Kunsthalle Emden, Emden, Germany
Concertgebouw Brugge, Belgium
Rüdiger Schöttle, Munich, Germany
Sean Kelly, New York, USA
Esther Schipper, Berlin, Germany

2021
Thessaloniki Photo Biennale, Greece
Micheline Szwajcer, Belgium
De Pont museum for contemporary art, “Première Aircraft (F.A.L.)”, Tilburg, Netherlands

2020
Pedro Cera Gallery, “Wildfire”, Lisboa, Portugal
Galerie Rudolfinum, “Olympia”, Prague, Czech Republic
Samstag Museum, “Olympia”, Adelaide, Australia
Sint-Janshospitaal, “Memling now”, Brugge, Belgium
Kunst Museum Winterthur, Winterthur, Switzerland
Capa Center, Budapest, Hungary

2018
Talbot Rice Gallery, Edingburgh, Scotland
Espace Louis Vuitton Munich, Munich, Germany
Rüdiger Schöttle, Munich, Germany
Micheline Szwajcer, Antwerp, Belgium
Kunsthaus Bregenz, Bregenz, Austria
Les Abattoirs, Toulouse, France
Untilthen, Paris, France
Annet Gelink Gallery, Amsterdam, Netherlands

2017
Neues Museum Nürnberg, “Kunst Kino”, Nürnberg, Germany
MNAC, Museu Nacional d’Art de Catalunya, “Olympia… ” (7 months presentation), Barcelona, Spain
Schaulager/Laurenz Foundation, “Olympia… ” (5 months presentation), Basel, Switzerland
Musée des Beaux Arts Rennes, “David Claerbout. Une exposition du 40e anniversaire du Centre Pompidou”, Rennes, France
Contemporary Art Museum, “David Claerbout”, Tampa, Florida, USA
Sean Kelly, “The Pure Necessity”, New York, New York, USA
Pinacoteca de São Paulo, São Paulo, Brazil

2016
Sean Kelly, “Light / Work”, New York, New York, USA
De Pont museum of contemporary art, “Future”, Tilburg, Netherlands
KINDL, “Olympia”, Berlin, Germany
Städel Garden, Städel Museum, “Die reine Notwendigkeit”, Frankfurt am Main, Germany

2015
FRAC Auvergne, Clermont-Ferrand
Staatsgalerie Stuttgart, ‘VideoBox, March 2015. Oil workers…’, Stuttgart
Galerie Micheline Szwajcer, Brussels
MAMCO, Geneva
Adam Art Gallery, Victoria University of Wellington, ‘The Quiet Shore’, Wellington NZ
Project Arts Centre, Dublin
Rüdiger Schöttle, Munich
De Pont museum for contemporary art, Tilburg

2014
Johnen Galerie, Berlin
Nederlands Fotomuseum, ‘Grijs / Grey’, Rotterdam

2013
Kunsthalle Mainz, Mainz, Germany
Yvon Lambert, Paris

2012
Parasol Unit, London, UK
Secession, Vienna, Austria
Leopold-Hoesch-Museum, Düren, Germany
Tel Aviv Museum of Art, Tel Aviv, Israel
MART Rovereto, Trento, Italy

2011
Wiels, ‘The time that remains – Le temps qui reste – De tijd die blijft’, Brussels, Belgium
SFMoma, ‘David Claerbout: Architecture of Narrative’, San Francisco, US

2010
Galerie Micheline Szwajcer, Antwerpen, Belgium
Pinakothek der Moderne, München, Germany
Gl. Holtegaard, Copenhagen, Denmark
Galerie Rüdiger Schöttle, München, Germany

2009
De Pont Museum of Contemporary Art, “The Shape of Time”, Tilburg, Netherlands
Hauser & Wirth, London, UK
Museo do Chiado, Lisbon, UK

2008
MIT Visual Arts Center, Cambridge, MA, USA
“Then Came This”, Galerie Yvon Lambert, New York, NY
Jöhnen Galerie, Berlin, Germany
Kunstmuseum St. Gallen, St. Gallen, Switzerland
National Museum of Contemporary Art, Athens, Greece
Belkin Galleries at the University of British Columbia, Vancouver, Canada

2007
“David Claerbout”, Centre Georges Pompidou, Espace 315, Paris, France; travels to MIT List Visual Arts Center, Boston, MA, US; Belkin Galleries at the University of British Columbia, Vancouver, Canada; Kunstmuseum St. Gallen, Switzerland
“David Claerbout. Works from the collection”, Musées Royaux des Beaux-Arts de Belgique, Brussels, Belgium

2006
NCA Gallery, “Curator’s Eye – Vol. 1 David Claerbout”, Tokyo, Japan

2005
Akademie der Künste, “Background Time – Gezeiten”, Berlin, Germany
Dundee Contemporary Arts Centre, Dundee, UK
Van Abbemuseum, Eindhoven, The Netherlands
Le Magasin, Musée Dauphinois, Grenoble, France
Galerie Yvon Lambert, “Visible Time”, New York, NY, US

2004
Kunstbau im Lehnbachhaus, Munich, Germany
Art Gallery of Windsor, Windsor, Canada
Herbert Read Gallery, Canterbury, UK

2003
Galerie Hauser & Wirth, Zurich, Switzerland
Galerie Micheline Szwajcer, Antwerpen, Belgium
Galleri K, Oslo, Norway
Rüdiger Schöttle, Munich, Germany
CGAC Centro Galego de Arte Contemporánea, Santiago di Compostela, Spain
Museum Boijmans Van Beuningen, Rotterdam, The Netherlands

2002
Kunstverein Hannover, Hanover, Germany
Annet Gelink Gallery, Amsterdam, The Netherlands
Galerie Johnen + Schöttle, Cologne, Germany

2001
Galerie Rüdiger Schöttle, Munich, Germany
Galerie Johnen + Schöttle, Cologne, Germany

2000
DIA Center for the Arts, project for the Internet “Present” [www.diacenter.org/claerbout], New York, NY, USA
Galerie Micheline Szwajcer, Antwerpen, Belgium
Nicole Klagsbrun Gallery, “Untitled” (Single channel projection) and “Retrospection”, New York, NY, USA

1999
Hallen, Kortrijk, “Caryatids” (Permanent Sound-Installation commissioned by Christian Kieckens, Architects), Kortrijk, Belgium
De Vereniging, S.M.A.K., Ghent, Belgium

1998
Etablissement d’en Face, Brussels, Belgium

1997
Montevideo Gallery, Antwerpen, Belgium
Argos, Kanal 20, Brussels, Belgium

Group Exhibitions

2022

Lenin Was a Mushroom – Moving Images in the 1990s, MuHKA, Antwerp, Belgium
Les Fabriques du cœur et leur usage, MACS, Grand-Hornu
Kunsthalle Emden, Emden
Kunsthal Spritten, Aalborg
Parasol unit at Conservatorio di Musica Benedetto Marcello, Venice, Italy
Kastel van Laarne, Nadir, Laarne, Belgium
Bienvenue dans le désert du réel – Collection Lambert, Avignon, France
Traverser la nuit, MAAT Lisbon, Portugal
Anticamera, Robert Capa Contemporary Art center, Budapest, Hungary

2021
Louisiana Museum of Modern Art, Humlebæk, Danemark
Herbert Art Gallery & Museum, “UnNatural History”, Coventry, United Kingdom
CNAP MuMo, “Objectif Terre”, France
FOMU Fotomuseum Antwerpen, “Re-collect”, Antwerp, Belgium
Busan Museum of Art, “The Nature of Art”, Busan, Korea
Pylon Hub, “Fragments of sphere”, Dresden, Germany
Kunsthal Rotterdam, “We are animals” Rotterdam, Netherlands
Project Space on the Inside, “Fragments of sphere”, Amsterdam, Netherlands
Pushkin Museum Moscow, “100 ways to liv a minute”, Russia
M HKA, “Olympia” in the permanent collection’s display, Belgium

2018
Sean Kelly, “Edifice, Complex, Visionary, Structure”, New York, New York, USA
City of Kortrijk, “PLAY”, Kortrijk, Belgium
Sprengel Museum, “Small Histories of Photography”, Hannover, Germany
Kunstcentret, “Beyond the Body”, Silkeborg, Denmark
New York University Abu Dhabi Art Gallery, “Ways of Seeing”, Abu Dhabi, United Arab Emirates
Kumu Art Museum, “The Archeology of the screen”, Estonia

2017
IFFR, Rotterdam, Netherlands
BernalEspacio, “Appropriation in Contemporary Art”, Madrid, Spain
MAAT, “Dimensões variáveis”, Lisbon, Portugal
Hamburger Kunsthalle, “WARTEN. Zwischen Macht und Möglichtkeit”, Hamburg, Germany
Museum Rockoxhuis, “The Sky is the Limit. Vlaamse landschapsschilderkunst in de 16e en 17e eeuw”, Antwerp, Belgium
Kunsthalle Mainz, “BIOTOPIA”, Mainz, Germany
Gaasbeek Castle, “Kairos Castle”, Lennik, Belgium
M UHKA, “5 Year installation of Olympia in the permanent Collection”, Antwerp, Belgium
Palazzo Saranzo Van Axel, “The Pushkin State Museum of Fine Arts. Man as Bird. Images of Journeys”, Venice, Italy
ARTER, “Ways of Seeing”, Istanbul, Turkey
FOMU foto museum, “The Still Point of the Turning World”, Antwerp, Belgium
Villa Empain, “Ways of Seeing”, Brussels, Belgium
Bonniers Konsthall, “The Image of War”, Stockholm, Sweden
Fondation Vincent van Gogh, “La vie simple – simplement la vie”, Arles, France
The Margulies Collection at the Warehouse, “Sculpture, Painting and Video”, Miami, Florida, USA

2016
Parasol Unit, “Magical Surface: The Uncanny in Contemporary Photography”, London, UK
Yarat Contemporary Art Space, “Little Lies”, Baku, Azerbaijan
Kunstmuseum Bonn, “EchtZEIT RealTIME”, Bonn, Germany
Kunstmuseum Solothurn, “Zeit verstreichen. Moment und Dauer in der Gegenwartskunst”, Solothurn, Switzerland
BOZAR, “The Power of the Avant-Garde”, Brussels, Belgium (travelled to National Museum Krakow 2017)
Kunsthalle im Lipsiusbau, “Paradise on Earth. Landscapes from Bruegel to Rubens”, Dresden, Germany
The Holden Gallery, “From Slow to Stop”, Manchester, UK
HMKV, Dortmunder U, “The World without us: Narratives on the age of non-human actors”, Dortmund, Germany
MAC’s musée des arts contemporains, “Rebel Rebel. Art + Rock”, Hornu, Belgium

2015
Museo Nacional de Bellas Artes, “The Importance of Being…”, La Habana, Cuba (travelled to 2015 – 2016: Museo de Arte Contemporáneo, Buenos Aires, Argentina; Museu de Arte Moderna, Rio de Janeiro, Brasil)
Museum M, “Cera Collection”, Leuven, Belgium
Museum voor Schone Kunsten, “Julia Margeret Cameron”, Gent, Belgium
Sammlung Haubrok, Fahrbereitschaft, Berlin, Germany
Schaulager, “The Collection of the Emanuel Hoffmann Foundation”, Basel, Switzerland
MMK & partner institutions, “RAY Fotografieprojekte”, Frankfurt am Main, Germany
Louisiana Art Museum, Humlebaek, Denmark
Johnen Galerie, “Sommer Kino”, Berlin, Germany
Adam Art Gallery, Victoria University of Wellington, “The Specious Present”, Wellington, New Zealand
Kunsthalle Tallinn, “Tallinn Photo Month”, Tallinn, Estonia
MAC’s, “L”homme, le Dragon et la mort”, Hornu, Belgium
Kunsthalle Bremen, “Letztes Jahr in Marienbad. Ein Film als Kunstwerk, Bremen, Germany (travelled to Galerie Rudolfinum, Prague)
Hamburger Bahnhof, “A Few Free Years: Von Absalon bis Zobernig. Schenkungen von Friedrich Christian Flick and die Nationalgalerie”, Berlin, Germany
Centre d’Art et Photographie, “Vers le Neutre”, Lectoure, France
Kranenburgh, “Silence Out Loud”, Bergen, Netherlands

2014
Eigen + Art Lab, “still (not) moving”, Berlin, Germany
“43rd International Film Festival: Spectrum Shorts”, Rotterdam, Netherlands
The Genia Schreiber University Art Gallery, “Igal Ahouvi Art Collection: The Towering Inferno (The Babylon Trilogy, Part 1)”, Tel Aviv, Israel
Museum Morsbroich, “Propaganda für die Wirklichkeit”, Morsbroich, Germany
MUHKA, “El Hotel Electrico”, Antwerp, Belgium
Nam June Paik Art Center, “Variation of the Moon”, Giheung-gu, Yongin-si, Gyeonggi-do, South Korea
BAL, “9th edition of the International Biennial of Photography and Visual Arts BIP2014 PIXELS OF PARADISE/Image and Belief”, Liège, Belgium
Johnen Galerie, “Early Works”, Berlin, Germany
“19 Biennale of Sydney: You Imagine What You Desire”, Sydney, Australia
Laboral Centre de Arte y Creación Industrial, “Datascapes”, Gijon, Spain
MAC’s, “L’image suivante …”, Hornu, Belgium
Palazzo Grassi, “L’Illusion des lumières’, Venice, Italy
Stedelijk Museum Amsterdam, “Bad Thoughts-Collectie Martijn en Jeannette Sanders”, Amsterdam, Netherlands
Galerie Micheline Szwajcer, “Petals in the Wind”, Brussels, Belgium
“8th Biennale de Busan”, Busan, South Korea
City of Maastrich, “Out There – Video Art, New Media & Photography on landscapes in Public Space”, Maastricht, Netherlands (travels to Rotterdam 2015)
Les Abattoirs, “Projects for a Monument to the Anthropocene”, Toulouse
Hirshhorn Museum and Sculpture Garden, “Days of Endless Time”, Washington DC, USA
MUHKA, “Dialogue (with John Gerrard)”, Antwerp, Belgium

2013
Museum of Contemporary Art Jacksonville, “SLOW: Marking Time in Recent Photography and Film”, Jacksonville, Florida, USA
Faurschou Foundation, “Every Day Matters”, Copenhague, Denmark
Sharjah Art Foundation, “Sharjah Biennial 11”, Sharjah, United Arab Emirates
Galerie Neue Meister Staatliche Gemäldegalerie Dresden, “Constable, Delacroix, Friedrich und Goya”, Dresden, Germany
Fondation Borusan Contemporary, “Datascapes”, Istanbul, Turkey
Aargauer Kunsthaus, “Rhythm”, Aarau, Switzerland
MUHKA, “collectie XXXIII Het karakter van een collectie”, Antwerp, Belgium
Palais des Arts et du Festival, “Dinard. L’Amour Atomique”, Dinard, France
MONA Museum of Old and New Art, “The Red Queen”, Hobart, Tasmania, Australia
SMAK, “De collectie”, Gent, Belgium
Centrale for Contemporary Art, “Baza(a)r Belg(i)ë”, Brussels, Belgium
Museum Dhondt-Dhaenens, “Collectie Jeanne & Charles Vandenhove”, Deurle, Belgium
MODEM Centre for Modern and Contemporary Arts, “Still – Photography in the Museum”, Debrecen, Hungary
University of Michigan Museum of Art, “Performing Still Images: Matthew Buckingham and David Claerbout”, Ann Arbor, Michigan, USA
Museum aan de Stroom (MAS), “Happy Birthday Dear Academie!”, Antwerp, Belgium
“ArtInternational”, Istanbul, Turkey
5th Moscow Biennale, “More Light”, Moscow, Russian Federation
Fondation Fernet-Branca, “Pièces Montrées-La Collection impossible”, Saint-Louis, France
Chambres des Canaux (several locations in the city of Amsterdam), “The Tolerant Home – 400 Years of Liberal Culture in Amsterdam”, Amsterdam, Netherlands
Musée d’Art moderne et Contemporain, permanent collection, Strasbourg, France

2012
Seoul Museum of Art, ‘Spell on You: The 7th Seoul International Biennale’, Seoul, Korea
MAS Museum Aan de Stroom, ‘Masterpieces in the MAS’, Antwerp, Belgium
Museum Brandhorst, ‘Riverside’, Munich, Germany
MacKenzie Art Gallery, ‘After Presence’, Regina, Canada
Istanbul Museum of Modern Art, ‘La La La Human Steps’, Istanbul, Turkey
De Loketten, Flemish Parliament, ‘Contour on Tour’, Brussels, Belgium
Eye Film Instituut Nederland, Amsterdam, Netherlands
Sint-Janhospitaal, ‘De Treurenden. Tranen van Liefde’, Bruges, Belgium
Museum Folkwang, ‘Static Movement’, Essen, Germany
Savamala, ‘Mikser 2012’, Belgrade, Serbia
St. Baafs Cathedral, ‘St. Jan’, Ghent, Belgium
Musée des Arts Contemporains – Site du Grand-Hornu, ‘Le grand Atelier’, Boussu, Belgium
Warehouse, ‘The Margulies Collection at the Warehouse’, Miami FL
Seoul Museum of Art, ‘Media City Seoul 2012’, Seoul, Korea
TianYe Art Museum, ‘West China Art International Biennale, Yinchuan, Ningxia, China
Lothringer13 Halle, ‘The Undercurrent of Boredom’, Münich, Germany
Haus der Kunst, ‘Resonance and Silence’, Münich, Germany
Stadtgalerie Kiel, ‘Kalte Rinden-Seltene Erden’, Kiel, Germany (Travelling Exhibition)
Märkisches Museum der Stadt, ‘Kalte Rinden-Seltene Erden’, Witten, Germany (Travelling Exhibition)

2011
Yvon Lambert, ‘The Un-bearable Lightness of Being’, New York
Toyko Metropolitain Museum of Photography, ‘Yebisu International Festival for Art & Alternative
Visions 2011′, Tokyo
MUDAM Musée d’Art Moderne Grand-Duc Jean, ‘Out-Of-Sync The Paradoxe of Time’, Luxembourg
Institut Mathildenhöhe, ‘Serious Games. Krieg – Medien – Kunst’, Darmstadt
De Pont museum for contemporary art, ‘Sunrise (project room) ‘, Tilburg
Museu de Arte Moderna do Rio de Janeiro, ‘São Paulo Biennial touring program’, Rio de Janeiro (travels
to SESC, São José dos Campos – São Paulo and SESC, Campinas – São Paulo and Fundação Joaquim
Nabuco, Recife – Pernambuco and MAC Museum of Contemporary Art, Santiago de Chile)
Die Sammlung Goetz im Haus der Kunst, ‘Aschemünder’, Munich
Sofia Art Gallery, ‘ABC Art Belge Contemporain’, Sofia
Ellipse Foundation Art Centre, ‘The Last First Decade’, Alcoitao Cascais
MAS Museum aan de Stroom, ãInaugural exhibition: Meesterwerken in het MAS. Vijf eeuwen beeld in
Antwerpen’, Antwerpen
BOZAR Paleis voor Schone Kunsten/Palais des Beaux-Arts, ‘Jeff Wall: The crooked path’, Brussels
Palazzo Grassi, ‘The World belongs to you’, Venice
Hirshhorn Museum and Sculpture Garden, ‘Fragments in Time and Space’, Washington DC
Collection Lambert, ‘Le Temps retrouvé’, Avignon
Sammlung Stoschek, ‘Number Five: Cities of Gold and Mirrors’, Düsseldorf
MMK Museum für Moderne Kunst, ‘MMK 1991-2011. 20 Jahre Gegenwart’, Frankfurt am Main
CAFA Museum of Central Academy of Fine Arts, Beijing

2010
Meessen de Clercq, ‘Territories of Time’, Brussels
Teatro Fernan-Gomez Arts Center, ‘PhotoEspana 2010. Entretiempos. Instantes, intervalos, duraciones’,
Madrid
MAC’s Grand Hornu, ‘A toutes les morts, égales et chachées dans la nuit’, Grand Hornu
S.M.A.K., ‘Xanadu !’, Ghent
Kunstmuseum St. Gallen, ‘Next Generation’, St. Gallen
Le Fresnoy, Studio National, ‘ABC Art Belge Contemporain’, Tourcoing
Kunsthal Kade, ‘Shadowplay’, Amersfoort
ZKM Museum für Neue Kunst, ‘Fast Forward 2. The Power of Motion. Media Art Sammlung Goetz’,
Karlsruhe
‘São Paolo Biennial’, São Paolo
Minsheng Art Museum, ‘Brussels Body Speech’, Shanghai
BKSM Cultuurcentrum Strombeek, ‘The Good, The Bad & The Ugly’, Mechelen
Cornerhouse, ‘UnSpooling: Artists and Cinema’, Manchester

2009
Mills College Art Museum, ‘Painting the Glass House: Artists Revisit Modern Architecture’, Oakland CA
Artcollection, ‘You’l never wake up from this beautiful dream’, Oostende
Tel Aviv Museum of Art, ‘Sounds and Visions. Artist Video and Cinema Works from Europe’, Tel Aviv
MUDAM, ‘Moving Stills (Mois Européen de la Photographie) ‘, Luxembourg
GAM Galleria Civica d’Arte Moderna e Contemporanea, ‘Cronostasi. Tempo Filmico e Tempo Fotografico. Seconda parte 1985-2008’, Torino
Schaulager, ‘Holbein bis Tillmans. Prominente Gäste aus dem Kunstmuseum Basel’, Basel
Ernst Museum, ‘Vérité exposée – about memory. Sven Augustijnen, David Claerbout, Ana Torfs, Els Vanden Meersch’, Budapest
Shanghai Art Museum, ‘A Story of The Image: Old and New Masters From Antwerp’, Shanghai (travels to Singapore National Museum)
Artcollection, ‘The Effect on Modern Art of Green Circles’, Oostende
Hong Kong Art Museum, ‘Louis Vuitton et la Passion de la Création’, Hong Kong
IVAM, ‘Some Wrinkles in Time’, Valencia
Kunstmuseum Chur, ‘Gefrorene Momente’, Chur
AD Gallery, ‘ReMap. Athens Biennale’, Athens
MOCA, ‘Fantastic Illusion’, Shanghai
Yvon Lambert, ‘Locus Solus’, Paris

2008
Scottsdale Museum of Contemporary Art, ‘Car Culture’, Scottsdale
Halle 14 / Universal cube, ‘The Subversion of Stillstand / Die Subversion des Stillstandes’, Leipzig (travels to: ACC Galerie, Weimar)
The Aldrich Contemporary Art Museum / Yale’s Art + Architecture Gallery, ‘Painting the Glass House: Artists Revisit Modern Architecture’, Ridgefield / New Haven
Museum Küppersmühle für Moderne Kunst, ‘Doing it my way – Perspectives on Belgium Art’, Duisburg
Weserburg Museum für Moderne Kunst, ‘The Morning After. Videoworks from the Goetz Collection’, Bremen
Hamburger Bahnhof, ‘Sichtbarwerden’, Berlin
Beffroi du Louvre, ‘Rêver l’horizon, autour de Paysage (1840) de Turner’, Lens à Bruay-la-Buissière (Pas-de-Calais)
Justina M. Barnicke Gallery, University of Toronto, ‘Stutter and Twitch’, Toronto
Circullo de Bellas Artes, ‘PhotoEspana’, Madrid
Hunter College Art Galleries, ‘Contemporary Representations of Night’, New York
Edith Russ Site for Media Art, ‘nach/sichten’, Oldenburg
Malmö Art Museum, ‘Fondazione Morra Greco. Archeology of Mind’, Malmö (travels to: Kuntsi Museum of Modern Art, Vaasa Finland)
Herzliya Museum of Contemporary Art, ‘Panoramic Views’, Herzliya
Fondation Beyeler, ‘Venedig. Von Canaletto und Turner bis Monet’, Basel
Le Pavillon, ‘ArtFocus 5th Edition’, Jerusalem
Center for Contemporary Art, ‘Endless Sphere’, Kyiv
Kunsthalle Wien, ‘Western Motel. Edward Hopper and Contemporary Art’, Wien
’41 Salon Nacional de Artistas. Image in Question’, Cali/Columbia
Netherlands Photomuseum, ‘Questioning History. The Past in the Present’, Rotterdam

2007
Fundação Calouste Gulbenkian, “Fiction vs. Réalité”, Lisboa, Portugal
Kunstmuseum Bonn, ‘GOING STAYING. Movement, Body, Place in Contemporary Art’, Bonn
‘Mois de la photo’, Montreal
Leeum, Samsung Museum of Art, ‘Flash Cube’, Seoul
Patio Herreriano Museo de Arte Contemporaneo, ‘Intocable. El ideal de la transparencia’, Valladoid
Kunstmuseum St. Gallen, ‘In the Eye of the Storm’, St. Gallen
Galleria Comunale d’Arte Contemporanea, ‘Love Addiction: practices in video art from ’67 to the present’, Montefalcone
Bard College center for curatorial studies, ‘Stutter and Twitch’, Annandale-on-Hudson NY
Argos, ‘Anachronism’, Brussels
Musée d’Ixelles, ‘Portrait de l’autre. L’hospitalité. Le rejet’, Ixelles
ZKM Museum für Neue Kunst, ‘Imagination Becomes Reality. An Exhibition on the expanded concept of painting. Works from the Goetz Collection’, Karlsruhe
CAB Centro de Arte Caja de Burgos, ‘The Leading Thread’, Burgos
Filmfestival Rotterdam, ‘Other than film’, Rotterdam

2006
Centre for Contemporary Art – Ujazdowski Castle, ‘Touch my Shadows. New media works from the Goetz Collection’, Warsaw
Rochester Art Center, ‘Something more than feeling’, Rochester MN
Museum Boijmans Van Beuningen, ‘Slow Motion’, Rotterdam
Phoenix Werke, ‘Idylle’, Hamburg (travels to DA2 Domus Artium, Salamanca; Nationalgallery, Prague)
Frac Lorraine, ‘On/ff’, Metz
Z33, ‘Nr. 14 Light Play’, Hasselt
Hamburger Bahnhof, ‘Beyond Cinema’, Berlin
Haus der Kunst, ‘ClickDoubleClick – the documentary factor’, München (travels to Paleis voor Schone Kunsten, Bozar, Brussels)
Galerie Yvon Lambert, ‘Message Personnel’, Paris
Villa Arson, ‘Intouchable’, Nice
Museum Franz Gertsch, ‘The Sublime is Now! Das Erhabene in der Kunst von Barnett Newman bis heute’, Burgdorf/CH
Le Magasin, ‘Oeuvres vidéo de la collection Pierre Huber’, Grenoble
Argus Building, ‘Brighton Photo Bienniale’, Brighton
Dumont-Wyckhuyse, ‘Image In Motion’, Roeselare, Belgium

2005
Centro Cultural de Belem, ‘Lisboa Photo 2005’, Lisboa
Palais des Beaux-Arts, ‘Belgique Visionnaire’, Bruxelles
Museum Kunst Palast, ‘Slow Art – Zeitgenössische Kunst aus Flandern und den Niederlanden’, Düsseldorf
‘Le Printemps de Septembre’, Toulouse
Musée d’art moderne, ‘Voisins Officiel’, Lille
Kunsthallen Brandts Klaedefabrik, ‘Shadow Play. Shadow and Light in Contemporary Art – An Homage to Hans Christian Andersen’, Odense (travels to Kunsthalle Kiel 2005; Landesgalerie Linz 2006)
Museum für Moderne Kunst MMK, ‘What’s New, Pussycat?’, Frankfurt am Main
Biennale Prague, ‘Double Vision’, Prague
Fondazione Torino Musei, ‘Miniature from eighteenth century until today’, Torino
Musée Cantonal des Beaux-Arts, ‘Private View 1998-2000. Collection Pierre Huber’, Lausanne
Witte de With, ‘Monopolis’, Rotterdam
Hamburger Bahnhof, Rieckhallen, ‘Fast nichts. Minimal artworks’, Berlin
Seedamm Kulturzentrum, , ‘Manchmal weiss ich nicht, ob ich etwas wirklich erlebt oder ob ich es in einem Film gesehen habe. Von Olaf Breuning bis Sam Tayler-Wood. 33 Videoarbeiten aus der Sammlung Goetz in München’, Pfäffikon

2004
Taipei Biennial, ‘Do You Believe in Reality?’, Taipei
Galerie Neue Meister, ’94-04. Zehn Jahre Gesellschaft für Moderne Kunst in Dresden’, Dresden
Montevideo, ‘Channel Zero’, Amsterdam
Krinzinger Projekte, ‘Working Ethics. An Exhibition from a certain Flanders’, Vienna
Yokohama Museum of Art, ‘Non-Sect Radical: Contemporary Photography III’, Yokohama
Le Plateau, ‘Ralentir vite’, Paris
Green Naftali Gallery, New York

2003
Museum of Contemporary Art, ‘War (What is it Good for?)’, Chicago
Kunsthalle Vienna, ‘Attack! Kunst und Krieg in den Zeiten der Medien’,Vienna
Museet for Samtidskunst, ‘Body Matters’, Oslo
Galerie Neue Meister, ‘under ground’, Dresden
‘Outlook’, Athens
SMAK Stedelijk Museum Voor Aktuele Kunst, ‘Gelijk het leven is. Belgische kunst uit de collectie van het SMAK’, Ghent
ZKM Zentrum für Kunst und Medientechnologie, ‘Fast forward: Media Art Sammlung Goetz’, Karlsruhe
Hasselt, ‘Guided by Heroes’, Hasselt
Postbahnhof am Ostbahnhof, ‘…lautloses irren, ways of worldmaking, too…’, Berlin
Caermersklooster, ‘Still/Move’, Ghent
CRAC Centre de Recherche et d’Action Culturelle, ‘Contre/Temps. Thierry Kuntzel. David Claerbout’, Valence
MUHKA Museum van Hedendaagse Kunst, ‘Once upon a time…’, Antwerp

2002
’31st International Film Festival’, Rotterdam
De Appel, ‘Haunted by Detail’, Amsterdam
daadgalerie, ‘Teaser’, Berlin
Musée des arts contemporains MAC’s Grand-Hornu, ‘L’Herbier et le Nuage’, Hornu
Art & Public, Geneva
Galerie Yvon Lambert, Paris
Galerie Micheline Szwajcer, ‘Group Exhibition’, Antwerp
Museum für Moderne Kunst, ‘Das Museum, die Sammlung, der Direktor und seine Liebschaften’, Frankfurt
Museum der bildenden Künste, ‘Malerei ohne Malerei’, Leipzig

2001
Korean Art Foundation, ‘Unreal Time Video’, Seoul
INOVA Institute of Visual Arts, University of Wisconsin, ‘Winter Exhibition: Tiong Ang, Serhiy Bratkov, David Claerbout, José Antonio Hernandez-Diez’, Milwaukee WI
Museum D’Hondt-Daenens, ‘Aubette’, Deurle
Centre pour l’image contemporaine, Geneva
‘Berlin Biennale 2’, Berlin
Sammlung Goetz, ‘Videoserie in der Black Box, 6 Künstler – 6 Positionen’, Munich
Cultural Centers Strombeek, ‘Touch me…’, Sint-Niklaas, Roeselare

2000
Limmerick City Gallery of Art, Limmerick
Huis aan de Werf, cur. Moritz Kung, Utrecht
Le Grand Hornu, cur. Laurent Busine, Mons
La Monnaie, ‘L’Opera, un chant d’Étoiles’, Brussels

1999
Fotohof, Salzburg
[Exhibition with works from the Collection of the Flemish Community], Hallen,Bruges
MuHKA Museum of Contemporary Art, ‘Trouble Spot Painting’, Antwerp
‘Nuevos Caminos’, Vigo,Galicia
FRI ART, Centre for Contemporary Art, ‘Transference. Locations in Memory and Time’, Fribourg
hARTware, ‘Dis.Location’, Dortmund
Galerie Ferdinant Van Dieten, ‘Reflexive Figuration’, Amsterdam

1998
Shed im Eisenwerk, ‘Not strictly private’, Frauenfeld
Gallery by Night, ‘Intimate Strangers’, Budapest
Beelden Buiten, ‘I never promised you a rose garden’, Tielt

1997
Watertoren CHK, Vlissingen
Pica en Flandes, Barcelona
Palais des Beaux-Arts, ‘Prix de la jeune peinture belge’, Brussels

1996
Montevideo Gallery, ‘Tekeningen en projecten’, Antwerp

Bibliography

2013
Bischoff, Ulrich, Tuymans, Luc, ‘A Shock to the Senses. Constable Delacroix Friedrich Goya. Die Erschütterung der Sinne’, Dresden: Staatliche Kunstsammlungen Dresden/Galerie Neue Meister/Sandstein Verlag, 2013, exh.cat. (ill.)
Streitberger, Alexander, ‘Return of the Panorama’, in: Pirenne, Raphael, Streitberger, Alexander (eds.), ‘Heterogenous Objects. Intermedia and Photography after Modernism’, Leuven: Leuven University Press (Lieven Gevaert Series), 2013, ill.
Unterdörfer, Michaela / Hauser & Wirth (ed.), ‘Hauser & Wirth 20 Years’, Hatje Cantz Publishers, 2013, ill.
MOCAJacksonville (ed.), ‘Slow. Marking Time in Photography and Film’, Jacksonville: MOCA Museum of Contemporary Art, 2013 (exh.cat.) ill.
‘Re:Emerge Towards a New Cultural Cartography. Sharjah Biennial 11’, Sharjah Art Foundation, 2013, pp. 173-175, ill. (exh.cat.)
Balsom, Erika, ‘David Claerbout’s Indecisive Moments’, in: Afterall: A Journal of Art, Context, and Enquiry, no. 32, Spring 2013, pp. 82-93, ill.
Knapp, Gottfried, ‘Hallräume, in denen die Gedanken wandern’, in: Süddeutsche Zeitung, April 8, 2013, p. 9, ill.

2012
Ardalan, Ziba, Hoelzl, Ingrid, Snauwaert, Dirk, ‘David Claerbout. the time that remains’, Ludion, 2012
Pacher, Jeanette/Secession (ed.), ‘Diese Sonne strahlt immer’, Vienna: Secession, Vereinigung bildender KünstlerInnen, 2012 (exh.cat.)
‘David Claerbout’, MART Museuo di arte moderna e contemporanea di Trento e Rovereto/Electa Publishers, 2012 (exh.cat.)
Claerbout, David, ‘Sunrise Portfolio’, Peill Stiftung/nicolai Verlag, 2012
Bellour, Raymond, ‘La Querelle des Dispositifs. Cinéma – installations, expositions’, Paris: P.O.L., 2012, ill.
Mediacity Seoul (ed.), ‘Mediacity Seoul 2012. Spell on You’, Seoul, 2012, pp. 80-83, ill. (exh.cat.)
Roman, Mathilde, ‘On Stage. La Dimension Scénique de l’Image Vidéo’, Le GAC Press, 2012, pp. 25-31, ill.
Sandbye, Mette, ‘It has not been-it is. The signaletic transformation of photography’, in: Journal of Aesthetics & Culture, Stockholm, vol 4, 2012
Goetz, Ingrid, Schumacher, Rainald (et. al.) (eds.), ‘Klang und Stille. Synästhetische Aspekte von Film und Video/Resonance and Silence. Synesthetic Aspects of Film and Video – Sammlung Goetz im Haus der Kunst, Ostfildern: Hatje Cantz, 2012, pp. 42-47, ill. (exh.cat.)
Engler, Martin, Hollein, Max (eds.), ‘Gegenwartskunst. 1945 – Heute im Städelmuseum’, Hatje Cantz, 2012, p. 308, ill.
Istanbul Modern (ed.), ‘La La La Human Steps. A Selection from the Collection of Museum Boijmans van Beuningen’, Istanbul Modern: Istanbul, 2012, pp. 36-37, ill. (exh.cat.)
Busine, Laurent, ‘De treurenden. Tranen van liefde’, Brugge: Sint Janshospitaal – Hospitaalmuseum/MAC’s, 2012, ill. (exh.cat.)
‘Kalte Rinden – Selten Erden. Die Landschaft in der Gegenwartskunst – 12 Positionen’, Stadtgalerie Kiel/Märkisches Museum Witten/Städtische Galerie Bietigheim-Bissingen: Kerber Verlag, Bielefeld/Berlin, 2012 (exh.cat.) ill.

2011
Pontbriand, Chantal, ‘Mutations Perspectives on Photography’, Paris Photo/Steidl, 2011, pp. 170-174, 190-193, ill.
Goetz, Ingvild, Touw Susanne, Urbaschek, Stephan (eds.), ‘Aschemünder. Sammlung Goetz im Haus der Kunst’, Ostfildern: Hatje Cantz, 2011, pp. 28-33, ill. (exh.cat.)
Beil, Ralf, Ehmann, Antje (eds.), ‘Serious Games. Krieg/Medien/Kunst War/Media/Art’, Hatje Cantz/Mathildenhöhe Darmstadt, 2011, pp. 20-21, ill. (exh.cat.)
Van Gelder,Hilde, Westgeest, Helen, ‘Photography Theory in Historical Perspective’, Wiley-Blackwell, 2011, p. 96, ill.
De Wolf, Hans (ed.), ‘Jeff Wall. The Crooked Path’, Brussels: BOZAR Books/Ludion, 2011 (exh.cat.) ill.
Bourgeois, Caroline (ed.), ‘The World Belongs to You’, Palazzo Grassi François Pinault Foundation, 2011, ill. (exh.cat.)
Mézil, Éric (ed.), ‘Le Temps Retrouvé .Cy Twombly photographe & artistes invités vol. II’, Avignon: Actes Sud / Collection Lambert Avignon, 2011, pp. 140-145, ill. (exh.cat.)
Okamura, Keiko, Tasaka, Hiroko et al (eds.), ‘“Daydream Believer!“ Yebisu Interntional Festival for Art & Alternative Visions 2011’, Tokyo Metropolitain Museum of Photography, Tokyo Metropolitan Foundation for History and Culture, 2011, pp. 52-53, ill. (exh.cat.)
___., ‘Collection Vanmoerkerke’, Brussels: Rispoli Books, 2011, pp. 40-45, ill.

2010
De Wolf, Hans M., Parret, Herman, Hammacher-van den Brande, Renilde, ‘The Good, The Bad & The Ugly’, Mechelen: bkSM, 2010 (exh. cat.), p.85, ill.
Ingelmann, Inka Graeve, Uh, Tse-Ling, ‘David Claerbout. Uncertain eye’, Munich: Pinakothek der Moderne, 2010, ill.
Goetz, Ingvild, Urbaschek, Stephan, ‘fast forward 2. The Power of Motion’, Ostfildern: Hatje Cantz, 2010, pp. 68-69, ill., pp. 271-272
Lowry, Joanna, ‘Modern Time: Revisiting the Tableau’, in: Time and Photography (Jan Baetens, Alexander Streitberger, Hilde Van Gelder (eds), Leuven: Leuven University Press, 2010, pp. 47-64, ill. (cover)
Busine, Laurent, ‘À toutes les morts, égales et cachées dans la nuit’, Hornu: Musée des Arts Contemporains de la Communauté française de Belgique Grand-Hornu, 2010, ill. (exh.cat.)
Mah, Sérgio, ‘Between Times. Instants, intervals, durations’, Madrid: PhotoEspana/La Fabrica, 2010, ill. (exh.cat.)
van Meeuwen, Judith (ed.), ‘ShadowDance’, Amersfoort: Kunsthal KAdE, 2010, pp. 28, ill. (exh.cat.)
Denaro, Dolores , Centre PasquArt (ed.), ‘Felicità’, Nürnberg: Verlag für Moderne Kunst / Centre PasquArt, 2010, pp. 54-57, ill. (exh.cat.)
Bracey, Andrew, Griffiths, Dave (eds.), ‘UnSpooling – Artists & Cinema’, Mancherster: Cornerhouse, 2010 (exh.cat.)

2009
Olivares, Rosa, Gibson, Amber (ed.), ’100 Video Artists’, Madrid: EXIT Publicaciones, 2009, pp. 142, ill. (text by JJ Charlesworth)
De Baere, Bart (ed.), ‘A Story of The Image’, Singapore/Shanghai: National Museum of Singapore/Shanghai Art Museum, 2009 (exh. cat.)
Gioè, Angelo, Sossai, Maria Rosa (eds.), ‘Sounds & Vision. Artists’, Films and Videos from Europe. The Last Decade’, Tel Aviv: Tel Aviv Museum of Art, 2009 (exh. cat.)
Hugh, Jessica, Ramírez-Montagut, Móntagut (ed.), ‘Revisiting the Glass House. Contemporary Art and Modern Architecture’, New Haven/London: The Aldrich Contemporary Art Museum/Mills College Art Museum/Yale University Press, 2009 (exh.cat.)
Vischer, Theodora (ed.), ‘Holbein bis Tillmans. Prominente Gäste aus dem Kunstmuseum Basel’, Basel: Schaulager/Steidl, 2009, p. 71, ill. (exh. cat.)
Comer, Stuart (ed.), ‘Film and Video Art’, London: Tate Publishing, 2009, p. 97, ill
Volpato, Elena, ‘Cronostasi’, Torino: FONDAZIONE TORINO MUSEI/GAM Galleria Civica d’Arte Moderna e Contemporanea, 2009, ill. (exh. cat.)
IVAM Institut Valencià d’Art Modern (ed.), ‘Valencia 09/Confines. Pasajes de las Artes Contemporáneas’, Valencia, 2009, ill. (exh. cat.)
Pagé, Suzanne (ed.), ‘musée d’art moderne de la ville de paris. la collection’, Paris: Paris musées, 2009, ill.
Fondation Louis Vuitton (ed.), ‘Louis Vuitton: A Passion for Creation – The Collection. A Choice’, Paris, 2009, p. 102, ill. (exh. cat.)
Amman, Katharina, Stutzer, Beat (ed.), ‘Gefrorene Momente. Daniel Spoerris Fallenbilder im Dialog mit Judith Albert, David Claerbout, Caro Niederer, Beat Streuli, Jeff Wall’, Chur: Bündner Kunstmuseum, 2009, pp. 26-29, ill. (exh. cat.)

2008
Van Assche, Christine (ed.), ‘The Shape of Time’, Zürich: JRP Ringier/Centre Pompidou/MIT List Center of Visual Arts/De Pont Foundation/Kunstmuseum St. Gallen/Morris and Helen Belkin Art Gallery, 2008 (exh.cat.)
National Museum of Contemporary Art (ed.), ‘David Claerbout’, Athens, 2008 (exh.cat.)
De Wit, Dirk, Judong, Anne (ed.), ‘Arts Flanders 08 Compilation Box. Visual Arts’, Ghent: Flemish Minister for Culture, Youth, Sport and Brussels Affairs/BAM, Flemish Institute for Visual, Audiovisual and Media Art, ill. + DVD
Friese, Peter/Clauss, Ingo et al./Museum für Moderne Kunst Weserburg (ed.), ‘The Morning After. Videoarbeiten der Sammlung Goetz’, Weserburg, 2008, pp. 60-63, ill.
MKM Museum Küppersmühle für Moderne Kunst (ed.), ‘Der eigene Weg. Perspektiven belgischer Kunst / Doing it my Way. Perspectives on Belgian Art’, Duisburg, 2008 (exh.cat.)
Tamir, Chen / Justine M. Barnicke Gallery, Hart House, University of Toronto, ‘Stutter and Twitch’, Toronto, 2008, ill. (exh.cat.)
The Hunter College Art Galleries (ed.), ‘to: Night. Contemporary Representations of the Night’, New York, ill. (exh.cat.)
Trummer, Thomas (ed.), ‘Endless Sphere’, Berlin: Siemens Arts Program/Goethe-Institut Ukraine, 2008, cover ill. (exh.cat.)
Kunsthalle Wien, Matt, Gerald (eds.), Wien, ‘Western Motel: Edward Hopper and Contemporary Art’, Nürnberg: Verlag für moderne Kunst Nuremberg, 2008, pp. 126-131, ill. (exh. cat.)
Boelen, Jan/Z33 (ed.), ‘Zoom In Zoom Out’, Hasselt, 2008, ill. (exh.cat.)

2007
Kunstmuseum St. Gallen/Konrad Bitterli (ed.), ‘Im Auge des Zyklons. In the Eye of the Storm’, Verlag für moderne Kunst Nürnberg, 2007, pp. 48-53, ill. (exh.cat.)
Slager, Henk, Hyesoo, Woo/Leeum, Samsung Museum of Art (ed.), ‘Flash Cube’, Seoul, 2007, pp. 44-45, ill. (exh.cat.)
Muhka (ed.), ‘Jubilee-MuHKA 2007/1987/1967’, Antwerpen, 2007, pp. 168-169, 177, ill. (exh.cat.)
Goetz, Ingvild, Jansen, Gregor (et al), ‘Imagination Becomes Reality. An Exhibition on the Expanded Concept of Painting. Works from the Goetz Collection’, 2007, pp. 104-105 and cover (exh.cat)
Centro de Arte Caja de Burgos (ed.), ‘El Hilo Conductor. The leading thread’, Burgos, 2007 (exh.cat.)
Filipovic, Elena/Argos (ed), ‘Anachronism’, Brussels, 2007, p. 12, ill. (exh. Brochure)
KW14, Teeuwen, Marjan (ed.), ‘De Ontdekking van de Traagheid’, ‘s-Hertogenbosch, 2007 (exh.cat.), pp. 11, 138, ill.
Davidts, Wouter, ‘David Claerbout (preview)’, in: Artforum, New York, vol. XLVI, no. 1, September 2007, p. 200
Valérie Da Costa, un temps pluriel, Art press 337, p.36-40, ill.
Goetz, Ingvild, Jansen, Gregor (et al), ‘Imagination Becomes Reality. An Exhibition on the Expanded Concept of Painting. Works from the Goetz Collection’, 2007, pp. 104-105 and cover (exh.cat)
Centro de Arte Caja de Burgos (ed.), ‘El Hilo Conductor. The leading thread’, Burgos, 2007 (exh.cat.)
Filipovic, Elena/Argos (ed), ‘Anachronism’, Brussels, 2007, p. 12, ill. (exh. Brochure)
T J Demos, “A Matter of Time“, Visiting and revisiting art, etcetera, isue 9-spring 2007, pp. 103, ill.
–, ‘David Claerbout exposeert in Parijs en Boston’, in: de Morgen, January 3, 2007

2006
Pieter Van Bogaert, “Architectuur van licht”, H-Art n°13, p.11, ill.
Tawadros, Gilane (ed.), ‘Brighton Photo Biennial 2006’, Brighton: photoworks, 2006 (exh.cat.)
Demos, T.J. (ed.), ‘Vitamin Ph: New Perspectives in Photography’, London: Phaidon Press, 2006, ill.
Museum Franz Gertsch/Elke Kania (ed.), ‘The Sublime is Now! Das Erhabene in der zeitgenössischen Kunst’, Burgdorf/Bern: Benteli Verlag, 2006, pp. 66-69, ill. (exh.cat.)
Villa Arson (ed.), ‘Intouchable (L’Architecture de verre & L’Idéal transparence)’, Nice: Editions Xavier Barral et Villa Arson, 2006, ill. (exh.cat.)
Weski, Thomas/Haus der Kunst (ed.), ‘click doubleclick. The Documentary Factor’, Köln: Verlag der Buchhandlung Walther König, 2006, pp. 192-195, ill. (exh.cat.)
Aupetitallot, Yves/Le Magasin (ed.), ‘Review: Videos & Films. Collection Pierre Huber’, Grenoble/Zürich: JRP/Ringier, 2006, ill. (exh.cat.)
Piron, François, Désanges, Guillaume/Villa Arson (ed.), ‘Intouchable-L’Idéal Transparence’, Nice: éditions Xavier Barral/Villa Arson, 2006, ill. (exh.cat.)
Amman, Jean-Christoph, ‘Commentary from our expert: A masterpiece at ART/37/Basel: David Claerbout’s “White House” ‘, in: UBS art banking news, July/August 2006, ill.
Tawadros, Gilane, Stallabrass, Julian, ‘Interview: Gilane Tawadros, Brighton Photo Biennial’, in: photoworks, Autumn/Winter: November/April 2006/7, pp. 18-23, ill.
Ward, Ossian, ‘David Claerbout’s violent assault on the eyes’, in: The Art Newspaper. Art Basel Daily Edition, June 13, 2006, p. 8, ill.
Koenot, Jan, ‘Een ‘zien’ dat raakt. Spiritualiteit in de hedendaagse beeldende kunsten’, in: Vlaanderen Kunsttijdschrift, vol. 55, no. 310, April 2006, pp. 74-79, ill.
Maggia, Filippo, ‘Ma sarà vero?’, in: Flair, no. 4, April 2006
Henkes, Alice, ‘Griff nach dem Ungreifbaren’, in: Der Bund, Bern, April 8, 2006, p. 15
Tobler, Konrad, ‘Wie das Ei Bewunderung erregt. “Das Erhabene” im Museum Franz Gertsch’, in: Berner Zeitung, Bern, April 3, 2006, p. 7
Schuster, Katrin, ‘Der manipulierte Blick auf die Wirklichkeit’, in: Nürnberger Nachrichten, March 17, 2006
De Righi, Roberta, ‘Lichtregie der Aufklärung. Die Foto-Schau “click-doubleclick” im Haus der Kunst’, in: Abendzeitung, München, February 8, 2006
Murraciole, Marie, ‘Le bruit des images. Conversation avec David Claerbout’, in: Les Cahiers du Musée national d’art moderne, Paris, no. 94, winter 2005/2006, pp. 124-134, ill.

2005
“Swinnen, Johan, “Bevroren momenten: David Claerbout”, in De lichte kamer, p.105-106, 142, ill.
Christofori, Ralf, “David Claerbout”, in Frieze, UK, no. 90 april 2005, p.117-118, ill.
Berk, Anne, “Het bewustzijn van tijd”, in Kunstbeeld, no. 06 2005, p. 12-14, ill.
Bellour, Raymond, “Percursos”, in Lisboa Photo 2005, Lisboa, Portugal, p. 156–157, ill.
Lamontagne, Valérie, “David Claerbout: le spectre du temps”, in Ciel Variable, Montreal, no. 67, 2005,
p. 26 -27, ill.
Fonds Mercator/Palais des Beaux-Arts (ed.), ‘La Belgique Visionnaire’, Brussels, 2005 (exh.cat.)
Green, David, ‘Profile: “David Claerbout’, in Contemporary Magazine, London, no. 71, 2005
Stevenheydens, Ive, ‘Licht, architectuur en melancholie. Recent werk van David Claerbout in Berlijn’, in: de Tijd, Antwerp, February 23, 2005, p. 15, ill.
Daenen, Ward, ‘Er is leven naast Luc Tuymans’, in: de Morgen, February 12, 2005, p. 3, ill.
Domino, Christophe, ‘Centre d’art. La douce accélération du Plateau’, in: Le Journal des Arts, Paris, February 4-17, 2005
Lehner, Sabine Dorothée, ‘David Claerbout. Lenbachhaus Kunstbau Munich’, in: Flash Art, Milan, vol. XXXVIII, no. 240, January-February 2005, pp. 122-123, ill.
Schmeltz, Jeanne, ‘Ralentir vite’, in: Art 21, January/February 2005
Kuhn, Nicola, ‘Zwei Männer und ein Thunderbird’, in: Der Tagesspiegel, Berlin, January 28, 2005
Ruthe, Ingeborg, ‘Auf der Lauer’, in: Berliner Zeitung, Berlin, January 28, 2005
Youssi, Yasmine, ‘Urgent: prenez votre temps’, in: Le Journal du Dimanche, January 23, 2005
Francblin, Catherine, ‘Ralentir vite’, in: Art Press, Paris, January 2005

2004
Gaensheimer, Susanne, Meschede, Friedrich et.al. (ed.), ‘David Claerbout’, Cologne: Verlag der Buchhandlung Walther König, 2004 (exh.cat.)
Green, David, Lowry, Joanna, ‘David Claerbout’, Herbert Read Gallery, 2004 (exh.cat.)
Yokohama Museum of Art, ‘Non-Sect Radical: Contemporary Photography III’, Yokohama, 2004 (exh.cat.)
Matt, Gerald, ‘handlungsanweisungen. What is Art good for?. 100x Kunst am Karlsplatz’, Vienna: Kunsthalle Wien/Steidl Verlag, 2004, p. 91
Taipei Fine Arts Museum (ed.), ‘2004 Taipei Biennial: Do You Believe in Reality?’, Taipei, 2004 (exh.cat.)
Krinzinger Projekte (ed.), ‘Working Ethics. From a Certain Flanders’, Vienna, 2004, p. 11, ill. (exh.broschure)
Herzog, Samuel, ‘Wo Wünsche Ware werden. Die vierte Kunstbiennale von Taipeh’, in: Neue Zürcher Zeitung, Zürich, no. 302, December 27, 2004, p. 21
Sonna, Birgit, ‘Zwölf Stunden sind ein Tag. David Claerbout im Münchner Lenbachhaus’, in: Neue Zürcher Zeitung, Zürich, no. 306, December 31, 2004, p. 44
Zeyn, Martin, ‘Digitales Daumenkino’, in: Frankfurter Rundschau, Frankfurt, December 21, 2004, ill.
Wagner, Thomas, ’24. Kritiker-Umfrage. Bilanz 2004: Die alten Helden kehren zurück’, in: Art, Hamburg, Dezember 2004, pp. 58-63, ill.
Gauville, Hervé, ‘L’effet frein à plusieurs mains’, in: Libération, Paris, December 17, 2004
Kendzulak, Susan, ‘Taipei Biennial brings stars of art to Taiwan’, in: Taipei Times, Taipei, September 24, 2004, p. 15
Maak, Niklas, ‘Vor Sonnenaufgang’, in: Frankfurter Allgemeine Zeitung, Frankfurt, September 11, 2004, p. 35, ill.
Wittneven, Katrin, ‘David Clearbout’s Stillhaltestrategie’, in: Monopol, Berlin, no. 5, December/January 2005, pp. 129-131, ill.
Karcher, Eva, ‘Mr. Freeze’, in: Süddeutsche Zeitung, Munich,
Green, David, ‘David Claerbout’ (review), in: Photoworks, Brighton, May/October 2004, ill.
Garrett, Craig, ‘Raf Simons’, in: Flash Art, Milan, vol. XXXVII, no. 235, March-April 2004, pp. 6-67, ill.
Fassi, Luigi, Shaw, Francesca D., ‘Focus Belgium’, in: Flash Art, Milan, vol. XXXVII, no. 235, March-April 2004, pp. 84-89, ill.
Koplos, Janet, ‘David Claerbout at the Museum Boijmans’, in: Art in America, New York, February 2004
Heingartner, Douglas, ‘David Claerbout’, in: Flash Art, Milan, 2004

2003
CGAC Centro Galego de Arte Contemporánea (ed.), ‘David Claerbout’ [texts by Stephan Berg, Rachel Kushner], Santiago de Compostela, 2003 (exh.cat.)
‘Cream III’, London: Phaidon, 2003, ill.
Kunsthalle Wien (ed.), ‘Attack!’, Vienna, 2003, ill. (exh.cat.)
Goetz, Ingvild/Urbaschek, Stephan (ed.), ‘Fast Forward: Media Works from the Goetz Collection’, Munich: Kunstverlag Ingvild Goetz G.m.b.H., 2003, pp.118-123, ill. (exh. cat.)
Lux, Harm (ed.), ‘…lautloses irren, ways of worldmaking, too…’, Berlin 2003 (exh.cat)
Museet for Samtidskunst (ed.), ‘Body Matters’, Oslo, 2003, p. 20-21, ill. (exh.broschure)
Koplos, Janet, ‘David Claerbout at the Museum Boijmans’, in: Art in America, New York, no. 2, February 2004, p. 133, ill.
Pereira, Raul, ‘David Claerbout’, in: art.es, Spain, no. 0, November-December 2003, p. 76, ill.
Flor, Harald, ‘Ingen plass i sola’, in: Dagbladet, Oslo, October 12, 2003, p. 54, ill.
Braet, Jan, ‘Die stilte, lang na de storm’ [interview], in: Knack, September 24, 2003, pp. 62-65
Laureyns, Jeroen, ‘Niets nieuws onder de zon’ [interview], in: Tijd cultur, vol. 6, no. 262, September 17, 2003
Rozas, Mercedes, ‘El espectador es cómplice’, in: Agenda de Galicia, September 7, 2003, ill.
–, in: http://www.postmedia.net/03/claerbout.htm
De Catalina, Ana Marta, ‘Más que fotografía de David Claerbout’, in: http://www.ubicarte.com/_articles/2003-31/claerbout/?id=649
Chao, David, ‘Sugerente sucesión de imágenes’, in: Arte, vol. 4, no. 55, September 2003, p. 94, ill.
Delgado, Carlos, ‘David Claerbout en el CGAC’, in: Nacional, August 1 – September 4, 2003, p. 24, ill.
De Samaniego, Alberto Ruiz, ‘David Claerbout: imágenes reanimadas’, in: Blanco y Negro Cultural, July 19, 2003, pp. 25-26, ill.
Díaz-Guardiola, Javier, [interview], in: Blanco y Negro Cultural, July 19, 2003, p. 27, ill.
Villar, Carmen, ‘El artista belga David Claerbout sumerge al CGAC en las tinieblas’, in: Faro de Vigo, July 12, 2003, ill.
Hermida, Xosé, ‘Dos propuestas sobre la percepción, la tecnología y la creación de la imagen’, in: El País, July 12, 2003, p. 36
–, ‘Das novas linguaxes da arte’, in: Galicia Hoxe, July 12, 2003, p. 51, ill.
Pino, Concha, ‘David Claerbout crea unha atmósfera de cine no CGAC coas súas obras’, in: La Voz de Galicia, July 12, 2003, p. L9
–, ‘O CGAC e o Marco, á abordaxe das fronteiras da linguaxe creativa’, in: El Correo Gallego, July 12, 2003, p. 75
–, ‘O CGAC estrea a David Claerbout e volve ós fondos con ‘Pegadas de luz”, in: El Correo Gallego, July 11, 2003, p. 67
Vele, Ivanmaria, ‘David Claerbout’ [interview], in: Boilermagazine, Milano, no. 2, June – September 2003, pp. 104-111, ill.
Lowry, Joanna, ‘Slowing Down. Stillness, Time and the Digital Image’, in: Portfolio, Edinburgh, no. 37, June 2003, pp. 51-53, ill.
Piekenbrock, Marietta, ‘Bitte noch einmal’, in: Frankfurter Allgemeine Sonntagszeitung, Frankfurt, May 18, 2003, p. M2, ill.
Spiegler, Marc, ‘David Claerbout’, in: Artnews, New York, May 2003, p. 166, ill.
Wendland, Johannes, ‘Die Folgen der Flut. Dresden räumt noch immer auf’, in: Kunstzeitung, Regensburg, no. 80, April 2003, p. 8
Menin, Samuele, Sansone, Valentina, ‘Focus Video and Film. Contemporary Video Art (Part II)’, in: Flash Art, Milan, vol. XXXVI, no. 229, March-April 2003, pp. 92-99, ill.
Engler, Martin, ‘Im Schatten der Bilder’, in: Kunstbulletin, Zurich, no. 3, March 2003, pp. 32-37, ill.
Muscionico, Daniele, ‘Bilder, die nach sich selbst suchen’, in: Neue Zürcher Zeitung, Zurich, February 10, 2003
Van den Ven, Suzanne, ‘David Claerbout’, in: Metropolis M, no. 6, December 2002/January 2003, pp. 24- 31, cover, ill.
–, ‘Ins Netz gegangen. Kompostwärts’, in: Stuttgarter Zeitung, Stuttgart, January 20, 2003
Kyriacou, Sotiris, ‘David Claerbout’ (prev.), in: Contemporary, London, no. 47/48, 2003, p. 38, ill.

2002
Kunstverein Hannover (ed.), ‘David Claerbout’, Brussels: A Prior, 2002 (exh.cat.)
Musée des Arts Contemporains, MAC’s Grand-Hornu (ed.), ‘L’Herbier & Le Nuage’, Hornu, 2002, pp. 28-35, ill. (exh.cat.)
Museum der bildenden Künste (ed.), ‘Malerei ohne Malerei’, Leipzig: E.A. Seemann Verlag, 2002 (exh.cat.)
Stoeber, Michael, ‘David Claerbout/Peter Pommerer’, in: Kunstforum International, Ruppichteroth, no. 162, November 2002, pp. 306-307, ill.
Prince, Mark, ‘Painting & Photography’, in: Art Monthly, London, no. 260, October 2002, pp. 1-5, ill.
–, ‘Kataloge und Publikationen aus Museen und Kunstvereinen’, in: Informationsdienst Kunst, Regensburg/D, no. 261, September 26, 2002,
p. 15
Laureyns, Jeroen, ‘Nachtelijke wandelingen’, in: Tijd Cultuur, Berchem, September 11, 2002, ill.
Queren, Henning,’ Im Dunkel taucht ein düsteres Venedig auf’, in: Neue Presse, August 23, 2002
Glanz, Alexandra, ‘Laub und Leere’, in: Hannoversche Allgemeine Zeitung, Hanover, August 23, 2002
Amitai, Paul, ‘David Claerbout’, in: New Art Examiner, Chicago, vol. 29, no. 5, May-June 2002, ill.
Bettinger, Sven-Claude, ‘ “Geschlossene Welt, offene Bücher” ‘, in: DeutschlandRadio Berlin [http:www.dradio.de/cgi-bin/es/neu-fazit/735.html], August 13, 2001

2001
Berlin biennale für zeitgenössische Kunst (ed.), ‘2. berlin biennale 2001’, Cologne: Oktagon, 2002, vol. 1, p. 66-71, vol. 2., p. 382-383, ill. (exh.cat.)
Museum Dhondt-Dhaenens (ed.), ‘Aubette. Het verlangen naar een (andere) plaats’ [text by Edith Doove], 2001 (exh.cat.)
Levin, Thomas Y., ‘ “Le tremblement de la représentation” Ute Friederike Jürss et l’estétique de l’image hétérochronique’, in: Les Cahiers du Mnam, no. 78, Winter 2001-2002
Auer, James, ‘Abstract photography creates mind-boggling delight at inova’, in: Milwaukee Journal Sentinel, December 13, 2001
Lambrecht, Luk, ‘Het verlangen naar een (andere) plaats’, in: De Morgen, Brussels, November 3, 2001
Laureyns, Jeroen, ‘Terugkeer van de romantiek’, in: DeStandaard (Belgium), October 16, 2001, p. 16
Dorn, Anja, ‘David Claerbout’, in: Frieze, London, no. 61, September-October 2001, ill.
Gibbs, Michael, ‘Say it with flowers’, in: Art Monthly, London, no. 249, September 2001, p. 58
Erfle, Anne, ‘Stillstand in der Villa Corthout’, in: Süddeutsche Zeitung, Munich, July 11, 2001, p. 19
Dumont-Mergeay, Martine, ‘ “Rappresentatione” hésitante’, in: La Libre Belgique, Brussels, February 6, 2001, ill.
Reininghaus, Frieder, ‘Agitprop, katholisch. De’Cavalieris “Rappresentazione di Animoa et di Corpo” ‘, in: Frankfurter Allgemeine Zeitung, Frankfurt, February 6, 2001, ill.
Jungheinrich, Hans-Klaus, ‘Unwiderleglichkeit des schönen Platonismus’, in: Frankfurter Rundschau, Frankfurt, February 5, 2001, ill.
Lucas, Jean, ‘Bruxelles – La Monnaie: S’agit-t-il réellement du premier opéra? “Rappresentazione di Anima e di Corpo”, de Cavalieri: tentative de mise en scène’, in: La Voix du Luxembourg, Luxembourg, February 5, 2001
Maes, Frank, ‘belle comme la femme d’un autre’, in: Janus (BE), no. 7, 2001, ill.
Marcelis, Bernard, ‘Review: Berlin Biennale 2001’, Paris, no. 270, 2001, ill.

1999
MUHKA (ed.), ‘Trouble Spot•Painting’, Ghent: Imschoot, 1999, p. 38, ill. (exh.cat.)
Matzer, Ulrike, ‘Salzburg: Elke Boon, Dirk Braekman, David Claerbout: “Interference: Locations in Memory and Time” ‘, in: Springerin, Vienna, vol. 5, no. 4, Winter 1999
–, ‘Diffuse Spannung mit Videos’, in: Westdeutsche Allgemeine Zeitung, Essen, September 14, 1999
Lambrecht, Luk, ‘De gestolde blik van David Claerbout’, in: De Morgen, Brussels, June 21, 1999, p. 28, ill.
LL, ‘Kunst in de fabriek’, June 21, 1999
Doswald, Christoph, ‘Eingefrorene Zeit’, in: Neue Bildende Kunst, Berlin, no. 1/2, February 1999, pp. 49-50, ill.

1998
Engel, Beate, [review], in: WOZ die Wochenzeitung, Zurich, December 1998
–, ‘Denken over de tijd’, in: Tijd-Cultuur, Berchem, October 28, 1998, p. 18, ill.

1997
Willlemsen, Paul, ‘David Claerbout reanimeert oude beelden’, in: De Standaard (Belgium), September 30, 1997, p. 9

Awards and Grands

2010
Peill-Preis, Düren

2007
Will-Grohmann-Preis der Akademie der Künste, Berlin
Cultuurprijzen Vlaanderen, Beeldende Kunst

2002
DAAD, Berlin

1997
Prix de la jeune peinture belge, Brussels

Public Collections

MAC-Grand Hornu
Musée d’art contemporain de Strassbourg
Sammlung Goetz, München
Province of Antwerp
ARC Musée d’Art Moderne de la Ville de Paris
Museum für moderne Kunst, Frankfurt
Hamburger Bahnhof, Berlin
Theatre National de la Monnaie, Brussels
MUHKA, Antwerp
FRAC Nord Pas de Calais
SMAK, Ghent
Galerie Neue Meister, Dresden
Sammlung Hauser und Wirth, St. Gallen
Flick Collection
Centre Georges Pompidou Musée National d’Art Moderne, Paris
Emanuel Hoffmann Stiftung, Basel
Fondation Antoine de Galbert, Paris
Lenbachhaus, München
Autostadt, Wolfsburg
GAM, Galleria D’Arte Moderna et Contemporanea, Torino
De Pont museum voor hedendaagse kunst, Tilburg
Boijmans van Beuningen, Rotterdam
Musées Royaux, Brussels
Collection Pierre Huber, Switzerland
Fondazione Morra Greco, Naples
Kunsthalle Mannheim
Mudam, Luxembourg
CAB Centro de Arte Caja, Burgos