Born in 1964, Aylesbury, UK
Lives and works in London and New York
Solo Exhibitions
2015
“All-Imitate-Act, Stedelijk Museum/Holland Festival”, Amsterdam, The Netherlands
“The Thought Style Meets the Thought Collective”, Maureen Paley, London, UK
“Four Developments and a Thought Collective”, Alfonso Artiaco, Naples, Italy
“1 Rue Gabriel Tarde, Sarlat- La-Canéda, Dordogne”, Galerie Micheline Szwacjer, Brussels, Belgium
2014
Esther Schipper, April 2014, Berlin, Germany
“From 199A to 199B”, Le Magasin, Grenoble, France
“Complete bin Develoment”, Galerie Hans Mayer, Düsseldorf,Germany
2013
“Five Structures and a Shanty”, Gallery IHN, Seoul
“For the doors that are welded shut”, Kerlin Gallery, Dublin
“From Fredensborg to Halen via Loch Ruthven – Courtyard Housing Projections”, HICA (Highland Institute of Contemporary Art)
“Margin Time 2 and Laguna Discussion Platform”, Austin Museum of Art
“November 1 – December 21” Casey Kaplan, New York
“Vertical Disintegration” Taru Naso, Tokyo
‘Liam Gillick”, The contemporary Austin, Austin, Texas
2012
Margin Time, Maureen Paley, London
From 199A to 199B: Liam Gillick, Hessel Museum of Art, Bard College, New York
Scorpion and und et Felix, Casey Kaplan, New York
Agreements, McNamara and Lead Times, Taro Nasu, Tokyo
Scorpion or Felix, Galerie Eva Presenhuber, Zürich
Four Propositions Six Structures, Alfonso Artiaco, Naples
2011
A Game of War Structure, Irish Museum of Modern Art, Dublin
Sit in the Machine, Air de Paris, Paris, France
Sit on the Machine, Galerie Micheline Szwajcer, Antwerp, Belgium
A Syntax of Dependency (with Lawrence Weiner), Museum van Hedendaagse Kunst Antwerpen (MuHKA), Antwerp
2010
One long walk… Two short piers…, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn
Everything Good Goes, Meyer Kainer, Vienna
Seven structures and a large vodka soda, Kerin gallery, Dublin
Shots Films by Liam Gillick, Fort Worth Contemporary Arts, Forth Worth
1848!, Esther Schipper, Berlin
Discussion Bench Platforms, a “Volvo” Bar + Everything Good Goes, Casey Kaplan Gallery, New York
2009
Sydney Biennale, Sydney
Three Perspectives and a Short Scenario, Museum of Contemporary Art, Chicago
The one hundred and sixty-third floor: Liam Gillick Curates the Collection, MCA, Chicago
Executive Two Litre GXL, MAK – Austrian Museum of Applied Arts / Contemporary Art, Vienna
Wall diagrams from the 1990s and early 2000s, House of Art, Budweis, Czech Republic
The future always acts differently, German pavilion, Biennale di Venezia, Venice
2008
Sydney Biennale, Sydney
Three Perspectives and a Short Scenario, Witte de With, Rotterdam
Three Perspectives and a Short Scenario, Kunsthalle Zürich, Zürich
Fractional Factories in the Snow, Air de Paris, Paris
Kunstverein München, Munich
2007
The State Itself as a Super Commune, Galerie Micheline Szwajcer, Antwerpen
The Commune Itself Becomes a Super State, Corvi-Mora, London
Weekend in So Show, The Lab, Belmar, CO, USA
2006
Briannnnn & Ferryyyyy (with Philippe Parreno), Kunsthalle, Zürich
Edgar Schmitz, ICA, London
We Are Medi(eval) (with Angela Bulloch), Cubitt Artists, London
Literally Based on HZ, Kerlin Gallery, Dublin
The State itself becomes a super commune, Esther Schipper, Berlin
2005
Liam Gillick, The Two Hundred and Twenty-Second Floor, Galerie Eva Presenhuber, Zurich
Liam Gillick. Texte court sur la possibilité de créer une economie de l’equivalence, Palais de Toyko, Paris
McNamara Motel, CAC Centro de Arte Contemporáneo, Malága
Presentism, Corvi-Mora, London
Övningskörning (Driving Practice Parts 1-30), Milwaukee Art Museum, Milwaukee
Another 2004 Again, Baltimore Museum Of Art, Baltimore
Briannnnn & Ferryyyyy (with Philippe Parreno), Vamiali’s, Athens
Texte court sur la possibilité de créer une économie de l’équivalence, La Casa Encendida, Madrid
As you approach the edge of town the lights are no softer than they were in the centre…, Casey Kaplan Gallery, New York
Fabriken im Schnee…, Galerie Meyer Kainer, Vienna
M/M (Paris), Frankfurter Kunstverein, Frankfurt
2004
Construccion de Uno, Galeria Javier Lopez, Madrid
A Group of People, Air de Paris, Paris
Liam Gillick, Aspen Art Museum, Aspen
Underground (Fragments of Future Histories), Galerie Micheline Szwajcer, Antwerp
2003
Hills and trays and…, Schipper & Krome, Berlin
…punctuated everydays, Galerie Max Hetzler, Holzmarktstrasse, Berlin
Liam Gillick: communes, bars and greenrooms, The Power Plant, Toronto
Projects 79. Liam Gillick: Literally, MoMA QNS, New York
Liam Gillick, London Underground, in collaboration with Frieze Art Fair, London
2002
The Wood Way, Whitechapel Art Gallery, London
Light Technique, Galerie Meyer Kainer, Vienna
Liam Gillick, Galerie Rüdiger Schöttle, Munich
2001
Firststepcousinbarprize, Galerie Hauser & Wirth & Presenhuber, Zürich
Liam Gillick, Galeria Javier Lopez, Madrid
Liam Gillick, Corvi-Mora, London
Annlee You Proposes, Tate Britain, London
Dedalic Convention, Salzburger Kunstverein, Salzburg
2000
Liam Gillick, Galleri Charlotte Lund, Stockholm
Liam Gilllick, Themagazineofthe4thofMarch, Galerie Schipper & Krome, Berlin
Consultation Filter, Westfälischer Kunstverein, Münster
Schmerz in einem Gebäude, Fig 1, London
Woody, CCA Kitakyushu Project Gallery, Kitakyushu, Japan
Literally No Place, Air de Paris, Paris
Renovation Filter: recent past and near future, Arnolfini, Bristol
Liam Gillick, Casey Kaplan Gallery, New York
1999
Liam Gillick, Kunsthaus Glarus, Glarus.
Liam Gillick, Galerie Rüdiger Schöttle, München
David, Frankfurter Kunstverein, Frankfurt am Main
1998
Liam Gillick, Kunstverein, Hamburg
Up on the twenty-second floor, Air de Paris, Paris
When Purity Was Paramount, British Council, Prague
Big Conference Center, Orchard Gallery, Derry
Liam Gillick, Robert Prime, London
Révision: Liam Gillick, Villa Arson, Nice
When Do We Need More Tractors? Schipper & Krome, Berlin
The Trial of Pol Pot (with Philippe Parreno), Le Magasin, Grenoble
Liam Gillick, c/o Atle Gerhardsen, Oslo
1997
Discussion Island, Basilico Fine Arts, New York
Discussion Island – A What If? Scenario Report, Kunstverein, Ludwigsburg
A House in Long Island, FORDE, Espace d’Art Contemporain, L’Usine, Geneva
Another Shop in Tottenham Court Road, Transmissiom Gallery, London
McNamara Papers, Erasmus and Ibuka! Realisations, The What If? Scenarios, Le Consortium, Dijon
Reclutamento!, Gallery Emi Fontana, Milan
1996
Erasmus is Late ‘versus’ The What If? Scenario, Schipper & Krome, Berlin
Liam Gillick, Raum Aktueller Kunst, Vienna
The What If? Scenario, Robert Prime, London
Documents (with Henry Bond), Schipper & Krome, Cologne
1995
Ibuka! (Part 1), Air de Paris, Paris, France
Ibuka! (Part 2), Kuenstlerhaus, Stuttgart, Germany
Ibuka!, Galerie Emi Fontana, Milan, Italy
Part Three, Basilico Fine Arts, New York, USA
Documents (with Henry Bond), Kunstverein Elsterpark, Leipzig
1994
McNamara, Schipper & Krome, Köln, Germany
Documents (with Henry Bond), Ars Futura, Zurich, Switzerland
Liam Gillick, Interim Art, London
1993
Documents, (with Henry Bond), CCA, Glasgow
An Old Song and a New Drink (with Angela Bulloch), Air de Paris, Paris
1992
McNamara, Hog Bikes and GRSSPR, Air de Paris, Nice
1991
Documents (with Henry Bond), Karsten Schubert Ltd, London
Documents (with Henry Bond), APAC, Nevers, France
Documents (with Henry Bond), Gio’ Marconi, Milan, Italy
1989
84 Diagrams, Karsten Schubert Ltd, London
Group Exhibitions (selection)
2015
“Beginnings”, Galerija Vartai, Vilnius, Lithuania
“Dimensions Variable, Artists and Architecture”, Pavillon de l’Arsenal, Paris, France
“British Art Show 8”, Leeds Art Gallery, Leeds, UK, touring to: Scottish National Gallery of Modern Art, Talbot Rice Gallery, University of Edinburgh, and Inverleith House, Royal Botanic Garden Edinburgh (2016); Norwich University of the Arts and Norwich Castle Museum and Art Gallery (2016); John Hansard Gallery and Southampton City Art Gallery (2017)
“Hotel Theory”, REDCAT, CalArts, Los Angeles, USA
“Second Oeuvre”, Preface, Toulouse, France
“L’exposition d’un film”, Centre Pompidou, Paris, France
6th Moscow Biennale, Moscow, Russia
10th Kaunas Biennial NETWORKED, Threads: Fantasmagoria about Distance, curated by Nicolas Bourriaud, Kaunas, Lithuania
14th Istanbul Biennial SALTWATER: A Theory of Thought Forms, drafted by Carolyn Christov-Bakargiev, Istanbul, Turkey
“Archi-Sculpture”, Villa Datris, Fondation pour la Sculpture Contemporaine, L´Isle-sur-la-Sorgue, France
“Collecting Line II – Drawings from the Ringier Collection”, Villa Flora, Winterthur, Switzerland
“Colección Jumex, In Girum Imus Nocte et Consumimur Igni”, Museo Jumex, Mexico City, Mexico
“Sommer Kino”, Johnen Galerie, Berlin, Germany
“Works From The Frac Nord Pas De Calais Collection”, Herbert Foundation, Ghent, Belgium
“Leben Mit Kunst – Teil 2, 50 Jahre Sammlung, Siegfried Und Jutta Weishaupt”, Kunsthalle Weishaupt, Ulm, Germany
“International Currency”, Lodos, Mexico City, Mexico
“Summer Exhibition”, Royal Academy of Arts, London, UK
“All-Imitate-Act”, Holland Festival International performing arts, Museumplein, Amsterdam, The Netherlands, traveling to LUMA Foundation, Arles, France
“Pop Art Design”, Emma, Finland touring to Henie-Onstad Kunstsenter, Hovikodden, Norway.
do it, Anne & Gordon Samstag Museum of Art, University of South Australia, Adelaide
“Works on Paper”, Galerie Eva Presenhuber, Zurich, Switzerland
“I st Chapter: The Importance of Being a (Moving) Image”, Prague National Gallery, Prague
“Space Between”, FLAG Art Foundation, New York, NY
“Not: The Art of Resistance”, Manchester School of Art Holden Gallery, Manchester
“Adventures of the black square: Abstract art and society”, Whitechapel Gallery, London
2014
“International Company of Wagons Lit etc. etc.”, (with Rachel Harrison), Meyer Kainer, Vienna, Austria
“Confessions of the Imperfect, 1848-1989-Today”, Van Abbemuseum, Eindhoven, The Netherlands
“Petals on the Wind”, Galerie Micheline Szwajcer, Brussels
“Monochrome & Readymades”, L’Onde Théâtre Centre d’art, Velizy-Villacoublay.
“El Hotel Eléctrico”, M_kha, Antwerp.
“Last News from the Ether”, La Panacée, Montpellier.
“The Decade 1984-1999”, Centre Pompidou, Metz.
2013
“Draft Urbanism, The Biennale of the Americas”, Denver, July 2013 (collaboration with Simon Critchley)
“Contemporary Artists of the Donegal Diaspora”, Regional Cultural Centre, Letterkenny, July 2013
“Unknown Forces”, Tophane-i Amire, Istanbul, Aug 31, 2013
“One foot in the real world”, Irish Museum of Modern Art, Dublin, October 2013
“Nuit Blanche”, Paris, October 5, 2013
“9 Artists”, Walker Art Center, October 24, 2013
2012
Abstract Possible: The Stockholm Synergies, Tensta Konsthall, Stockholm
Utopia Gesamtkunstwerk, 21er Haus, Vienna
Schrift Bild, Galerie Meyer Kainer, Vienna
The Poster Show, Galerie Carlier-Gebauer, Berlin
Print/Out, MoMA, New York
Positions on Conceptual Art, Galerie Rüdiger Schottle, Köln
True Stories: Scripted Realities, Govett-Brewster Art Gallery, New Plymouth, New Zealand
How to Make – Ideen, Notationen, Materialisierungen, Kunsthaus Dresden
Read, Look! We promise it’s not dangerous, Emily Harvey Foundation, New York
Wir treffen uns am Abend, Galerie Kamm, Berlin
Soundworks, ICA, London
Painting in Space, Luhring Augustine, New York
2011
No more presence, The Artist’s Institute, New York.
Someone else’s life, Kerlin Gallery, Dublin.
Modern British Sculpture, Royal Academy, London.
Scaffolding of contrition, LeRoy Neiman Gallery, New York.
We Are Grammar, Pratt Institute Gallery, New York.
A lunatic on bulbs, Giorgio Pace Projects, Chesa Planta.
Police!, Galerie Nathalie Seroussi, Paris.
Abstract Possible, Museo Tamayo, Mexico, D.F.
I am still alive, MoMA, New York.
Space Oddity, Kunsthalle Andratx.
Contemporary Magic: A Tarot Deck art project, Andy Warhol Museum, Pittsburgh.
Sculpture Now, Galerie Eva Presenhuber, Zurich.
Out of storage, Marres, Maastricht.
Conversation Pieces, Tate, Liverpool.
2010
SHAZAM!, Gerhardsen Gerner, Berlin
A Testbed of Futurity, Southfirst, New York
FAX, PARA/SITE ART SPACE, Hong Kong
Pictures about Pictures, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna
Self-Fulfilling Prophecies, Leo Koenig, New York
Pictures about Pictures. Discourses in Painting from Albers to Zobernig, Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK), Vienna
Between Metaphor and Object, Irish Museum of Modern Art, Dublin
Fantaisie et Île, FRAC Corse, Corsica
Feel Home, Cultuurcentruum Strombeek, Grimbergen
Film Matters, Beton 7, Athens
The Promises of the Past / Les Promesses du Passé, Centre Pompidou, Paris
Post-office, Artspace, Auckland
Before Present, Villa du Parc, Annemasse, France
Aires de jeux, la police ou les corsaires (curated by Keren Detton et Vincent Romagny), Le Quartier, Quimper
2009
Beaufort 03 – Triënnale voor Hedendaagse Kunst, Zeebrugge
Saints and Sinners, The Rose Art Museum, Brandeis University, Waltham, Massachusetts
Just What Are They Saying, Jonathan Ferrara Gallery, New Orleans, Louisiana
Espèce d’Espace, Yvon Lambert, New York
Unbuilt Roads, e-flux, New York
Because I Say So…, Patricia & Phillip Frost Art Museum, Florida International University, Miami
Fax, The Drawing Center, New York
La Recherche, Air De Paris, Paris
Tempo Del Postino (curated by Hans Ulrich Obrist), Basel Theater, Basel
Traces: Imma Limited Editions, Irish Museum of Modern Art, Dublin
We Are Sun-Kissed and Snow-Blind, Galerie Patrick Seguin, Paris
2008
Any space whatsoever, Solomon R. Guggenheim Museum, New York
Turner Prize: A Retrospective, Mori Art Museum, Tokyo
Kunstmaschinen. Maschinenkunst, Museum Tinguely, Basel
Color Chart, Museum of Modern Art, New York
Turner Prize: A Retrospective, Moscow Museum of Modern Art, Moscow
The Vincent Awards, Stedelijk Museum, Amsterdam
2007
Lapdogs of the Bourgoisie, Platform Garanti, Istanbul
Collateral: When Art Looks at Cinema, Hangar Bicocca, Milan
Los Vinilos, El Basilico, Buenos Aires
Models for Tommorow: Cologne, EU Kunsthalle, Köln
Pure, Sean Kelly, New York
Airs de Paris, Centre Pompidou, Paris
The Redistribution of the Sensible, Galerie Magnus Muller, Berlin
The Shapes of Space, Guggenheim Museum, New York
Memorial to the Iraq War, ICA, London
If Everybody Had an Ocean, Tate, St. Ives
Trajectory 4: AKA Institute of Contemporary Art, Old Harbour, Riga
Perspective 07, Lenbachhaus, Munich
Intocable (El ideal de la transparencia), The Museum of Contemporary Art, Valladolid
It starts from here, De La Warr Pavillion
Edition Schellmann Door Cycle, Friedrich Petzel Gallery, New York
Franchise, Assen
Fourier, Centre d’art mobile, Besançon
If Everybody Had an Ocean, CAPC, Bordeaux
Tomorrow, Artsonje, Seoul
2006
Manifesta 6, Cyprus
Broken Surface: ein Editionsprojekt, Galerie Sabine Knust, München
Eine Person Allein In Einem Raum Mit Coca-Cola-Farbenen Wänden, Grazer Kunstverein, Graz
Projekt Projektion, Kunstmuseum Luzern, Luzern
Group Exhibition, The Sculpture Center, New York
Bühne des Lebens, Lenbachhaus, Munich
Tate Triennial, Tate Britain, London
L´Exposition Qui N´Existe Pas, MAMCO, Genève
Minimalism and After IV: Neuerwerbungen, DaimlerChrysler
Contemporary, Berlin
The Party, Casey Kaplan, New York
Supernova, Contemporary Art Centre, Vilnius
Galleri MGM, Oslo
2005
Thank You for the Music, Sprüth Magers, Munich
Nur Hier? Teil III – Im Bild Sein, Hochschule für Grafik und Buchkunst, Leipzig
Strictly Confidential: From the Collection of Marc & Josée Gensollen, Centre
International d’Art et du Paysage de l’Ile de Vassivière, Ile de Vassivière
Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Guarene/Torino
Reception, Büro Friedrich, Berlin
En Route: Via Another Route, Trans-Sibirian train, Moscow to Beijing
Passion Beyond Reason, Wallstreet One Gallery, Berlin
Rundlederwelten, Martin-Gropius-Bau, Berlin
Ambiance, K21, Düsseldorf
Extreme Abstraction, Albright Knox Art Museum, Buffalo
Cohabitats, Galerie Ghislaine Hussenot, Paris
Goodbye 14th Street, Casey Kaplan Gallery, New York
Post Notes, ICA, London; Midway Contemporary Art, Minneapolis
Group Show, Air de Paris, Paris
EN/OF 001-030, Museum Kurhaus, Kleve
Icestorm, Kunstverein München, Munich
Go-Between, Bregenzer Kunstverein Magazin 4, Bregenz
I Really Should…, Lisson Gallery, London
Nach Rokytník: Die Sammlung der EVN, MUMOK, Vienna
Exit – Ausstieg aus dem Bild, ZKM, Karlsruhe
The Furniture of Poul Kjaerholm and Selected Artwork, Sean Kelly and 20th
Century, New York
Good Titles for Bad Books, Kevin Bruk, Miami
Strange, Familiar and Unforgotten, Galerie Erna Hecey, Brussels
Anna Sanders Films, Cinema Svetozor, Prague
Supernova, Bunkier Sztuki, Kraków
La La Land, The Project, Dublin
General Ideas: Rethinking Conceptual Art 1987-2005, CCA Wattis, San Francisco
Etc., Le Consortium, Dijon
Snow Black, Yvon Lambert, New York
2004
Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Guggenheim Museum, New York
Specific Objects, Galerie Mehdi Chouakri, Berlin
Before the end (cur. by Stéphane Moisdon Trembley), Le Consortium, Dijon
Across the Border, MDD – Museum Dhondt-Dhaenens, Deurle
Russian Doll, MOT Unit 54, London
Artist’ Favorites. Act I + Act II, ICA Institute of Contemporary Arts, London
Emotion Eins, Ursula Blickle Stiftung, Kraichtal; Frankfurter Kunstverein, Frankfurt am Main
Drunkenmasters, Galeria Fortes Vilaca, Sao Paulo
ON SIDE, (with Henry Bond, cur.by Albano Silva Pereira, Miguel Amado),
CAV Centro De Artes Visuais, Coimbra, Portugal.
Utopia Station, Haus der Kunst, München
100 Artists see Good, ICA Institute of Contemporary Arts, London
2003
Perfect Timeless Repitition, c/o Atle Gerhardsen, Berlin
Re-Produktion 2, Georg Kargl, Vienna
Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zurich
This was Tomorrow, New Art Centre, Salisbury
JRP Editions, Galería Javier Lopez, Madrid
Form Specific: Arteast Exhibition, Moderna Galerija, Ljubljana
Soziale Fassaden u.a, Lenbachhaus München
Utopia Station, La Biennale di Venezia, Venice
Imperfect Marriages, Galleria Emi Fontana
I Moderni, Castello di Rivoli Museo d’Arte Contemporana, Rivoli (Torino)
25th International Graphic Biennial, Ljubljana
EN/OF Editionen, Heeresbäckerei Guestroom, Berlin
Abstraction Now, Künstlerhaus Wien, Vienna
C’est arrivé demain, 7e Biennale de Lyon, various venues, Lyon
Familiy Likenesses, Institute of Visual Culture, Cambridge
Coollustre, Collection Lambert en Avignon, Avignon
Adorno. Die Möglichkeit des Unmöglichen, Frankfurter Kunstverein, Frankfurt am Main
A film, a clip, a documentary, Corvi-Mora, London
2002
Urgent Painting, ARC Musée d’Art Moderne de la Ville de Paris, Paris
Passenger: The Viewer as Participant, Astrup Fearnley Museum, Oslo
Nothing, Mead Gallery, Warwick
Minimal Maximal, National Museum of Contemporary Art, Seoul
Do It, Museo de Arte Camillo Gil, San Angel
J’en ai pris des coups mais j’en ai donnés aussi, Galerie chez Valentin, Paris
Art & Economy, Deichtorhallen, Hamburg
Reflexions, Monika Sprüth Philomene Magers, Munich
Everything Can Be Different, University of Memphis, Tennesee
Void, CCA Kitakyushu, Rice Gallery, Tokio
Startkapital, K21, Dusseldorf
Parallel Structures, Gertrude Contemporary Art Spaces, Fitzroy, Victoria
Private Views, Printed Space, London
The Ink Jetty, Neon Gallery, London
Inframince, Cabinet Gallery, London
Dark Spring, in Kooperation mit Liam Gillick, Ursula Blickle Stiftung, Kraichtal
Flash Two: JRP Editions, cbb.chouakri brahms, Berlin
Häuser für Leipzig. KünstlerInnen als ArchitektInnen, Galerie für zeitgenössiche Kunst, Leipzig
Liam Gillick, Ann Lee Proposes, 2001, Fondation Mamco, Geneva
Happy Outsiders from Scotland and London, Zachetal, Warsaw: City Gallery, Katovice
The Object Sculpture, Henry Moore Institute, Leeds
Sans Consentement, CAN Centre d’Art Neuchâtel, Neuchâtel
The Movement Began with a Scandal, Lenbachhaus, Munich
JRP Editions, RAK, Vienna
Collected Contemporaries, Moderna Museet, Stockholm
Summer Cinema, Casey Kaplan, New York
Multiples X, London Print Studio, London
No Ghost Just a Shell, Kunsthalle Zurich
Société Perpendiculaire: La Tapisserie, FRAC Provence-Alpes-Côte d‘Azur
Collections, ZKM, Karlsruhe
Strike, Wolverhampton Art Gallery
The Unique Phenomena of a Distance, Magnani, London
The Galleries Show: Contemporary Art in London, Royal Academy of Arts, London
Touch: Relational Art from the 1990‘s to now, San Francisco Art Institute, San Francisco
Turner Prize, Tate Gallery, London
This Play 31, La coleccion Jumex, Mexico
L’Image Habitable (The Living Image), MAMCO, Geneva
It’s Unfair, Museum de Paviljoens, Almere
No Ghost Just a Shell, Institute of Visual Culture, Cambridge
2001
Century City, Tate Modern, London
Demonstration Room: Ideal House, Apex Art, New York
Histoire de Coeur, collection Michel Poitevin, Fondation Guerlain, Les Mesnuls
There’s gonna be some trouble, a whole house will need rebuilding, Rooseum, Malmö
Stop and Go, FRAC Nord-Pas de Calais, Dunkerque
Future Perfect, Orchard Gallery, Derry
Minimal-Maximal, City Museum of Art, Chiba; National Museum of Art, Kyoto;
City Museum of Art, Fukuoka
Nothing, Northern Gallery for Contemporary Art, Sunderland; Contemporary Art
Centre, Vilnius; Rooseum, Malmö
2nd berlin biennale, Postfuhramt, Kunst-Werke and other locations, Berlin
Contemporary Utopia, Latvian Centre for Contemporary Art, Riga
Collaborations with Parkett: 1984 to now, Museum of Modern Art, New York
International Language, Grassy Knoll Productions, various sites, Belfast
Strategies against Architecture II, Laboratorio per l’Arte Contemporanea,
Fondazione Teseco, Pisa
Lyon Bienale, Musée d’art contemporain, Lyon
The Wedding Show, Casey Kaplan, New York
A New Domestic Landscape, Galeria Javier Lopez, Madrid
Geometry and Gesture, Thaddeus Ropac, Salzburg
A Timely Place, or, Getting Back to Somewhere, London Print Studio, London
Dedalic Convention, MAK-Galerie, Vienna
Stéphane Dafflon, Lim Gillick, Xavier Veilhan, Le spot, Le Havre
The Communications Department, Anthony Wilkinson Gallery, London
Ambiance Magasin, Meymac Centre d‘art Contemporain
Beautiful Productions: Parkett, Whitechapel Gallery, London
Demonstration Room: Ideal House, NICC, Antwerp
Open Plan P3 – The Marathon, Alphadelta Gallery, Athens
Everything Can Be Different, Jean Paul Slusser Gallery, University of Michigan School of Art, Ann Arbor/University of Memphis, Maryland Institute College of Art, Baltimore
Rumour City, Raffinerie, Brussels; TN Probe, Japan
En/Of, Schneiderei, Cologne
The End of All Things, with Douglas Gordon, Galleria Massimo de Carlo, Milan
Stadt unter dem Himmel/City under the Sky, Part 3, BüroFriedrich, Berlin
MEGA-WAVE-Towards a New Synthesis, International Triennale of Contemporary Art, Yokohama
Strategies against Architecture II, Laboratorio per l’Arte Contemporanea, Pisa
Ingenting, Rooseum, Malmö
I love Dijon, Le Consortium, Dijon
…if a double-decker bus crashes into us to die by your side such a heavenly way to die and if a ten ton truck kills the both of us to die by your side the pleasure and the privilege is mine…, Air de Paris, Paris
2000
29th International Film Festival, Rotterdam
Continuum 001, CCA, Glasgow
Stortorget i Kalmar, Stadens Konstråds Galleri, Kalmar
Media City, Seoul
Group Show, Casey Kaplan Gallery, New York
Wider Bild Gegen Wart. Positionen zu einem politischen Diskurs, RAK, Vienna
14 + 1, Kunst aus den EU-Ländern, Feichtner & Mizrahi, Wien
Decompressing History, Galeri Enkehuset, Stockholm
Viva Maria, Galerie Admiralitätsstraße, Hamburg
British Art Show 5, Touring Exhibition, Edinburgh, Southampton, Cardiff, Birmingham
Dire Aids. Arte nell’epoca dell’Aids, Palazzo della Promotrice delle Belle Arti, Turin
Working Title, Stanley Picker Gallery, Kingston University
What If, Art on the Verge of Architecture and Design, Moderna Museet, Stockholm
Etat des Lieux #2, Préfiguration du Museum of Contemporary Art, Tucson (AZ)
Collection JRP, FriArt, Centre d’Art contemporain, Fribourg
Interplay, The National Museum of Contemporary Art, Oslo
Paula Cooper Gallery, New York
Future Perfect, Centre for Visual Arts, Cardiff
Haut de Forme et Bas Fonds, FRAC Poitou-Charentes, Angoulême
Vicinato 2, Fig 1, London
Vicinato 2, Galerie neugerriemschneider, Berlin, Werkleitz Biennale, Tornitz
Wider Bild Gegen Wart. Positions to a Political Discourse, Nieuw Internationaal Kultureel Centrum, Antwerp
Perfidy, Le Corbusier Chapel, La Tourette
Protest and Survive, Whitechapel Gallery, London
e-moma, The Museum of New Art, Detroit
Aussendienst. Kunstprojekte in öffentlichen Räumen Hamburgs, Kunstverein in Hamburg
Indiscipline, Roomade, Brussels
Que saurions-nous construire d’autre? (What else could we build?) La Villa Noailles
Casa Ideal, Museo Alejandro Otero, Caracas
Intelligence, Tate Britain, London
More Shows about Buildings and Food, Lisbon
Perfidy, Kettles Yard, Cambridge
How do you change an apartment that has been painted brown? Certainly not by painting it white, Institute of Visual Culture, Cambridge
Ausstellung der Jahresgaben, Westfälischer Kunstverein, Münster
Corvi-Mora, London
Future Perfect, Cornerhouse, Manchester
1999
Playtimes, Centre National d’Art Contemporain de Grenoble, Grenoble
Oldnewtown, Casey Kaplan, New York
Konstruktionszeichnungen, Kunst-Werke, Berlin
Continued Investigation of the Relevance of Abstraction, Andrea Rosen Gallery, New York
Nur Wasser lässt sich Leichter schneiden, Hedrichsmühle, Hamburg Altona
12 artists, 12 rooms, Galerie Thaddeus Ropac, Salzburg
Air de Paris: works by AND/OR informations about, Grazer Kunstverein, Graz
Tang, Turner and Runyon, Dallas
Plug-ins, Salon 3, London
Etcetera, Spacex Gallery, Exeter
Laboratorium, Provincial Museum voor Fotografie and different locations in the city, Antwerpen
Out of Sight – A Cross-Reference Exhibition, BüroFriedrich, Berlin
Essential Things (curated by Guy Mannes Abbott), Robert Prime, London
In The Midst of Things, University of Central England, Bourneville
Le Capitale, (curated by Nicolas Bourriaud), Centre regionale d’art contemporain, Sete
The Space Here is Everywhere, Villa Merkel, Esslingen am Neckar
Objecthood 00, Athens
Tent, Centrum Beeldende Kunst, Rotterdam
dConstructivism: Life into Art, Brisbane
Shopping, FAT, London
Fantasy Heckler (curated by Padraig Timoney), Tracey, Liverpool Bienial
Art Lovers (curated by Marcia Fortes), Tracey, Liverpool Bienial
Transmute (curated by Joshua Decter), MCA Chicago
New York/London, Taché-Levy, Brussels
Get together – Kunst als Teamwork, with Henry Bond, Kunsthalle Wien, Karlsplatz, Wien
Jonathan Monk, featuring Delay Screen by Liam Gillick, Casey Kaplan, N.Y.
705 Wings of Freedom (curated by Uwe Schwarzer), Berlin
Officina e Europa, Bologna
Une histoire parmi d’autres, collection Michel Poltevin, FRAC Nord-Pas de Calais
Let’s Get Lost, Central St. Martins College of Art and Design, London
Tendenzen der 80er und 90er Jahre, Museum Für Neue Kunst, Karlsruhe
1998
Fast Forward, Kunstverein, Hamburg
Liam Gillick, John Miller, Joe Scanlan, Raum Aktueller Kunst, Wien
Artist/Author: Contemporary Artists’ Books, American Federation of Arts touring show, Weatherspoon Art Gallery, Greensboro/The Emerson Gallery, Clinton/The Museum of Contemorary Art, Chicago/Lowe Art Museum, Coral Gables/Western Gallery, Bellingham/University Art Gallery, Amhert
Interactive, An Exhibition of Contemporary British Sculpture, Amerada Hess, London
A to Z, (curated by Matthew Higgs), The Approach, London
Arena, Sport & Kunst, Ausstellungshalle im Rathaus, München
Construction Drawings, (curated by Klaus Biesenbach), PS1, New York
Kamikaze, Galerie im Marstall, Schloßplatz, Berlin
Inglenook, (curated by Evette Brachman), Feigen Contemporary, New York
In-significants, Stockholm, Sweden
London Calling, The British School at Rome & Galleria Nazionale d”Arte Moderna, Rome
Fuori Uso ‘98, Mercati Ortofrutticoli, Pescara
The Erotic Sublime (Slave to the Rhythm), Galerie Thaddaeus Ropac, Salzburg
Videostore, (organised by Nicolas Tremblay and Stephanie Moisdon), Brick and Kicks, Vienna
UK – Maximum Diversity, Galerie Krinzinger, Bregenz/Vienna
weather everything, Galerie für zeitgenössische Kunst, Leipzig
Entropy, (curated by Wilhelm Schurmann), Ludwigforum, Aachen
Places to Stay 4 P(rinted) M(atter), Buro Friedrich, Berlin
Odradek, (curated by Thomas Mulcaire), Bard College, New York.
Mise en Scène, Grazer Kunstverein, Graz
Minimal-Maximal, Neues Museum Weserburg, Bremen
Ghosts, Le Consortium, Dijon Dijon/Le Consortium.coll, Centre Georges Pompidou, Paris.
Cluster Bomb, Morrison Judd, London
The Project of the 2nd December, Salon 3, London
Projections, de Appel, Amsterdam
3+1=4*1, Galerie für Zeitgenössische Kunst, Leipzig
1997
Life/ live, Centro Cultural de Belém, Lisbon
Temps de Pose, Temps de Parole, Musée de l’achevinage, Saintes
Des Livres d’Artistes, L’Ecole d’Art de Grenoble, Grenoble
Ajar, Galleri F15, Jeløy, Oslo, Norway
Enter: Audience, Artist, Institution (curated by Barbara Steiner), Kunstmuseum, Luzern
4 projects/ 4 Events, Transmission Gallery, Glasgow
Space Oddities, Canary Wharf Window Gallery, London
Moment Ginza, (co-ordinated by Dominique Gonzalez-Foerster), Le Magasin, Grenoble
I Met A Man Who Wasn’t There, Basilico Fine Arts, New York
504, (curated by John Armleder), Kunsthalle Braunschweig, documenta X, Kassel
Enterprise, ICA, Boston
Group Show, Robert Prime, London
Ireland and Europe, Sculptors Society of Ireland, Dublin
Group Show, Vaknin Schwartz, Atlanta
Heaven- a private View, PS1, Long Island
Kunst..Arbeit, Südwest LB, Stuttgart
Hospital (curated by Sarah Morris), Galerie Max Hetzler, Berlin
1996
Co-operators, Southampton City Art Gallery, Southampton
Traffic, (curated by Nicholas Bourriaud), CAPC, Bordeaux
Kiss This, (curated by Jeremy Deller), Focalpoint Gallery, Southend
March à l’ombre, Air de Paris, Paris
Departure Lounge, The Clocktower, New York
Everyday Holiday, Le Magasin, Grenoble
Der Umbau Raum, Kunstlerhaus, Stuttgart, Germany
Dinner, (organised by Giorgio Sadotti), Cubitt Gallery, London
Some Drawings From London, (Curated by Kate Bernard), Princelet Street, London
Nach Weimar (curated by N. Schafhausen and K. Biesenbach), Landesmuseum, Weimar
How Will We Behave?, Robert Prime, London
Escape Attempts, Globe, Copenhagen
Life/Live, Musée d’Art Moderne de la Ville de Paris, Paris
Such is Life, Serpentine Gallery, London; Palais des Beaux Arts, Brussels; Herzliya Museum of Art
Itinerants Texts, Camden Arts Centre, London
Lost For Words, Coins Coffee Store, London
All in One, Schipper & Krome, Cologne
A Scattering Matrix (Curated by Jane Hart), Richard Heller Gallery, Los Angeles
Found Footage, Tanja Grunert & Klemens Gasser, Cologne
Glass Shelf Show, ICA, London
Supastore de Luxe, Up & Co., New York
Limited Edition Artist’s Books Since 1990, Brooke Alexander, New York
1995
Möbius Strip, Basilico Fine Arts, New York
Bad Times, (curated by Jonathan Monk), CCA, Glasgow
In Search of the Miraculous, Starkmann Library Services, London
Faction, Royal Danish Academy of Arts, Copenhagen, Denmark
La Labyrinthe Moral, Le Consortium, Dijon
Stoppage, CCC, Tours, France
Stoppage, Villa Arson, Nice, France
Summer Fling, Basilico Fine Arts, New York
Collection fin XX, FRAC Poitou Charentes, Angouleme
Karaoke, (curated by Georg Herold), South London Art Gallery
Ideal Standard Summertime, Lisson Gallery, London
Reserve-Lager-Storage, Oh!, Bruxelles, Belgium
Filmcuts, Neugerriemschneider, Berlin, Germany
New British Art, Museum Sztuki, Lodz, Poland
Brilliant (curated by Richard Flood), Walker Art Centre, Minneapolis, USA
Trailer (curated by Barbara Steiner), Mediapark, Köln
1994
Don’t Look Now, (curated by Joshua Decter), Thread Waxing Space, New York
Backstage, Kunstmuseum Luzern, Switzerland
Surface de Réparations, (curated by Eric Troncy), FRAC, Dijon, France
Cocktail I, Kunstverein in Hamburg, Germany
Public Domain (curated by Jorge Ribalta), Centro’ Santa Monica, Barcelona, Spain
Grand Prix (curated by Axel Huber), Monaco
Rue des Marins, Air de Paris, Nice, France
Mechanical Reproduction, (curated by Jack Jaeger), Galerie van Gelder, Amsterdam
WM/Karaoke, (curated by Georg Herold), Portikus, Frankfurt, Germany
Other Men’s Flowers, (curated by Joshua Compston), Hoxton Square, London
Miniatures, The Agency, London
Das Archiv, Camera Austria/Forum Stadtpark Graz, Austria
Lost Paradise (curated by Barbara Steiner), Kunstraum, Vienna, Austria
Surface de Réparations 2, FRAC, Dijon, France
The Institute of Cultural Anxiety, (curated by Jeremy Millar), ICA, London
1993
Terratorio Italiano, (curated by Giacinto di Pietrantonio), Milan, Italy
Gesellschaft für Aktuelle Kunst, (curated by Tom Eccles) Bremen
Travelogue, Hochschule fur Angewandte Kunst, (curated by Jackie McAllister), Vienna, Austria
Los Angeles International, Esther Schipper/Christopher Grimes, Los Angeles
July Wonderful Life, Lisson Gallery, London
Group Show, Esther Schipper, Köln, Germany
The London Photo Race, Friesenwall 120, Köln, Germany
Futura Book, Air de Paris, Nice, France
Points de Vue, Galerie Pierre Nouvion, Monaco
Manifesto (curated by Benjamin Weil), Hohenthal und Bergen, München
Backstage (curated by Stephan Schmidt-Wulffen & Barbara Steiner), Kunstverein in Hamburg
Two out of four dimensions, Centre 181, London
Dokumentation über, Arbeiten von, Esther Schipper, Cologne
Unplugged (curated by Nicolas Bourriaud), Cologne
1992
Tatoo, Air de Paris/Urbi et Orbi, Paris/Daniel Buchholz, Köln; Andrea Rosen, New York
Molteplici Culture, (selected by Giorgio Verzotti), Rome, Italy
Lying on top of a building.., Monika Sprüth, Köln/Esther Schipper, Köln/Le Case d’Arte, Milan
Manifesto, (curated by Benjamin Weil), Daniel Buchholz, Köln/ Castello di Rivara, Turin/ Wacoal Arts Centre, Tokyo/Urbi et Orbi, Paris
Etats Specifique, Musée d’art moderne, Le Havre, France
The Speaker Project, ICA, London
12 British Artists, Barbara Gladstone/SteinGladstone, New York
Group Show, Esther Schipper, Köln, Germany
Instructions, Gio’ Marconi, Milan, Italy
ON, Interim Art, London, GB
1991
No Man’s Time, CNAC, Villa Arson, Nice, France
Air de Paris à Paris, Paris, France
The Multiple Projects Room, Air de Paris, Nice, France
1990
The Multiple Projects Room, Air de Paris, Nice, France